So the same patch as last clip.. just adjusting parameters..
This is part 2 of a really LONG session.. If you want to hear more let mu know and i upload the rest.. 
(short patch notes: main modules, Ias Ieaskul F. Mobenthey  Denom and fourses, Verbos bark filter, 4Ms dld, mutable Elements and Clouds.. and of course panning with the amazing Koma Poltergiest. using the envlopes from the Bark filter to influence/CV a LOT of stuff.. Ohh some random from Wogglebug as well)

Barking at elements in the clouds

Used to a Guitar player that got into creative looping and moved on to modular synths and sound sculpting... now I am more of some sort of sound experimenter.
Main tool is Eurorack, but I use whatever toys that inspire..
My objective to music is to do something I find interesting and maybe good and to try to forge a personal and unique voice with my tools.. even if that is sort of impossible :-)
I also regard the road to that "voice" more important than the acutal goal.. i also invite you all to listen to me travling down that road..
So not all clips are meant to be "final products" they are more like a sound blogg of my development.. a develpment with unknown direction... as is all evolution

Enjoy

composer, performer, lecturer and analog synthesist who is endlessly fascinated by and exploring sound...

Pedrothe_Commie its a project from  “Tantrum” Torres is an audio explorer artist born in Chile who is currently based in Germany. 

Orientated to transformative interpretations and recreation of sounds experimenting with time based processors and filters on raw or synthetic samplers that he collected or recorded from different sources. 

Deconstructing with real-time reversing, pitching, modulating and mixing, creates an organic- textured dimensions of sounds, grainy drones,
cold and obscure soundscapes.

 Tantrum Torres it’s a member former of MiR (New Zealand) and collaborator with; Nina Grodhues (New Zealand),  MostroZapallo (Chile) And also in Solo projects as Herr-Torres & Pedro the Communist.

"Acoustic space is where time and space merge as they are articulated by sound." - Dr. Ros Bandt

Experiments in sound, rhythm and generative composition

Composer, videoartist:  www.onlandsound.com - www.oniricam.com -interaction image-sounds - contemporary, ambient, noise music orchestral instruments oriented - Venice Italy
- studies in composition and electronic music
- degree in aesthetics-philosophy in University of Padova on a study about the perception of space in live electronics in Prometeo of Luigi Nono
- attended different composition courses with composers like Helmut Lachenmann, Azio Corghi, Alvise Vidolin
- his work, makes attention to a strict live work with instrument players: recording and sampling instruments and ambient sounds, to bild "constellations" of sounds and scores to use, to reassemble, to rewrite them in different compositons; is activity include many compositions of instrumentals and electronics works for different ensembles; some musics are edited by Tourette label in Bayreuth (“Four constellations before a dawn”);
- he has been working on sound/image relationship creating several audio-visual works, making great attention to the landscape images and sounds of Marghera Industries, urban sounds, industrial noises;

some videos works

- L'ultimo sguardo di Orfeo
16th Torino Film Festival; shown at X Fano Film Festival; shown at Valdarno Cinema Fedic 1999; shown at Festival Fabbrica Europa 1999 as a multivision installation - Dialogues Festival at the Matthew Gallery, Edimburgh, 1999 - Koreja Theatre in Messina, november 2004, as a theatrical work directed by Albert Prommegger; editing Luca Rivelli;

- Aprendo i sigilli delle ombre (2000)
Experimenta 2000 (TimeZones) Alberobello; - "Incontri e Videodocumenti su Musica Teatro Comunicazione La vespa e l'orchidea II", Groggia theater, Venezia (2003); 

- Frammenti dai mondi perduti (Fragments from lost worlds) (2003)
61a Mostra Internazionale d'Arte Cinematografica Venezia Screenings section; commissioned by Regione Veneto, as an audio/visual concert, during the Videopolis Festival 2004 in Padova; editing Luca Rivelli;

- L.E.E.D.D. Last Electric Evening Dust Dance (2004)
Spazi/Ambienti/Metamorfosi Cà Foscari University and Université Paris1-Panthéon Sorbonne, at Magazzino del ferro Arsenal, as an audio/visual concert november 2004 - L'interprete creativo: progettare e comporre Confini e differenze a Venezia, Cà Foscari University Venice and Biennale Musica; - work included in the DVD produced by Live IXEM 2005 fesival, Venezia Mestre;

- Oniricam (for Guy Debord) by him and Luca Rivelli like co-author, performed live at Live!IXEM 06 festival, Rialto Santambrogio, Rome; - 404 Festival (404festival.com) Trieste, Vienna, Hasselt; - 4/6/07 Trieste, parco S. Giovanni - 404 Festival 2007; 14/6/07 Vienna, Fluc (fluc.at); 23/6/07 Hasselt, Belgio, Kunstencentrum (www.kunstencentrumbelgie.com); 14/8/07 Ludi Apollinares, Ispani (SA); 3/10/07 (S)definire la musica, Università di Venezia – Cà Foscari, in collaboration with 51 Festival Contemporary Music La Biennale di Venezia.

Manuel C Posadas e-mail: manuel.posadas@libero.it

Barking at elements in the clouds

Anders Bergdahl