Ok so hear is another attempt on a "complexity" patch.. Wugglebug and Brainseed patched to produce random and variations of random and i also feed a LFO/VCO with note values that influence the clock on Wugglebug.. all tones generated by Elements with a bit of CV input and manual tweaking to change timbre.. then it goes into 4MS VCAM and sent to Clouds which goes back to VCAM and then directly stereo recorded.. Even though it is a "generative" patch I feel i get much more life from it tweaking it, mainly tweeking pitch on Elements and clock + burst on Wuggle.. 

Elements Of Free Jazz In the Clouds

Used to a Guitar player that got into creative looping and moved on to modular synths and sound sculpting... now I am more of some sort of sound experimenter.
Main tool is Eurorack, but I use whatever toys that inspire..
My objective to music is to do something I find interesting and maybe good and to try to forge a personal and unique voice with my tools.. even if that is sort of impossible :-)
I also regard the road to that "voice" more important than the acutal goal.. i also invite you all to listen to me travling down that road..
So not all clips are meant to be "final products" they are more like a sound blogg of my development.. a develpment with unknown direction... as is all evolution

Enjoy

Barkhausen is a collective devoted to improvisational, abstract music.  

Our debut album "The Length of Heaven" is now available in a limited edition of 100 CDs in Wellington record stores, as well as the Digital Album and CDs from our BandCamp page at https://barkhausen.bandcamp.com/

The tracks posted here are generally improvised, live recordings, edited for length and equalization. No overdubs (except where explicitly noted)!

All works copyright by the artists as noted. All Rights Reserved.

composer, performer, lecturer and analog synthesist who is endlessly fascinated by and exploring sound...

Recording since 1989. Modular since 2014.

Composer, videoartist:  www.onlandsound.com - www.oniricam.com -interaction image-sounds - contemporary, ambient, noise music orchestral instruments oriented - Venice Italy
- studies in composition and electronic music
- degree in aesthetics-philosophy in University of Padova on a study about the perception of space in live electronics in Prometeo of Luigi Nono
- attended different composition courses with composers like Helmut Lachenmann, Azio Corghi, Alvise Vidolin
- his work, makes attention to a strict live work with instrument players: recording and sampling instruments and ambient sounds, to bild "constellations" of sounds and scores to use, to reassemble, to rewrite them in different compositons; is activity include many compositions of instrumentals and electronics works for different ensembles; some musics are edited by Tourette label in Bayreuth (“Four constellations before a dawn”);
- he has been working on sound/image relationship creating several audio-visual works, making great attention to the landscape images and sounds of Marghera Industries, urban sounds, industrial noises;

some videos works

- L'ultimo sguardo di Orfeo
16th Torino Film Festival; shown at X Fano Film Festival; shown at Valdarno Cinema Fedic 1999; shown at Festival Fabbrica Europa 1999 as a multivision installation - Dialogues Festival at the Matthew Gallery, Edimburgh, 1999 - Koreja Theatre in Messina, november 2004, as a theatrical work directed by Albert Prommegger; editing Luca Rivelli;

- Aprendo i sigilli delle ombre (2000)
Experimenta 2000 (TimeZones) Alberobello; - "Incontri e Videodocumenti su Musica Teatro Comunicazione La vespa e l'orchidea II", Groggia theater, Venezia (2003); 

- Frammenti dai mondi perduti (Fragments from lost worlds) (2003)
61a Mostra Internazionale d'Arte Cinematografica Venezia Screenings section; commissioned by Regione Veneto, as an audio/visual concert, during the Videopolis Festival 2004 in Padova; editing Luca Rivelli;

- L.E.E.D.D. Last Electric Evening Dust Dance (2004)
Spazi/Ambienti/Metamorfosi Cà Foscari University and Université Paris1-Panthéon Sorbonne, at Magazzino del ferro Arsenal, as an audio/visual concert november 2004 - L'interprete creativo: progettare e comporre Confini e differenze a Venezia, Cà Foscari University Venice and Biennale Musica; - work included in the DVD produced by Live IXEM 2005 fesival, Venezia Mestre;

- Oniricam (for Guy Debord) by him and Luca Rivelli like co-author, performed live at Live!IXEM 06 festival, Rialto Santambrogio, Rome; - 404 Festival (404festival.com) Trieste, Vienna, Hasselt; - 4/6/07 Trieste, parco S. Giovanni - 404 Festival 2007; 14/6/07 Vienna, Fluc (fluc.at); 23/6/07 Hasselt, Belgio, Kunstencentrum (www.kunstencentrumbelgie.com); 14/8/07 Ludi Apollinares, Ispani (SA); 3/10/07 (S)definire la musica, Università di Venezia – Cà Foscari, in collaboration with 51 Festival Contemporary Music La Biennale di Venezia.

Manuel C Posadas e-mail: manuel.posadas@libero.it

Elements Of Free Jazz In the Clouds

Anders Bergdahl