Haibooo🕺🏼🏃🏽‍♂️🎶👏🏼

Where to find the words of this composition, I want to translate and find out what he sings about!  All good and peace!🙏

Deep september

Catalognumber 23 – what else is to say? While we’re feeling the spirit of William S. Burroughs blessing this very vinyl-enigma, &ME went particularly mysterious ways to transcend the category ‘dance track’ for this one.
The meditation through bass had been the major discipline of some of his latest cuts, but what you’ll find on this A-side, one could certainly call the perfection of somnambulistic peaktime-fever. The way he’s kneading the lower frequencies, how he’s channeling the expansion and decay of bass must inevitably lead to some aroused moaning. Good vocal-selection, for that matter! Then there are those tension building synths and a staccato-frenzy in the break that might be the ultimate ecstasy-trigger of the season.
“Locust” on B comes in with some smoothly looped E-guitar-coolness, adding whispering hi-hats and a comparatively rich percussive architecture. But then again: rolling bass barrels like a signature and a defence breaking build up that’s ensued by liberating pressure compensation in mighty breaks. Two demonstrations of understated and sophisticated peaktime-emphasis, so to say. Or differently put: a flawless double-A-side.

&ME - After Dark (Preview)

Momentary Bliss.

🌎 | ECHOBR
→ www.instagram.com/echobrdj

📧 | For Artists/Labels → pedro@pedrotech.co

ECHOBR - Momentary Bliss

With his last EP offering on Keinemusik, &ME displayed himself once again as supplier of anthems that easily reconcile style with general floor purpose. You would think, such an universal and inexhaustible tune as this very “After Dark” can only be a lucky hit. But no, he’s knocking out the classic material just like that. Another example? Catalog number KM028, his brandnew “Trilogy” EP.
The titletrack on A initially places a synth arpeggio behind a kick that in dryness is hardly to excel. The beat of "Trilogy" is then seasoned with rimshot patterns until the saturated bassdrum comes in and paves the way to the dancefloor. &ME even refines his knack for stoic grooves on this jam and once again shows his sure feeling for suitable vocal features. Sabotas croon comes devoid of big gestures and still knows the ropes to appeal to the collective mentality of a clubcrowd.
On the flipside, “Woods” is living up to its name from the very beginning. Woody percussions are thumping within an almost subtropical scenario that’s frequently pervaded by mighty synth clouds. And once again, there’s an arpeggio sneaking in that at some point is taking the lead in this strictly instrumental affair. Add a break building that will educe a floor’s complete euphoric potential without going for the rather mindless escalation and there you have it: a B-side that’s actually more of an A-competitor.

Buy at Beatport

&ME - Trilogy feat. Sabota (KM028)

KM033
Adam Port "Sonnenfinsternis" Ep
A1 - Sonnenfinsternis
B1 - Working For It feat. Jennifer Touch
B2 - Here Is Why - Tonight (Adam Port 12" Autobahn Edit)
Co composed & keys by Lukas Kai


Keinemusik: keinemusik.com/shop/km033
Traxsource: bit.ly/28WY2gw
Beatport: http://btprt.dj/28TffX6
Whatpeopleplay: bit.ly/28V5LuY
itunes: apple.co/28RtpFX

GNAA - Working For It Feat. Jennifer Touch (KM033)

https://www.beatport.com/release/one-on-one/1827995
http://www.traxsource.com/title/665309/one-on-one-ep
https://www.whatpeopleplay.com/albumdetails/and-ME-One-on-One-EP/id/133281

As &MEs last two EPs on Keinemusik have been hitting the bulls eye of public perception immediately, his KM034 for sure will meet high expectations from DJs and crowd alike. What should one do within this sort of spotlight? Boil up the same old formula? Milk the cow? Play it safe? Well, &ME is rather going for the dont overthink it and just do whatever you like-option. Which in case of this "One On One"-EP is a collaborative effort with English singer/songwriter-enigma Fink thats letting musicality rule over functionality.
The titletrack on A comes creeping over the floor like an ash cloud. Built up on a grainy beat-pattern, having all lightness dashed out by droning bass, before Finks vocals are exorcising the ghosts of a heavy comedown. "One On One" has shaken off the facility of peaktime-consensus, before the straight kick comes in, but even that unmistakeable floor-referral is invalidated by gloomy harmonies after just a few bars. An obvious move against leadsingle-standards, but considering its omnipresent dark narrative and ultimately condensed vibe, "One On One" is without a doubt one of the strongest &ME cuts ever.
The offering on B1 might be considered as a bit more handy, but still: "Cape Coast" is rather grooving along a serious jungle-delirium than delivering easygoing beach-pleasure. A lot of hissing and chirping and rattling going on in between dense synth- and bass-layers, while live-recorded percussions are escalating into frenzy. Tribalhouse of a rather demonic breed.
Finally, Fink is stripping down the original outline of "One On One" into a sinister and subtle Dub-interpretation on B2. Blurred delays, sparse synths and occasionally implemented kick-detonations, reminding of an alarmingly lowered RHR. Meaning even wider room for his charisma breathing croon.

One on One

&ME - One on One feat. Fink

www.beatport.com/release/one-on-one/1827995
www.traxsource.com/title/665309/one-on-one-ep
www.whatpeopleplay.com/albumdetails/…-EP/id/133281

As &MEs last two EPs on Keinemusik have been hitting the bulls eye of public perception immediately, his KM034 for sure will meet high expectations from DJs and crowd alike. What should one do within this sort of spotlight? Boil up the same old formula? Milk the cow? Play it safe? Well, &ME is rather going for the dont overthink it and just do whatever you like-option. Which in case of this "One On One"-EP is a collaborative effort with English singer/songwriter-enigma Fink thats letting musicality rule over functionality.
The titletrack on A comes creeping over the floor like an ash cloud. Built up on a grainy beat-pattern, having all lightness dashed out by droning bass, before Finks vocals are exorcising the ghosts of a heavy comedown. "One On One" has shaken off the facility of peaktime-consensus, before the straight kick comes in, but even that unmistakeable floor-referral is invalidated by gloomy harmonies after just a few bars. An obvious move against leadsingle-standards, but considering its omnipresent dark narrative and ultimately condensed vibe, "One On One" is without a doubt one of the strongest &ME cuts ever.
The offering on B1 might be considered as a bit more handy, but still: "Cape Coast" is rather grooving along a serious jungle-delirium than delivering easygoing beach-pleasure. A lot of hissing and chirping and rattling going on in between dense synth- and bass-layers, while live-recorded percussions are escalating into frenzy. Tribalhouse of a rather demonic breed.
Finally, Fink is stripping down the original outline of "One On One" into a sinister and subtle Dub-interpretation on B2. Blurred delays, sparse synths and occasionally implemented kick-detonations, reminding of an alarmingly lowered RHR. Meaning even wider room for his charisma breathing croon.

&ME - One on One feat. Fink (Fink Mix)

Vince Watson has now spent 20 years in the electronic music world. He's produced a pretty inconceivable total of 8 albums, released over 80 remixes and his music has also featured in TV series and adverts. To celebrate this milestone, Vince is releasing a 36-track boxset featuring beatless versions, reworks and remasters on his own label "Everysoul".

"Moments in Time", originally released in 2002 on Vince's second album has now been retouched, remastered and is an ethereal house masterpiece. We've fortunately managed to twist a few arms to let us host the premiere. Here's to another 20 years!

Release Date: 29/08/2016

Check: 
https://soundcloud.com/vincewatson
https://vw20.bandcamp.com/
https://www.facebook.com/vincewatsonmusic


First Play: Vince Watson - Moments in Time (VW20 Mix)[Everysoul]

The Martinez Brothers are absolute kings when it comes to bumping house music that possesses groove in abundance. Whether it's their own productions or their high-octane DJ sets, the siblings from the Bronx never disappoint.

Their imprint, Cuttin Headz, is the perfect outlet for this strain of rugged house that's brimming with attitude and we've already been treated to amazing EPs from Jesse Calosso, Basement Jaxx and of course Chris and Steve themselves.

Now though it's tome to see what Phil Moffa has in store for us as he adopts his Butcha alias for the '1001' EP. This one's had a lot of love across the board from esteemed selectors like Truss, DJ Spider, Leftfield, DJ Deep and Gunnar Haslam, so now we bring you the first spin of '6 Hubert Street'.

1001 EP

Premiere: The Butcha '6 Hubert St.'

Full Premiere: http://www.wearesoundspace.com/premiere-vincent-vedat-sweet-agony/
Submit Your Repost: http://www.wearesoundspace.com/submit-your-repost/

Spotify: goo.gl/phNY5q
YouTube: goo.gl/MlPo8d
Facebook: goo.gl/WGjgHO
Twitter: goo.gl/QJgbtz
SoundCloud: @wearesoundspace

Vincent Vedat
https://soundcloud.com/vincent-vedat
https://www.facebook.com/VincentVedat

S.G.O.L Recordings
https://soundcloud.com/s-g-o-l
https://www.facebook.com/SGOLRecordings

Get the full premiere!

Premiere: Vincent Vedat - Sweet Agony

Keinemusik Shop: bit.ly/2jmd7cw
MTN: bit.ly/2k9OELH
Beatport: btprt.dj/2kt8yPi
Itunes: apple.co/2k92y0t
Traxsource: bit.ly/2jYpQE6
Bandcamp: bit.ly/2kaAslQ
WPP: bit.ly/2jlPCAu

Out of tranquillity and contemplation, Rampa is reaching out once again. To seek contact, to give and take energy, to offer an even mind-expanding touch. All in guise of two new tracks that, quite fittingly, make this “The Touch” EP and #35 within the Keinemusik release-catalogue.
The title track on A combines all the reflective qualities of the newer Rampa-sound to a mantra that soon will be chanted collectively across dancefloors all around the world. He thoroughly is aiming for the intensifying pull into deepness of a perfect loop. He’s letting go of anything redundant like all too distracting rhythmic elements and therefore opens space for an OM-like, bass-deep interplay of synth-notes and meditational sounds in the background.
“528 Hz” on the other side borrows its name from the concept of the Solfeggio Frequencies. Within the scale of supposedly healing sounds, this very figure is known to be the frequency of repair, representing the energy of love. And an ardent declaration of love this tune is indeed. Within the sound-vocabulary of recent Rampa-releases it might be the logical next chapter after “Trust”. A synth-space- odyssey, emphasized by e-drum-highlights, pulse-quickening tribal-frenzy and a supernova-like blast of energy culminating after the break.

Release date:
27 January 2017

The Touch EP

Rampa - The Touch - Keinemusik (KM035)

Rampa's 'Sunday' EP is out now. Get the vinyl at the Keinemusik Shop or at Muting The Noise here: 
https://fanlink.to/RampaSunday 

Follow the Keinemusik Radio on Spotify 🚀 https://goo.gl/MbTbcY

Sunday EP (KM045)

Rampa - Sunday

Beatport:
https://www.beatport.com/release/in-your-eyes/2368461
Spotify:
https://open.spotify.com/album/1QDkWMLkcFCGeHbHVjYoJ0?si=eUS9WRgHRhCJIcb5uMr86g
Traxsource:
https://www.traxsource.com/title/1023483/in-your-eyes
Whatpeopleplay:
https://www.whatpeopleplay.com/albumdetails/and-ME-In-Your-Eyes/id/173839

&ME - In Your Eyes

&ME - As Above So Below

FANTAST REMIXES PT. 2 OUT NOW: smarturl.it/FantastRemixes2

Fantast Remixes 2

Birdsong

Claptone - Birdsong (Super Flu Remix)

🚨 Here's my remix for Damian Lazarus . It was far from being easy, but I had lots of fun producing it. The original has got rhythms and mood changes and I wanted to maintain both in my remix. Hope you like it. Adam 🔥

A Moment In The Dark EP

Damian Lazarus - Moment (GAA Remix)

Listen to 'The Party is Over' radio - curated by the Keinemusik crue - on Spotify. Updated weekly: goo.gl/MbTbcY

When one could assume, &ME entered the House and Techno world somewhat out of the blue, it is due to his sublime modesty that’s already captured in his alias. His way to become one of today’s most praised and sought after DJ/producers is based on a solid foundation. A foundation comprised of solo-releases, remixes, projects and collaborations that numerous, we’d rather refer to his discography than weary you with namedropping. Besides, all those references would just distract from what truly matters – the music this guy is delivering. Not to underestimate the importance of a project such as Terranova for &ME’s current path, but still the alignment has been made – to focus consistently on his solo-work. And it shows.

There are not many artists around turning in such a slew of globally praised floormaterial like &ME did over the last years. Just think of his last offerings on Keinemusik, a collective of Berlin based DJs and producers, including Rampa, Adam Port, Reznik & artist Monja Gentschow, he helped founding in 2009, namely “After Dark” and “Woods” or his “Vermillion”-remix for Damian Lazarus – all serious bangers, played by every renowned DJ worldwide. Everything is falling into place for the fella. His DIY-approach to handle things, his easy going attitude, his reputation as a gifted producer and DJ extraordinaire, his ability to link innovative production with consensual reception, making him one of the most unique and original figures in the game.

&ME - One on One feat. Fink

&ME

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