Progressive visual melodic

Andrés Beeuwsaert

beeuwsaert

Tati Parra y Andres Beuw

Pra trabalhar numa boa

Tatiana Parra & Andrés Beeuwsaert - Milonga Gris (Aqui)

This demo was primarily created with the virtual instrument: "1969 Steinway Legacy Piano" - exclusively available at www.8dio.com

Music by Bill Brown

For licensing information go to: www.billbrownmusic.com

----------------------- 

©2014

Follow us on Facebook: www.facebook.com/8dio.productions, www.facebook.com/8Dawn
Follow us on Twitter: twitter.com/8dio
Follow us on YouTube: www.youtube.com/user/8dioproductions

8Dio 1969 Legacy Piano: "In 1969" by Bill Brown

Volupedes-instrumental

This set primarily contains samples from 8Dio Upright Studio PIano - a deep-sampled Upright Piano virtual music software instrument (VST/AU/AAX) by www.8dio.com

Follow us on Facebook: www.facebook.com/8dio.productions
Follow us on Twitter: twitter.com/8dio 
Follow us on YouTube: www.youtube.com/user/8dioproductions

8Dio 1901 Upright Piano: "Towers" by James Everingham

02 Baião do Caminhar

Tatiana Parra - Amor De Parceria (Inteira)

ANDRES BEEUWSAERT  acoustic piano, voice, keyboards, Glockenspiel, guitar
JUAN PABLO DI LEONE picollo, flute & bass flute
FERNANDO SILVA cello, bass
SANTIAGO SEGRET bandoneon

guest:
GABRIEL GROSSI harmonica (11)
LOLI MOLINA voice (6)
PABLO PASSINI guitar, voice (11)
RAMIRO NASELLO flugelhorn (2,11)

Produced and arranged by Andrés Beeuwsaert
Recorded October 2010 by Juan Belvis at Los Elefantes Studio, Bs As, Argentine
Mixed by Andres Beeuwsaert at NSB Studio
Mastered at Steps Ahead Sound Mastering by Gustavo Fourcade

Released Dec 12, 2012
Céleste Co. Ltd

01 Pasan (Andrés Beeuwsaert)a Lea Freire

02 Salida (Andrés Beeuwsaert) feat: Ramiro Nasello

03 Chorinho (Lyle Mays)

04 Sonora (Andrés Beeuwsaert)

05 Cruces (Andrés Beeuwsaert)

09 Vento Em Madeira (Lea Freire)

One of the most formidable fretless electric bassists in the post-Jaco Pastorius era, Texas native and current Barcelona resident Gary Willis joins forces with Catalan keyboardist Albert Bover and Budapest-born drummer Gergo Borlai on this exhilarating take on the electric piano trio. Co-founder (with guitarist Scott Henderson) of the premiere fusion band Tribal Tech and former member of Wayne Shorter’s band, Willis and his highly interactive crew shift deftly from slamming funk (“Old School”) to percolating fusion (“Disconnectivity”) to aggressive swingers (“Change Agent,” ”Move”) while embracing quiet ballads (Paul McCandless’ “Amaryllis,” Milton Nascimento’s evocative “Tarde” or Willis’ aptly-titled “Dream”) with uncommon sensitivity and a lyrical touch. They also turn in expressive interpretations of the Lennon-McCartney classic “Norwegian Wood” and Bill Evans’ “We Will Meet Again.” And the album closes on a poignant note with Willis’ tasty, subtly reharmonized rendition of the Depression era standard “For All We Know,” a tune famously covered by the likes of Billie Holiday, Nat King Cole, Nina Simone and Donny Hathaway.

Says the great bassist of his impressive sidemen on Retro: “Gergo is an incredible drummer. I had done some playing with him in Budapest, and since he moved to Barcelona Albert and I have been able to work up some nice chemistry as a trio with him.
This new record is about us playing together. It’s not about big productions or anything, it’s just Rhodes, bass and drums. It’s a totally different direction from what I did last time (on 2007’s Actual Fiction, also on Abstract Logix). It shows what can happen when you just make it about the interpretation of the material and how we play together. And for that reason it’s maybe more personal than anything I’ve done before.”

From the modal opener “Change Agent” to the bubbling “Old School” (which recalls the old school funk-fusion of Herbie Hancock’s Headhunters) to the atmospheric “Tarde,” these three kindred spirits demonstrate a remarkable capacity to groove in loose-tight fashion throughout Retro. They collective burn through a labyrinth of chord changes on the uptempo romp “Move,” which is fueled by Willis’ urgent walking bass lines, and settle into on mellow accord on Oregon’s floating “Amaryllis” and a chill 3/4 take on the Beatles’ “Norwegian Wood.” Bover proves to be both a consummate accompanist and accomplished soloist from track to track while Borlai’s crisp, polyrhythmic pulse and supple brushwork fuel the proceedings. Willis’ virtuosic solo contributions here, particularly on “Disconnectivity” and “Move,” show why he is regarded as one of the most outstanding bassists on the scene today.

“I just wanted to feature the fun of playing together and the expression that comes out in this stripped-down setting,” says Willis of his fifth album as a leader overall and second for Abstract Logix. “Whatever direction it’s going, we’re going to try to get into it pretty deep.”  They’ve succeeded in brilliant fashion on Retro.

 

03 Disconnectivity

05 Old School

06 Dream

Tatiana Parra & Andrés Beeuwsaert - Aqui

Resultado da colaboração entre artistas com carreiras consolidadas em dois países da América Latina, o CD “Aqui” recebeu o Prêmio de Apoio à Gravação de Música 2010 da Funarte. São treze faixas com composições próprias e obras de autores latino-americanos de diversos gêneros e épocas, onde o diálogo entre a bela voz da cantora paulistana Tatiana Parra e o piano argentino de Andrés Beeuwsaert encanta pela dissolução de limites entre o erudito e o popular.

Valendo-se de distintas linguagens, o duo demonstra que não necessita de palavras para conquistar qualquer ouvinte sensível e desprovido de preconceitos musicais – bastam a voz e o piano.

Tatiana Parra & Andrés Beeuwsaert - Vento Bom

Tatiana Parra & Andrés Beeuwsaert - Carinhoso

 How would a music sound if we could gather the most refined and beautiful South American traditions with jazz, classical colors and an open-minded fusion with no style?  
We would get Andres Beeuwsaert's music!
 As a matter of fact, with Andres Beeuwsaert's music, words are unnecessary and perhaps downgrading.
 Listening to his music, one could probably find some "touches" from artists such as Lyle Mays or Keith Jarret...but in his own South American way, Andres is always recreating music!!
 That's probably why Andres Beeuwsaert has already played with great musicians like Ivan Lins, Joe Lovano, Steve Khan, Hugo Fattoruso, Charly Garcia, Pedro Aznar (ex-musician of the Pat Metheny Group), Mono Fontana, David Lebon, Fats Fernandez, the Brazilian singer Tati Parra, guitarist Yotam Silberstein, Leo Genovese & Javier Malosetti, among many others.
 Nevertheless, Andres Beeuwsaert is not just a great pianist, but a composer of sublime and captivating masterpieces. And he also performs some of the best compositions of Lyle Mays, Dino Saluzzi, Carlos Aguirre, Hugo Fattoruso, Eduardo Mateo, Léa Freire, Claus Ogerman, Mário Laginha, Javier Cornejo, and Simón Díaz 