Eclectic Electronic Soundscapes -
Water, Earth and Sky field recordings and soundscapes.
As with all the playlists, they are jumping off points to discoveries. They are not meant to be definitive. Just let some of the tracks play onto the next....follow up on "sounds like"....see who's following, many artists follow other artists....
Artists are Kate Carr, dejacusse,aag, otolythe, Amber - Zoe, Helena Krobath, Kathy Hinde, Nina Queissner, Laura Fitzpatrick, Marine Drouan, Tina Pearson, Bethan Kellough, annAStereo, beepblip and Alyssa Moxley.

Feminatronic #203 - In the Field #4

Pre-Order the 12" Vinyl & Digital Release (out Sept. 15 2023) on our bandcamp:
https://octoocta.bandcamp.com/album/dreams-of-a-dancefloor-ep

 - “Dreams of a Dancefloor” is the latest EP by Octo Octa (aka Maya Bouldry-Morrison) on her label T4T LUV NRG. Maya spent the last 3 years perfecting her engineering on these three sensual, beautiful and enveloping songs. For the opening track, “Late Night Love”, we hear Octo Octa capturing not just the subjective experience of dancing together, but also what happens after the party, making love and holding her partner close. It has none of the formalism of “big trance” and is instead an extended house-trance missive all her own with beautiful resonances that evoke Motherbeat and the ineffable softness of true connection. The second track “Let Yourself Go!” raises the tempo but maintains the mood of the record. The song is a classic Octo Octa ecstatic breakbeat acid jam written for building heat in the body and for speaker-dancing under a starlit sky. The E.P. closer, “Come Here, Let’s Commune”, is an invitation to explore togetherness. The essence of the track is a gorgeous piano theme, grounded in Maya’s belief that the dancefloor experience can be not only exciting and ecstatic, but also deeply moving and generative—a reminder that underground dance culture offers permission for connections unsanctioned in the dominant society.

Octo Octa - Dreams Of A Dancefloor Clips

monotony, repetition, tenderness, capitalism, asphyxiation, refusal, difference and a longing for connection and empathy gush from this selection conceived in a small nook of Mexico City.

https://soundcloud.com/andreaanciragarcia
https://www.instagram.com/tumbalacasaediciones/ 
https://www.instagram.com/ohgrito/

mixtape contest

Mixtape Contest #32 not yet w/ aag

Sink into some downtempo sounds; tease nostalgia with obscure, experimental and retro blends of 80s synth-pop, wave and post punk; or simply immerse yourself in some 'real bathtub trippers’ with Bristol-based selector Tilly. 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/tilly/episodes/tilly-1st-april-2024

Tilly w/ Andrea Ida 010424

This week on The Verso Podcast we’re taking a deep dive into the relationship between blackness and modern visual culture in the digital age. Our host, Eleanor Penny, will be joined by Legacy Russell and Fred Moten to delve into complicated relationship between philosophy, music, virality, and critical fabulation - in order to elucidate the fundamental way in which the history of modernity is inextricably bound up with images of blackness.

You can find Legacy's new book "Black Meme: A History of the Images that Make Us" here tinyurl.com/yckcuhd2

Spectators and Witnesses | Legacy Russell & Fred Moten

Martin Carter, 7 June 1927-13 December 1997

"Listening To The Land" by Martin Carter (Day 9)

On the way to a recording session at Laguna Muyil in the framework of the Biosphere Soundscapes Residency...
https://www.youtube.com/watch?v=VduL-0VSD1o

Gusts of Air and Water at Muyil

Tapestry of sounds that move through time and space accompanied by some bees.
what if they leave? I actually do not know what will happen.

If The Bees Leave

► Mexico’s Tropicaza flaunting his an avid collection  of all things tropical.
► Follow us on SoundCloud: http://blrrm.tv/subscribe-sc

Tropicaza Boiler Room Mexico City DJ Set

Tenderness - Retrograde

One of the weirder hydrophone recordings I've taken, all this sound happened after I tried skipping rocks.

Hydrophone recording, South Saskatchewan River

EnCOUTnTErs - The Avian Speculative at Cafe Oto, July 25, 2018.
Also performing: Lee Patterson and Sharon Gal. 
Pic by Sonia Levy/SoundFjord
Recording: Hear and Now, BBC Radio 3.
July 25, 2018.

Set - EnCOUnTErs - Cafe Oto, July 25, 2018 - recording thanks to BBC Hear and Now Radio 3

The squeak and thud of ill-oiled sliding doors

captured: http://baltic.art/

hausu

Crickets on the island of Koh Phangan, Thailand. Recorded with soundman binaural microphones.

Crickets At Phaeng Waterfall

This year London has experienced several weekends of the hottest summer and that moved the Australian sound artist Kate Carr, whose practice is centred on articulating the relationship between people and place through sound, to point her microphone at the city. This volume is based on her recordings during a particularly hot long weekend in a corner of very busy intersection in London, where she resides now. In Heatwave, Carr is interested in both the serious and also the more prosaic aspects of soundscapes related to climate change. She investigated the throbbing summer music from her neighborhood, people’s efforts to keep cool, and the uneasiness which accompanies these everyday activities in this moment of environmental crisis. The way these pieces construct and compensate, with all the tangible sounds that fold into larger moods via multiple instruments, exemplifies her acumen in creating sonic stories that reflect our multi-layered experience of reality.

Humidity - from Heatwave out now via Hasana Editions

DomusMéxico Mixtape#04: Tropicaza

Non-transparent, noisy and inaccurate recordings and sounds

Feminatronic

Celebrating the eclecticism of electronic artists who identify as female. A personal journey, ever unfolding and never ending. Yes, there is a lot of music...

Gusts of Air and Water at Muyil

aag

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