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Played & Recorded at Burnout Regula by Nina Wach

Nina Wach | Lowlife Attitude - Radio Bollwerk - 22.04.2021

https://soundcloud.com/camilla-pisani is an audiovisual artist based in Rome. She looks for the interaction between space, sounds and abstract graphic signs.
Her music is an hybrid, moving into a set of influences: ambient, drone, soundscape, soft noise, and minimal electronic. She composes field recordings, suspended atmospheres, hypnotic textures marked by concrete rhythms.

"What was a crucial sonic experience in your life?"
As a listener I certainly remember my first Electric Campfire at Villa Massimo (Rome) in 2013, organized by the old Raster Noton, because I touched with my own with hand what would later become the basis of my artistic research: the interaction between sound, space and visual arts.
As a performer instead, the live show at Godot Bistrot (Avellino) in 2019 in which I opened Retina.it and Frank Bretschneider. I always remember it with some emotion, partly because I didn't feel up to it, a bit for being afraid of disappointing myself and others, another bit because of the adrenaline rush of the first times... but mostly because of the fun and familar atmosphere that was created that night; the only reason why I perform and, ultimately, why I approach music and people.

Links:
SC: @camilla-pisani
FB: www.facebook.com/camillapisaniartist/
IG: www.instagram.com/bokeh_wave/
Bandcamp: camillapisani.bandcamp.com/

Tracklist:
1) Insecurities are sliding under my dress (Inner Spaces Like Anechoic Chambers, Mu versatile label, 2019)
2) The heartless roar and the welts of scorn (Nausea is a noble feeling, 2020/21)
3) The Brainworm With Sad Blue Eyes I Chased (Verneshot, OVUNQVE/Sounds Against Humanity, 2017/2020)
4) Sleep Party People Chased (Verneshot, OVUNQVE/Sounds Against Humanity, 2017/2020)
5) Love is an ecomonster that extinguishes fragile souls (Nausea is a noble feeling, 2020/21)
6) Cerebral squirting (Inner Spaces Like Anechoic Chambers, Mu versatile label, 2019)
7) Music makes victims (Frozen Archimia, Midira Records, 2020)
8) The father's grip (Frozen Archimia, Midira Records, 2020)
9) Food is our cancer - all the songs played when we were hungry (Lithium Salt, Sounds Against Humanity, 2018)

MNEMOSYNE #018 - CAMILLA PISANI

Miroir Miroir

Same sequence as Monotonie but with different instruments (mostly Verbos)

Monotonie II

Eyen (21RPM Live)Martin Gets A Gift :) :) :) <3 :)

a quick test of the nlc dp filter (headphones recommended):

a bunch of chopped up noodles from a doepfer system stuck inside a squid salmple, the mix of which is randomly addressed, reduced, and crushed, then sent to the dpf, and plays alongside a main sine noodle from an a-143-9. the diode half of the dpf has a high-ish q setting (which is kinda tame compared to other filters) and a low cut off, and later is modulated by a low rate of digital noise from the a-117 and a sine lfo from a second a-143-9. the transistor side (which has no input and is internally fed by the diode side via photo-couplers) has a maxed out q  and an even lower cut off, and its cv2 is randomly assigned the 2 oscillators section from the a-117 808 source via a switch, which gives it that wild feedback sound. the output of the dpf is monitored from the sum output, and a tiny bit of reverb is added in ableton.

this filter is very  touchy, and depending on how its built, can have a very narrow range on control (as mine does,) and the transistor ladder only really gets fired up if the diode ladder is hot enough (mine uses MCT9001 photo-couplers,) so you can get all these really interesting 'edge of breakup' sounds, to use the dirt-pedal/guitar amp parlance of the day...and its quite nice if you can dial it in, but it does takes some patience.

it also gets *real* bonkers when you start swapping the q path and monitoring different outputs...but i haven't really figured out how to bend any of that to my will yet...

Untitled XV

Pre-order date: 18th February 2021
Release date: 26th February 2021
Format: Cassette, Digital

Ljós means Light in icelandic.

“There is strong shadow, where there is much light.” (Goethe)

Written, Composed, Performed, Recorded,
Mixed and Mastered by Fallen between May and July 2020

Instruments performed, recorded, processed:
Piano, Electric Piano, Synthesizers, Guitars, Voice, Field Recordings

Copyright © 2021 ROHS! RECORDS, All Rights Reserved

Info release

previews. Fallen - Ljós (Album) | Lᴏɴᴛᴀɴᴏ Series

O.V.
https://soundcloud.com/joao_ms

Self-Portrait by M.

João MS - SD02 (Senglar Version)

Snow Falling On Dead Oak Leaves

Stephan Micus, ‘Till The End of The Time’
Alice Coltrane, ‘Atomic Peace’
Andrée Burelli, ‘Natura Domina’
Arvo Pärt, ‘Sequentia for Percussion and Ocherstra’
Kara-Lis Coverdale, ‘Grafts’
Sarah Davachi, ‘Perfumes III’
Joanna Brouk, Maggi’s Flute Mary’s Watch, Pt.2
Vangelis, 'Love Theme' from Blade Runner
Christos Barbas, 'The Tree’
Bibio, '09:13'
Aphex Twin, 'Kesson Dalek'
Ustad Mohammad Reza Lofti, ابوعطا - کمانچه نوازی استاد لطفی

Mix for Rádio Quântica

Based in Berlin
Contact: burelli.a@gmail.com
https://linktr.ee/andreeburelli

Mix for Rádio Quântica

Andrea Burelli