Dowland goes Jazz - Renaissance-Songperlen in neuem Gewand

CD-Produktion "Time stands still"

Alte Instrumente - neue Interpretationen - neuer Sound

Hanna Carlson - Gesang
Andreas Düker - Laute
Martin Tschoepe - Viola da Gamba

https://www.startnext.com/carlsong

Carlsong - Dowland - Behold a wonder here

Heinrich Schütz (1585–1672): Lasset uns doch den Herren, unsern Gott loben SWV 407 (extracts)
from: Symphoniae Sacrae III
Felix Schwandtke, bass | Isabel Jantschek, soprano | Ulrike Hofbauer, soprano | Georg Poplutz, tenor | Dresdner Barockorchester | Hans-Christoph Rademann, conductor
Heinrich Schütz Complete recording Vol. 12, Carus-Verlag, 2015
With kind permission of Carus-Verlag

H. Schütz: Lasset uns doch den Herren, unsern Gott loben SWV 407 (extracts) | 2014

Linda Rum feat. Sam Mayes - Seefahrerlied (live // kleine audiowelt)

Josephine

Linda Rum - Vampires (live // ghost city recordings)

Written & Recorded by Fabian Baumert & Fabian Huch. Mixed & Mastered by Modo Bierkamp. Thank You: Tim Steiner (Bass), Rabea Bollmann (Cello) and Martin Huch on Pedal Steel. Previously unreleased. www.leavesandtrees.com

We understand "Down by the Water" as a project for vinyl lovers. Through mp3s and especially streaming services like iTunes and spotify music often becomes nothing more but a background noise.

One aim of this project is to avoid this. If you enjoy this sampler, we also want you to enjoy everything that comes with it: The smell of fresh vinyl, the surface noise, the flipping of the record and so on. Enjoy music like it's meant to be enjoyed – with all your senses.

However, if you love the music on this sampler and want to support us, but don't have a vinyl record player: Feel free to download and enjoy!

Get the vinyl here: downbythewater.bandcamp.com

Down by the Water Vol. 2

Leaves & Trees - Seven Steps

Heinrich Schütz (1585–1672): Jubilate Deo Omnis terra SWV 262 (extract)
from: Symphoniae Sacrae I
Felix Schwandtke, bass | Anna Schall & Julia Fritz, recorder | Andreas Arend, theorbo | Matthias Müller, violone | Ludger Rémy, organ | Hans-Christoph Rademann, conductor
Heinrich Schütz Complete recording Vol. 14, Carus-Verlag, 2017
With kind permission of Carus-Verlag

Schütz: Cantiones Sacrae 1

H. Schütz: Jubilate Deo Omnis terra SWV 262 (extract) | 2016

Starting on the 9th of September 2017 I will play some Solo-Concerts here and there. As part of the preparations, I will post 60 seconds of freshly recorded Bass-music on a regular basis. Who knows, some of it might just end up being part of the concerts - Welcome!!

PluggedTeaser1

RABEA

http://www.rabea-music.com
http://www.facebook.com/rabeaofficial
booking/contact: contact@rabea-music.com

Recording & Mix: Joachim Rust

I Choose You

MUSIC
music & lyrics: Rabea Bollmann
lyrics co-writing: Anya Weihe  
Mix: Timo Xanke
Master: Pete Maher
Recorded at Fattoria Musica Osnabrück, Huch’s 
home studio Hannover, Institut für Wohlklangforschung 
Hannover 

performed & arranged by
Rabea Bollmann: voc, cello
Elin Bell: keys, backing-voc
Fabian Huch: git, drums
Stefan Littmann: keys, synth bass, vocoder

No Limit

While we cannot see small nanoscopic objects like proteins or other molecules that make up virtually all living matter including our cells, tissues, as well as pathogens such as viruses, our computational algorithm allows us to make its material manifestation audible.  This piece is a musical representation of the amino acid sequence and structure of the spike protein of the pathogen of COVID-19, 2019-nCoV (protein data bank identifier 6VSB [1]). 

MUSICAL DECEIT

A virus’ genome hijacks the host cell’s protein manufacturing machinery, and forces it to replicate the viral genome and produce viral proteins to make new viruses from it.  This musical art teaches us something about the fine line between beauty of life and death as an opposite pole.  As you listen to the protein you will find that the intricate design results in incredibly interesting and actually pleasing, relaxing sounds. This doesn’t really convey the deadly impacts this particularly protein is having on the world. This aspect of the music shows the deceiving nature of the virus, how it hijacks our body to replicate, and hurt us along the way. So, the music is a metaphor for this nature of the virus to deceive the host and exploit it for its own multiplication. 

HOW IT IS DONE: 

What you hear is a multi-layered algorithmic composition featuring both the vibrational spectrum of the entire protein (expressed in sound and rhythmic elements), the sequence and folding of amino acids that compose the virus spike structure, as well as interwoven melodies - forming counterpoint music - reflecting the complex hierarchical intersecting geometry of the protein [2].

Scientific references:

[1] Wrapp et al., "Cryo-EM structure of the 2019-nCoV spike in the prefusion conformation," Science, 2020, DOI: 10.1126/science.abb2507

[2] Buehler et al., "A Self-Consistent Sonification Method to Translate Amino Acid Sequences into Musical Compositions and Application in Protein Design Using Artificial Intelligence," ACS Nano, 2019, DOI: pubs.acs.org/doi/10.1021/acsnano.9b02180

Carlsong - Dowland - Behold a wonder here

Andreas Dueker

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