21. June I got the chance to play a Set at Live Station, AVA's first time floor for live electronic music. I integrated Ableton Push Standalone and one of my first used hardware synths the Digitone MK1. This gave the set more structure then previously freely improvised sets I guess. Right now im on my way to find a balance between defined, replay able structures and free improvisation. Edit: My clocking got of towards then end. Happy i got it back working after a shirt stop/ start my Push.

Liveset at AVA Berlin (Raw Club Recording)

Hybrid Modular Artist, live electronic music nights organizer 


Upcoming: 

3011 Prism @Neulant van Excel, Berlin 

Played:

- Mensch Meier, Berlin 
- OT 301 Studios, Amsterdam 
- Music Club Jilska, Prag
- Transit Club, Chemnitz
- Klunkerkranich, Berlin
- Neulant van Excel, Berlin
- Lark, Berlin 
- Ava, Berlin 
- Crack Bellmer, Berlin
- Maze, Berlin
- Velvet Monkey, Berlin 
- Marie Antoinette, Berlin

🎹 𝙼𝚊𝚔𝚒𝚗𝚐 𝙼𝚞𝚜𝚒𝚌 𝚊𝚗𝚍 𝚂𝚢𝚗𝚝𝚑𝚜 𝚒𝚗 𝙱𝚎𝚛𝚕𝚒𝚗
▌▌▌│▌▌│▌▌▌

𝕖𝕝𝕖𝕔𝕥𝕣𝕠𝕟𝕚𝕔 𝕣𝕚𝕥𝕦𝕒𝕝𝕤 & 𝕡𝕠𝕖𝕥𝕣𝕪
𝕔𝕚𝕣𝕔𝕦𝕚𝕥𝕤 𝕓𝕦𝕚𝕝𝕥 𝕓𝕪 𝕙𝕒𝕟𝕕
𝕔𝕖𝕝𝕝𝕠, 𝕡𝕚𝕒𝕟𝕠, 𝕧𝕠𝕚𝕔𝕖

Weird tones on the way to their mission

**************************************
20.09.2025
Drugstore (Rockhaus)

08.06.2025
BMS54 (Crack Bellmer)

31.05.2025
Flux Noise Rave (TuD Berlin)

02.05.2025
HB55 (Sellerie Weekend)

08.03.2025
BMS48 Neulant

30.04.2024 21:00
Crack Belmer

12.08.2023 19:45
Funkwerke Open Air ⚡️ Techno Tanz Konzert

04.06.2023 21:10
Funkwerke Vol.3

10.09.2022
Neukölln

14.08.2022 00:00
Neulewin

21.06.2022
Schlesisches Tor

My musical journey began in a castle, somewhere between bohemian dreams and raw concrete.
As an unnamed duo of art students, we spent our nights in the adjoining 40-square-meter bunker from World War II - no mobile phones, no internet, just cold stone, tangled power cables, and torn-up grunge riffs.
After that band ended in 1995, a whole new world of electronic sounds opened up for me:
The DrumTraks by Sequential Circuits was my gateway; soon came a DX-7, an Atari ST, and endless loops spun through sleepless nights.

I was completely cut off from the outside world of the pre-internet era - lost in my own cosmos. 
Then came Berlin, and with it, new possibilities.
There’s this saying: "If you remember the ’90s, you weren’t really there."

At some point, I drifted into other things and put music aside for a while.
Until that memorable week in the park, just before COVID: I met a philosophy professor from New York, touring Europe, who tried to numb his post-op pain with red wine and oxycodone. He kept talking about his dream of recording a song. So I took him in, got some microphones and an interface, and after a week, we had produced his love song—radio-ready and brimming with magic.

That spark led me back to my own path: In search of new and inspiring sounds, I discovered the Elements by Mutable Instruments and dove headfirst into the world of modular synthesis. Ever since, I’ve been stuck deep in the rabbit hole - when it comes to choosing between new shoes and a new VCA, music usually wins.

Then, in 2022: a roadside, a spontaneous party, everything I owned that could run on 9 volts in my bag. 
My first live performance - improvised, raw, honest.
What’s grown and evolved from there, I call:

"Weird tones on the way to their mission."

Liveset at AVA Berlin (Raw Club Recording)

Opitz