TRAMPELFÂD LIVE
NightArtProjekt – Volume 2-Waterline

Intraregionale 2021 Niedersachsen
kik.kunst in kontakt / Hannover-Herrenhausen/Germany
and "the neoilsom group"

credit: curetronic modular,sp404a,kp3+,allen+heath,lyra4,boss rc500,rc3,hohner g3t,pittsburg modular,
date :10-07-2021

TRAMPELFÂD Live  Intraregionale 2021

Commissioned by the GAIDA festival (Vilnius). 1st performance: 28th of October, Vilnius St. Catherine Church, GAIDA festival, perf. Jauna Muzika choir, cond. Vaclovas Augustinas 

Concept/composition: Justė JANULYTĖ                                                           Electronics - creation/performance: Michele TADINI/Antonello RAGGI

If the radiance of a thousand suns were to burst into the sky, that would be like the splendor of the Mighty One and I am become Death, the shatterer of worlds (from Bhagavad Gītā), – so was talking Julius Robert Oppenheimer, scientific director at Manhattan Project, after the first artificial nuclear explosion 'Trinity test' near Alamogordo, New Mexico, on 16th July 1945.

"Radiance" is a metaphoric reflection of the anatomic/philosophy, energetics/poetics of the nuclear explosion; intending to be a requiem for the victims of the first atomic bombing. The genetic code of the piece is a duality and ambiguity symbolized by the Bhagavad Gītā phrase and refers to the initial, purely scientific enthusiasm of the Manhattan Project in inventing the atomic bomb; and its apocalyptic consequences after dropping it on inhabited areas. The structure of the composition is an overlap of two antiphonic processes of radiation: two groups of high and low choir voices that initially "live" in a unison start radiating, splitting (fission), because of the strong attraction between opposites poles, their territories get closer, until, they completely merge (fusion). Therefore the explosion becomes inevitable. Justė Janulytė

Creation and production of the electronic part of Radiance involves several real-time processes of augmentation, de-humanization, and transfiguration of the sonic material, in line with the poetic frame set by Janulytė’s idea. The progressive accumulation, distortion, and polarization of different vocal registers takes the listener into a different flow of time where the natural logic of action-consequence is being destroyed, and therefore the catastrophe is always happening, or has not happened yet. In the end, in the little details that only a macroscopic stretch of time and sound can reveal, we can find seeds of beauty from which we can go on after the tragedy. Antonello Raggi

"Radiance" for choir and live electronics (2015)

Thomas Sander × Aoki Satoru - Reflection
Guitar, E-Bow, Electronics: Thomas Sander, Schwerin, Germany
Prepared bass: Aoki Satoru - Tokyo, Japan
August 28, 2024

Streaming Link: https://tr.ee/tPgsmtTc8b

Thomas Sander https://soundcloud.com/ansound-655183295
https://www.instagram.com/thomassander55

Aoki Satoru
https://linktr.ee/tototod

♪ Streaming Link

Thomas Sander × Aoki Satoru - Reflection

Dreamstate

Ballad (In The End)

Andrew Leslie Hooker - no-input mixing board, magnetic tape, feedback cabinet, shortwave radio, D.I.Y. electronics, field recordings & samples

Recorded & mixed at Studio One, Bangor University of North Wales in 2016
Artwork by ALH (detail of Cretto G 1 by Alberto Burri, 1973)

TheWorldSplitOpen|IntoTheHeartOfTerror

Aurora Terminalis

Clip track trailer for Detach Now
Release date 14/01/2025 on 3OP
https://threeop.bandcamp.com/

Detach Now trailer

WHAT NOW?

Music for film number 62 in an ongoing collaboration between myself and visual artist/filmmaker L.P. Ponor, that is spanning 12 years now.
See the film here:- https://thereisnomorethereanymore.wordpress.com/2025/01/14/what-now/

W H A T    N O W

Argos: For Harp

From the album ST.JUDE THE PATRON SAINT OF LOST CAUSES at
https://peteswinton.bandcamp.com/album/st-jude-the-patron-saint-of-lost-causes 7 track album.

06 Jude 6

XelmYa+ | Freddi Börnchen - oboe, Alexa Renger - violin, Sylvia Hinz - bass Recorder
enact/direct/escape

https://www.inm-berlin.de/en/konzertkalender/18579/xelmya_enact_direct_escape

Di, 05/06/2018, 20:30 Uhr
Konzert
XelmYa+ | enact/direct/escape 
Unerhörte Musik
Einführung: 19:45
BKA-Theater
Mehringdamm 34, Berlin
Barrierefreiheit: Sehbehinderung und Blindheit / motorische Einschränkungen

Observation 1.8 [Easton Woods] (2017)

A composer, interpreter and improvisor of no-input electroacoustic music based in North Wales.
He is currently undertaking a PhD in music composition at the Academy of Creative and Performing Arts - Leiden University, whilst contemporaneously working on various sound, dance and extended photography/cinema projects.
His work has been published by Entr'acte, Dinzu Artefacts, Subcontinental Records, Korobushka Records, The Silent Howl & scatterArchive

TheWorldSplitOpen|IntoTheHeartOfTerror

Andrew Leslie Hooker

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