What a great sound!  Is that a synthesizer or a didgeridoo? :)

very fine..love your custom sound design..fresh and enveloping

Mission accomplished so far in this track - the journey is a good one and you've created such a soothing and gentle ambiance...like this very much....

Tremendous job on the atmosphere in this section - pleasing and very "spacial"....Very much like 6:48!

Very relaxing and introspective..thanks for the patience to produce this track - not everyone could!

Loved the thunder - nice effect - great wind down of the music and keeping the birds active - cool ending...

love it depth of the heart and head strong brilliant! nice one Don Dre...

@pucken-1: Thanks my friend.  Always a pleasure.

Andrew Souter

Title : Day Has Ended
Artist : Aaron Martin / Christoph Berg
Label : Dronarivm
Release Date : September 23
Catalogue number : DR-14
Format : CD, ltd. 250
Release page: http://dronarivm.bandcamp.com/album/day-has-ended

Aaron Martin & Christoph Berg’s split called “Day Has Ended” is a piece of quiet, intimate music, interfused with daylight and covered by a soft mist of evening dreams. This album spans the course of a day until the point where night falls.

The first part, created by Aaron Martin, is a water-colour, cool and delicate. The twinkling sun reflected itself in a slow river, transparent silvery clouds sparkle and brush the heads of drowsy trees. The closer to the middle of the album, the lower goes the gentle shadow, saturating. In the second part - Christoph Berg’s one, water-colour turns into gouache. The sound becomes more full, more sensuous, it comes in waves, like breath of a sleeping man.

Just close your eyes, be all ears and you’ll feel – the night is not silent. Sweet tune of twilight and darkness full of echo, humming blue, vague voice of the strings and clear gleaming of bright stars in a velvet sky – that is the night.

It’s a perfect and severely sincere work, slightly bittered with melancholy.

Aaron Martin is a very talented multi-instrumentalist from Topeka, Kansas who has releases on such labels as Experimedia, Preservation, Under The Spire, Sonic Meditations.

Christoph Berg is composer and sound artist currently living and working in Berlin focusing on fragile acoustic chamber music compositions. Also writes electro-acoustic music as Field Rotation. He has releases on Facture, hibernate, Denovali Records, Fluid Audio.

Curated by Bartosz Dziadosz (Pleq)
Cover painting "Where The Sea Once Was" by Richard Moult
Designed by Dronarivm Art

Comfort of Shadow

I've seen that photo and I am reminded of faraway places lived many years ago.
That's all
I hope you enjoy it.

photo by Pascal Durif - https://www.facebook.com/pascal.durif.9
http://www.youtube.com/playlist?list=PLfkTSAa-JmqIr7M4jsIQm5D-Xm5JnN_8A

Download

Racines, Une Histoire, Nocturne 7 Feb ( http://open.spotify.com/artist/25SRM5wLczZ3uTLcVXRoe7 )

Introducing the captivating "Circe Remake Edition" brought to you by Thomas Nakas in production, mixing, and mastering, and featuring the mesmerizing flute melodies of Sydän, also known as Jarno(https://soundcloud.com/jarno-andreas-oivakumpu). This collaboration blends jazz, ethnic jazz, and experimental elements, creating a musical journey that transcends boundaries.

Immerse yourself in the enchanting sounds of the djembe and intricate instrumentation as they weave a tapestry of sonic exploration. With a touch of improvisation, Thomas Nakas and Sydän have breathed new life into this remarkable project, infusing it with their unique artistry.

Let the music take you on a journey of self-discovery and cultural exploration.

Join us on this musical adventure and let us know: How does this blend of jazz, ethnic jazz, and experimental music resonate with you? Share your thoughts and experiences in the comments!

 #Jazz #EthnicJazz #Experimental #Djembe #MusicalCollaboration

Circe (Remake Edition

Cicre ( Remake Edition )

Circe [ Remake Edition | Flute: Sydän Laulaa  | Production : Thomas Nakas ]

On the way to a dream.
Download: https://soundcloud.com/dexterbritain/sets/impression

Dexter Britain
https://soundcloud.com/dexterbritain
http://dexterbritain.co.uk/
https://www.facebook.com/thedexterbritain
https://twitter.com/@dexterbritain
http://www.youtube.com/user/TheDexterBritain
https://dexterbritain.bandcamp.com/

Pic by Hello i'm Wild !
https://flic.kr/p/qFQ8xc
https://www.facebook.com/HelloimWild

Follow AmbientMusicalGenre
https://soundcloud.com/ambientmusicalgenre
https://youtube.com/AmbientMusicalGenre
https://facebook.com/AmbientMusicalGenre
https://plus.google.com/+AmbientMusicalGenre/posts
https://ambientmusicalgenre.bandcamp.com/
https://twitter.com/AmbiiMG

My other music channels:
https://www.youtube.com/c/AmbiiStation
https://www.youtube.com/c/GentleSounds

All music on AmbientMusicalGenre channel used for promotional reasons only.
If any artist, producer or label has an issue with any of the uploads please get in contact with me and I will delete it. (ambientmusicalgenre@gmail.com)

Dexter Britain - Raising

The final moments of an hour-long piano improvisation in Port Meadow, Oxford. Released for #PianoDay 2016. Watch the video here: https://www.youtube.com/watch?v=z1CVLS0-ZYI&feature=youtu.be 

Duck

Composed for a 4 chord challenge in February/March 2017 at the Piano Soundboard, with the set chord progression of Dm Am Gm C. Quite unusual for me to stick to these kind of limits!

Dreamcatcher

Anaesthesia

https://ftmots.bandcamp.com/album/sleep-stations

From the Mouth of the Sun (aka Aaron Martin & Dag Rosenqvist) return with ‘Sleep Stations,’ an EP of six new songs, out May 18th, 2018 on Lost Tribe Sound. ’Sleep Stations’ rests comfortably alongside 2017’s ‘Hymn Binding’ their third full-length album and their original score for Joshua Z. Weinstein’s feature film, ‘Menashe.’ With ‘Sleep Stations’ the duo assures us that their exquisite palette of classical leaning, electro-acoustics reaped from their previous albums still leaves much to be explored.

In fact, the pieces of ‘Sleep Stations’ were composed during many of the same sessions as ‘Hymn Binding’ and ‘Menashe,’ yet they feel like a natural continuation of From the Mouth of the Sun’s sound, a stepping stone towards the next chapter, if you will. The core sound will be instantly recognizable for those who’ve followed their previous endeavors, comprised of cello, piano, acoustic guitars, lap steel, banjo, ukulele, pump organ, soft humming electronics and warm layer of static.

The title track ‘Sleep Stations’ was originally meant to be included on the album ‘Hymn Binding.’ It acted as a centerpiece and starting point for the music that From the Mouth of the Sun recorded later during the process of scoring the ‘Menashe’ film. The film ended up requiring an extremely spare palette, thus the ‘Sleep Stations’ EP represents a longing for a fuller and more controlled sound that exhibits the dynamic range that From the Mouth of the Sun strive for with their work.

There is a softness and detachment to ‘Sleep Stations’ more so, that seems to give the album an of aerial view of the landscape below. Where ‘Hymn Binding’ felt more grounded in the earth and soil, ‘Sleep Stations’ floats high above, feeling weightless, suspended in slow motion flight.

Arranging ‘Sleep Stations’ as an EP, has allowed Aaron and Dag to tell a shorter story, one that doesn’t have to be such a grand gesture, which is something they’ve wanted to explore for a while now. It’s a beautiful reminder, that a collection of music can still be simple yet deeply affecting, without being overwrought and excessive.
___________________________________________

CASSETTE DETAILS
‘Sleep Stations,’ our 3rd installment in the Dead West Tape Series, arrives on a limited pro-dubbed hi-bias tape cassette, housed in a reverse printed 300gsm heavy stock outer case. The edition (limited to 100) also comes with a download card offering a choice of formats including FLAC, 320K MP3, etc. Mastering was performed by Matthew Collings (aka one half of the duo Graveyard Tapes).
___________________________________________

DEAD WEST TAPE SERIES
Dead West is a series of limited cassette tape releases from the Lost Tribe Sound record label, inspired by the relocation of the LTS headquarters from the dry desert of Arizona to the lowland plains of Wisconsin’s farm country. The Dead West focuses on music built for exploring and soundtracking your environment, whether you're deep in the middle of lush woodlands, or just laying back at home with rested eyes. ‘Sleep Stations’ is the third release in the series. The first two releases in the series come from the composer William Ryan Fritch (Ill Tides) and experimental guitarist Seabuckthorn (I Could See The Smoke).
___________________________________________ 
credits
releases May 18, 2018

Music & Arrangements by Dag Rosenqvist & Aaron Martin
Mastering by Matthew Collings
Cover Image: NASA/JPL/U of Arizona
Layout & Design by Ryan Keane
© Dag Rosenqvist / Aaron Martin / Lost Tribe Sound LLC
Published by Settled Scores LLC (ASCAP) 2018

About the Death of Stars

New Video:

www.youtube.com/watch?v=Ti-GfCM5-zk

If You Would Only Let Me:

I would put you first; I would never be too busy. I would tell you daily how important you are to me. I would hold you every night and kiss you every morning. I would explore every inch of your soul and still long to know more. I would hold your hand on long walks. I would break patterns of ineffective communication, admit my own weaknesses, and let go of male pride which deludes me into mistakingly believing I need to know everything about everything. I would listen more actively to any frustrations you may be experiencing and avoid feeling blamed for them. I would avoid offering solutions when all you really need is empathy and friendship, not a super-hero who thinks he has to fix everything. I would learn to work together effectively as a team and value deeply your strengths without feeling threatened by our differences. I would learn to forgo power and choose grace. I would forgive us both for all of the clumsy mistakes we made along the way. I would learn to value what is important. I would give thanks to the universe for the gift of your presence in my life. I would help you become all you are destined to be. I would learn how to love selflessly, and be of service, both to you, as well as to whatever higher power wished to use our example.

ALBUM INFO:

"The Idea Of You" is the first of a trio of neoclassical solo piano albums composed, performed, and produced by Andrew Souter. These projects have been two decades in the making and represent a return to traditional music composition, engaging song-writing, and the pure passion of emotional story-telling. This Andrew's most personal and intimate music. It is quite literally a love project. We hope it may it help you on your journey, as it has us...

The Idea Of You Cover Art "The Idea Of You" is music inspired by the spirit of Eros and all of its blessings as well as its tribulations. It explores the vicissitudes of romantic love, the delicate seasons and contour of life, and all the lessons learned along the way. Themes of desire, passion, limerence, romantic love, idolatry, jealousy, envy, loss, regret, forgiveness, acknowledgment, appreciation, acceptance, and eventually glimpses of true understanding permeate the work. It attempts to communicate that which so many of us can never quite communicate properly with words. It is an open apology for the clumsy mistakes we all make when coming to maturity in learning how to care selflessly for another human being. It is a gentle reminder as to what is most important in life, as well as an invocation to continuously seek self-improvement regarding our understanding of such matters.

Andrew Souter -- If You Would Only Let Me (Part)

The origins of Whitespace go back to 1999 with the start of the Galileo peice. Galileo was an unmanned NASA spacecraft named after the astronomer Galileo Galilei and launched ten years earlier on October 18, 1989, which studied the planet Jupiter and its moons, as well as several other solar system bodies. The Wayfarer Galileo piece likewise takes us on an imaginary journey of discovery through new and unimagined reaches of deep space, some of which quite alien, others strangely familiar. Galileo was composed and produced using field recordings and entirely custom sound-design created with UI Software's MetaSynth. Harmonically it is based around a Just Intonation version of an ancient pentatonic scale from Chinese mythology ascribed to Ling Lun. Its macroscopic structure follows a poly-rhythmic construction of repeating sections of uneven period lengths which shift in and out of phase with one another to create an evolving minimalist fugue-like effect. Custom spectral and harmonic tunings are used to create various aural sculptures that follow this framework while adding significant intrigue and a sense of some form of intelligent design that is just out of reach of our familiar perceptual experiences. This gives the sense that there are some form of organizational principals at work, but they are foreign to us, much like an alien life-form, or the universe itself.

Wayfarer is a project name Andrew Souter uses for the deepest of deep ambient space music. This is music that is meant to invoke a sense of traveling without moving to remote and unknowable reaches of outer and inner space. Wayfarer projects are more sound environments than music in the traditional sense. They are intended to invoke a sense of ineffable awe at the magnificence of the universe, and give a fleeting sense of connection to some form of universal non-human intelligence. Despite, or rather perhaps because of, its humble abstract nature, this is meditative music that implicitly asks big questions, and hopefully inspires big ideas.

"Whitespace" is the first of the Wayfarer series. This two hour sonic odyssey is a collection of thematic and textural ambient deep cruisers that are certain to be the impetus of a myriad forms of outward journeys and inward discoveries. The atmospheric, mood-inducing soundscapes of Whitespace make a perfect compliment to mediation, relaxation, deep concentration, lucid dreaming, quiet introspection, various spiritual practices, star gazing, and various other formative life experiences. To borrow words from Stephen Hill, founder of Hearts Of Space, this is "slow music for fast times".

http://www.galbanum.com/music/whitespace

Wayfarer -- Galileo

Precedence: the fact of coming earlier in time. What came before shall come again. We are much older than we care to remember. We know well who we are and where we must go, but we all play a collective game of Maya, forgetting our inheritance and instead embracing materialism and valuing ignorance over wisdom. Throughout history civilizations build great sand castles towering towards the heavens, only to tear them down again and again. Technology now connects everything and anyone. The world turns faster. Information is freely available to those who would seek it, yet wisdom and restraint have been lost. All things are possible, but all not all things are profitable. Discerning which is which is not an easy task to accomplish when the connection to what has come before has been lost. We must remember the past to create a better future.

Composed/produced 05/09/2013 while working on a 2CAudio B2 preset expansion.

Wayfarer is a project name Andrew Souter uses for the deepest of deep ambient space music. This is music that is meant to invoke a sense of traveling without moving to remote and unknowable reaches of outer and inner space. Wayfarer projects are more sound environments than music in the traditional sense. They are intended to invoke a sense of ineffable awe at the magnificence of the universe, and give a fleeting sense of connection to some form of universal non-human intelligence. Despite, or rather perhaps because of, its humble abstract nature, this is meditative music that implicitly asks big questions, and hopefully inspires big ideas.

"Whitespace" is the first of the Wayfarer series. This two hour sonic odyssey is a collection of thematic and textural ambient deep cruisers that are certain to be the impetus of a myriad forms of outward journeys and inward discoveries. The atmospheric, mood-inducing soundscapes of Whitespace make a perfect compliment to mediation, relaxation, deep concentration, lucid dreaming, quiet introspection, various spiritual practices, star gazing, and various other formative life experiences. To borrow words from Stephen Hill, founder of Hearts Of Space, this is "slow music for fast times".

http://www.galbanum.com/music/whitespace

Wayfarer -- Precedence

 "This whole earth in which we inhabit is but a point is space."
 -Henry David Thoreau

//////////////////////////////////////////////////////////////

"Autumn Rains" is the second installment in a trio of neoclassical solo piano albums composed, performed, and produced by Andrew Souter. These projects have been two decades in the making and represent a return to traditional music composition, engaging song-writing, and the pure passion of emotional story-telling. This trio represents Andrew's most personal and intimate music. It is quite literally a love project. We hope it may help you on your journey, as it has us...

"Autumn Rains" is music inspired by the spirit of Agape. It is an album dedicated to the concept of spiritual love and universal compassion clothed in the metaphor of transcendental natural beauty. It is an album that simultaneously expresses deep love for both the creator as well as the creation. It is said God gave us music so that we could pray without words. It could be added that nature was provided as an example of exactly how to do this effectively. In this spirit, Autumn Rains is a prayer of gratitude for the opportunity to learn from the natural beauty of this world, and an expression of a sense of respect for the inescapable universal equality that nature imposes. It humbly attempts to capture deep feelings of awe, granduer, idealism, and a belief in the innate goodness of the world even when we all face exceptionally hard lessons.

En Passant

Andrew Souter -- En Passant

Prana is the Sanskrit word for life-force or breath; in yoga, Oriental medicine, and martial arts, the term refers to a cosmic energy connecting all elements of the universe, responsible for a body's life, heat, and well being. The Wayfarer Prana piece imagines the universe itself as a single life-force with its own breath and rhythm. It was created in 2005, and again all sounds are completely custom sound-design employing mirco-tonality, spectral constructs, and image-based compositions created with MetaSynth. The first third of the journey functions like a guided mediation or breathing exercise in which consciousness is entrained into a deeper state of focus. We quickly find ourselves stepping though the doors of perception into some form of out-of-body experience, where unbound by time or space, we are free to explore the infinite unfolding. Gradually our moment of awakenedness subsides and we are gently lead back to sleep, leaving the ineffable safely locked in the previous domain.

Wayfarer is a project name Andrew Souter uses for the deepest of deep ambient space music. This is music that is meant to invoke a sense of traveling without moving to remote and unknowable reaches of outer and inner space. Wayfarer projects are more sound environments than music in the traditional sense. They are intended to invoke a sense of ineffable awe at the magnificence of the universe, and give a fleeting sense of connection to some form of universal non-human intelligence. Despite, or rather perhaps because of, its humble abstract nature, this is meditative music that implicitly asks big questions, and hopefully inspires big ideas.

"Whitespace" is the first of the Wayfarer series. This two hour sonic odyssey is a collection of thematic and textural ambient deep cruisers that are certain to be the impetus of a myriad forms of outward journeys and inward discoveries. The atmospheric, mood-inducing soundscapes of Whitespace make a perfect compliment to mediation, relaxation, deep concentration, lucid dreaming, quiet introspection, various spiritual practices, star gazing, and various other formative life experiences. To borrow words from Stephen Hill, founder of Hearts Of Space, this is "slow music for fast times".

Wayfarer -- Prana

Serenity

Claudia's Theme

I create things.  Musical things...  Technological things...

Production of my third solo piano album to complete the trilogy is underway now! Stay tuned...

If you enjoy the music please support via Apple Music, Spotify, or other streaming/download service. My music is also available directly from my company web-store in uncompressed WAV format as well if you prefer:

http://www.designersound.com/

My other job is co-founder and primary algorithm designer of 2CAudio.  We make some pretty cool stuff for the pro audio software community including some of the best reverbs on the planet, which you are hearing in all of my personal work here too of course.

http://www.2caudio.com
http://galbanum.com/about/people/

Thanks for all of your kind words and support!

Wayfarer -- Galileo

Andrew Souter

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