4 reworked DJ-friendly versions for the Klubb

-> https://klubbk.bandcamp.com/album/klubb-kutz-vol-7 <-

Bandcamp

Klubb Kutz vol. 7 - Jam Master reworks

Dream On Dreamer (Rework)

Bruce and I have established a weird tradition. He comes swooping in close to deadline with these compilations and every time delivers a track of blinding beauty and quality. 
Bruce does the most potent reworks and has a style completely his own. 
Apart from that, AND DJing, Bruce runs his radioshow/podcast Recluse Radio, which is one of my favorite shows on the planet. I asked him about where he got the moniker The Loneliest Hunk, and he replied: “oh it’s a funny story really….” never getting back to me on it. At this point I assume it’s his dashing good looks being locked on New Zealand all alone, with DiCE_NZ.

Discoholics Anonymous 4

Free Download

The Loneliest Hunk - Remote Control

Heru

Midnight Vibes

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(Give It) All You Got

Have you got your copy yet ?

Spotify - goo.gl/1ju8An

Traxsource - https://goo.gl/u7WmC3

Beatport - https://goo.gl/IVoC0b

Itunes - https://goo.gl/ktOIwn

JunoDownload - https://goo.gl/SwDGG9

For the 54th release, we are incredibly excited to welcome back label bosses, Random Soul! They return with a huge new single featuring the vocal powerhouse, Roxy Lebrasse.
‘Let The Music Take Control’ is injected with funk and soaked in live bass, rhodes and guitars by Deutsch Duke. They all combine with a diva hook to turn this into is a classic house music lovers dream.
Not satisfied with the epic vibes on the original, the lads saw another angle and slowed things down to a disco pace. With a new live bassline and a sleazy-ass style, this one gets you riding high on the right horse.
The first remixer needs no introduction. He is one of the most respected and decorated house producers on the planet. We are so stoked to have the legendary, our favourite, David Penn, on the remix. His remix is a total club banger, and that’s all you need to know! Add it to your collection of Penn magic...
Finally, Husky takes a break from his own label, Bobbin Head Music, to offer his ever evolving trademark.

The package with everything is here. Buy it, play it, enjoy it.

Credits

Produced and Mixed by Lawrence “Husky” Huskinson & Johann "Yogi" Willenberg aka Random Soul. 
https://soundcloud.com/randomsoul
www.randomsoulmusic.com

Written by Dave Lee 
Vocals by Roxy Lebrasse 
Live Bass by Yogi
Guitars by Dennis Dowlut

Additional Remix by David Penn @ Urbana Studios, Madrid www.djdavidpenn.com

Additional remix by Lawrence ‘Husky’ Huskinson 
https://soundcloud.com/huskyrandomsoul

Mastered by Klaus Hill
www.klaushill.com

Published by Copyright Control and APRA/AMCOS

2016 Random Soul Recordings
www.randomsoulrecordings.com

Let The Music Take Control

Itunes

(Random Soul's Disco Re-Invention)

Arthur Prysock - You Can Do It (MV Edit) Snippet

Hall & Oates | I Can’t Go For That (No Can Do)(Change Request ReVision)

For this ReVision, I took on this classic by a duo who needs no introduction. Dropped right in the middle of their seemingly endless hit factory streak, this song was the second single from their tenth studio album, 1981's Private Eyes.

Landing them their fourth number-one hit single and the second from the same album, this song was written quickly in-between recording sessions for Private Eyes. 

This song makes iconic of the fairly new Roland CR-78 CompuRhythm at the centerpiece rhythm section. The CR-78 was Roland's first microchip-based programmable drum machine. This machine this song marked the beginning of what would become the golden era of synthetic drums taking over the airwaves. 

Released in March of 1981, “I Can’t Go For That (No Can Do)” along with Phil Collins' January 1981 single, “In The Air Tonight”—which also prominently featured the Roland CR-78—would make this first programmable machine from Roland an icon overnight. 

This song also features the state of the art Dave Smith Sequential Circuits Prophet-5, a Korg organ baseline, Fender Rhodes, and simple, but effective guitar motifs. I recreated this song with a Roland CR-78, Prophet 5, Fender Rhodes, Vox Continental Organ, and Live Bass. 

Enjoy!

Buy ReVision

Hall & Oates | I Can't Go For That (No Can Do)(Change Request ReVision)

** Grab it here --->  https://klubbk.bandcamp.com/track/groovy-machine

#disco #boogie #breaks #discobreaks #edit #bohannon #bandcamp #funk

Groove Machine - Bohannon (JMMSTR rework)**Bandcamp exclusive**

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Namy feat. Brandy - I Wanna Love Yourself (Briak Mash Up Edit) ** FREE DOWNLOAD **

Andrew Emil // Change Request 

A preeminent artist of Chicago's 3rd wave, Andrew Emil is one of house music’s most staunch stalwarts. A concert-trained percussionist since age 11, he earned a chair in his native Kansas City Symphony before eventually moving to Chicago. 

As a traditional musician, Andrew Emil has worked as a keyboardist, arranger, and an orchestrator on recording sessions and productions, cutting his teeth at the former Chicago Trax Recording Studios. 

Credited on over 200+ recordings, his composition and studio productions have ranged from concert works and sound design to film scoring stages and hundreds of releases of electronic music productions. 

After a life in live music performance, from orchestra percussion sections to punk rock ensembles, he crafted a reputation for House Music productions in Chicago under his own name, as well as Broadway & Wilson, and Uptown Tones. 

One of the earlier innovators of the “Jackin House” genre under the Broadway & Wilson moniker with Jeff Bloom, Andrew is never content to stay in one place or style of musical thought for very long. 

He is the only recording artist to do production work simultaneously for Derrick Carter’s Classic Music Company, Mark Farina’s Great Lakes Audio, Gene Farris’ Farris Wheel Recordings, and four-time GRAMMY nominee Steve “Silk” Hurley’s S&S Records.

A string of double-digit singles for prominent labels, including remixes for artists such as Common, Kanye West, Little Louie Vega, Jamie Principle, Steve "Silk" Hurley, Iz & Diz, Fast Eddie, Shalamar, Roland Clark, David Morales, Colette, Amp Fiddler, JT Donaldson, and Gene Farris, to name a few. 

2012 saw the emergence of his epithet, Change Request, with the Change Theory EP on four play music. This new persona allowed the freedom to explore hybrids of mid-tempo live instrument focused jazz-dance-fusion. 

Following this release was “After All” on Seasons Recordings, with another single thereafter featuring house music icon, Chez Damier, “I Wanna Go Back”, including a remarkable rework from Glenn Underground, on Glenview Records. 

The ever-growing collection of songs and musical dialogue eventually led to the conceptual album series from Change Request. Each full-length effort containing a completely separate story and scored via its own unique incidental subtext. 

Emil created AstraVox Music with the award-winning Los Angeles-based composer, Mr. Nathaniel, as a home for his increasing catalog of incidental dramatic musical compositions. 

www.andrewemil.com