The Cure | In Between Days (Change Request ReVision)

For this ReVision, I did one of my all-time favorite tracks from the seminal British ensemble. 

Written by Robert Smith—Smith solely wrote the entire full length—“In Between Days” was The Cure’s first single from their sixth album, 1985’s The Head on the Door. 

Inspired by Siouxsie and the Banshees and The Human League, Smith wanted to present an album that featured a variety of styles and moods. This single—often compared to New Order’s "Dreams Never End”—was their first single to reach the Billboard Hot 100. 

The lyrical content surrounding the maturity of loss is contrasted by the decidedly up-tempo music. This song sees a very familiar ensemble orchestration from The Cure, featuring Smith on vocals, guitar, and—the most distinctive instrument that came to define their unique sound—the 6-string bass.

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The Cure | In Between Days (Change Request ReVision)

St. Pete / Tampa DJ. Ecstatic Dance, Rewind<>Forward @ The Catacombs, Communion After Dark

https://www.mixcloud.com/jasonkiger/

Synthpop, Dark Disco, Indie Dance, Downtempo, Ancient Future, Synthwave,, 80's & more

DJ // Producer // Radio guy 2SER 107.3
Apparel Music/Resense Records/High Hopes/Rollover Milano / Midnight Riot


*"Mighty Reel" 2ser 107.3 FM Sydney Fridays 2-4 pm aedt (and on 2ser.com streaming and on demand)
Compiling: That's Not An Edit https://soundcloud.com/thats-not-an-edit
Bookings/Contact/Remix requests/Horoscopes: 
Mightyreel (at) 2SER dot come (or PM me HERE!)


+so much more.

"I am NEWCENTURYPOPGLAM", Its the only genre that best describes the total sound of, August Halo" says founding member and frontman,Eric S. With tracks like the audatious trip hop rock anthem, the Gallows, a blend of punchy beet and cool ass rock rifs, which touches on the dark destruction of addiction or the smooth spacious arena rock and simple piano melodie of, Ever seen the Light , which dangles the controversy of religions right in your face. The music of August Halo creates a unique sound, reinventing cover's of the 80s alternative and radio rock and  with the cataloge of original tracks.Being influenced mainly by the sound of The Cure and of the great David Bowie, you can honestly say this band has pure potential. Forged from the underground, with a wide variety of genres including, pop, hip hop, arena and alternative rock beautifuly blended together is just at the surface taking you in by the unique yet naturally familiar melodies of this unique sound. As the bass, guitar and drums evolve the soundscape, shining like a beam of light shooting down from the heavens, the passionate theatrical vocal bends and bows with pure creative emotion. Creator Eric S. swoons the stories of his life though his lyrical ventures giving light to the dark rythems that flow.  So, like so many dedicated NewCenturyPopGlam followers or a future believers in towe  August Halo has something for everyone in the now and in the ever evolving future of music.

Andrew Emil // Change Request 

A preeminent artist of Chicago's 3rd wave, Andrew Emil is one of house music’s most staunch stalwarts. A concert-trained percussionist since age 11, he earned a chair in his native Kansas City Symphony before eventually moving to Chicago. 

As a traditional musician, Andrew Emil has worked as a keyboardist, arranger, and an orchestrator on recording sessions and productions, cutting his teeth at the former Chicago Trax Recording Studios. 

Credited on over 200+ recordings, his composition and studio productions have ranged from concert works and sound design to film scoring stages and hundreds of releases of electronic music productions. 

After a life in live music performance, from orchestra percussion sections to punk rock ensembles, he crafted a reputation for House Music productions in Chicago under his own name, as well as Broadway & Wilson, and Uptown Tones. 

One of the earlier innovators of the “Jackin House” genre under the Broadway & Wilson moniker with Jeff Bloom, Andrew is never content to stay in one place or style of musical thought for very long. 

He is the only recording artist to do production work simultaneously for Derrick Carter’s Classic Music Company, Mark Farina’s Great Lakes Audio, Gene Farris’ Farris Wheel Recordings, and four-time GRAMMY nominee Steve “Silk” Hurley’s S&S Records.

A string of double-digit singles for prominent labels, including remixes for artists such as Common, Kanye West, Little Louie Vega, Jamie Principle, Steve "Silk" Hurley, Iz & Diz, Fast Eddie, Shalamar, Roland Clark, David Morales, Colette, Amp Fiddler, JT Donaldson, and Gene Farris, to name a few. 

2012 saw the emergence of his epithet, Change Request, with the Change Theory EP on four play music. This new persona allowed the freedom to explore hybrids of mid-tempo live instrument focused jazz-dance-fusion. 

Following this release was “After All” on Seasons Recordings, with another single thereafter featuring house music icon, Chez Damier, “I Wanna Go Back”, including a remarkable rework from Glenn Underground, on Glenview Records. 

The ever-growing collection of songs and musical dialogue eventually led to the conceptual album series from Change Request. Each full-length effort containing a completely separate story and scored via its own unique incidental subtext. 

Emil created AstraVox Music with the award-winning Los Angeles-based composer, Mr. Nathaniel, as a home for his increasing catalog of incidental dramatic musical compositions. 

www.andrewemil.com