“Dream of Bees” is the first single from Lilies on Mars’ full-length Dot to Dot, to be given worldwide release early next year on Saint Marie Records. Previous recordings by the London-based, Sardinian multi-instrumentalists Lisa Masia and Marina Cristofalo have established the duo, formed in 2009, as purveyors of  poignant, otherworldly “retro-futurist” dreampop.

“Dream of Bees” opens with a hovering organ chord that’s quickly overtaken by an instrumental preview of a chorus that always pulls the listener aloft on a softly turning but slightly dizzying carousel of sound, an image bolstered by a vertiginously calliope-like keyboard line. With the first verse commences a high, distant vocal that soars gently through the rest of the track. Nimble drum work contributed by Valentina Magaletti ensures that the proceedings never quite touch the Ground.

The first remix included with the single comes by way of San Francisco’s ethereal pop team Silver Swans, whose sparer, more synthetic approach to the song brings the vocal line to the fore and uses programmed drums to pull the track’s rhythmic emphasis inside out. A remix by Vancouver-born, New York-based cellist Julia Kent startlingly recasts “Dream of Bees” in purely instrumental terms with an exquisite string arrangement.

Lilies On Mars - Dream Of Bees

Pete International Airport/Boys Better (Live FIB 2004)

My 2015 edit for the classic "Everything Counts"  

Buy= Free download

Free Download: bit.do/EverythingCountsMS

Depeche Mode - Everything Counts (Master Switcher Edit)

Good Fortune - PJ HARVEY Cover

Confident,Cool,Driving,Fun,Moody,Retro,Rhythmic,Upbeat Instrumental Indie Blues Rock

The Hunter

Goldfrapp - Believer (Davide Rossi Reinterpretation)

recent remix I did
I timed a copy of the track along the original track so the vocals at least would echo themselves on beat. It turned out a lot cooler than I thought it would. However, the bridge didn't work so well with the echo, so I left that unedited, then copied the ending of the song, and just double-tracked it (I don't know if that's the right terminology, but I basically just copied the ending and lined it up with the original on the same beat- in order to emphasize the energy). I also took that copy and warped it, creating an interesting stereo experience. It's not my best work, and only took me about 5 minutes of work... but I would appreciate any feedback. :) enjoy

The Flaming Lips "Borderline" [Madonna cover] SuperAwesomeEchoRemix

The Cure | In Between Days (Change Request ReVision)

For this ReVision, I did one of my all-time favorite tracks from the seminal British ensemble. 

Written by Robert Smith—Smith solely wrote the entire full length—“In Between Days” was The Cure’s first single from their sixth album, 1985’s The Head on the Door. 

Inspired by Siouxsie and the Banshees and The Human League, Smith wanted to present an album that featured a variety of styles and moods. This single—often compared to New Order’s "Dreams Never End”—was their first single to reach the Billboard Hot 100. 

The lyrical content surrounding the maturity of loss is contrasted by the decidedly up-tempo music. This song sees a very familiar ensemble orchestration from The Cure, featuring Smith on vocals, guitar, and—the most distinctive instrument that came to define their unique sound—the 6-string bass.

Buy ReVision

The Cure | In Between Days (Change Request ReVision)

The Dandy Warhols stopped by the 88.1 KDHX studio in St. Louis on September 04, 2009 for a live performance. Discover more great music at http://kdhx.org

The Dandy Warhols "Get Off" Live at KDHX 9/4/09

Hooray for Earth Vs. Twin Shadow - Place We Like

***Winner of The Quietus' Tomorrow's Cult Star Today award at BBC 6 Music Blog Awards***

"Fat White Family are sick. I don't mean this like, they're well sick la, like some scouse teenager would have said eight years ago. I mean, they're seriously not well... they're also slightly brilliant" - The Quietus

"Brilliant macabre lullaby- sung over a shonky casio metronome, full of nasty asides about druggy co-dependence" - Single Of The Week, Drowned In Sound

"We've made no secret of our deep love for the gap toothed hoodlums of Fat White Family" - SupaJam



Fat White Family will be releasing their much anticipated debut album Champagne Holocaust on 1st April through Trashmouth Records. The album will be available on digital download and limited addition vinyl. 

Fat White Family, a band who've crawled out from the crevices of Peckham and Brixton to find  gourmet burger bars, designer prams and soulless gastropubs taking over the town. Faced with the yuppie invasion their sole purpose is to cause havoc and deliver something real...

Despite the inevitable incidents of chaos, blood, nudity and weirdness that seem to have plagued/fuelled this first year of their mission, they are still the band that everyone in London wants  to see. 

For more info, photos or interview requests please contact Danny on 07973665997 or danny@allteeth.co.uk

6. CREAM OF THE YOUNG by FAT WHITE FAMILY

Andrew Emil // Change Request 

A preeminent artist of Chicago's 3rd wave, Andrew Emil is one of house music’s most staunch stalwarts. A concert-trained percussionist since age 11, he earned a chair in his native Kansas City Symphony before eventually moving to Chicago. 

As a traditional musician, Andrew Emil has worked as a keyboardist, arranger, and an orchestrator on recording sessions and productions, cutting his teeth at the former Chicago Trax Recording Studios. 

Credited on over 200+ recordings, his composition and studio productions have ranged from concert works and sound design to film scoring stages and hundreds of releases of electronic music productions. 

After a life in live music performance, from orchestra percussion sections to punk rock ensembles, he crafted a reputation for House Music productions in Chicago under his own name, as well as Broadway & Wilson, and Uptown Tones. 

One of the earlier innovators of the “Jackin House” genre under the Broadway & Wilson moniker with Jeff Bloom, Andrew is never content to stay in one place or style of musical thought for very long. 

He is the only recording artist to do production work simultaneously for Derrick Carter’s Classic Music Company, Mark Farina’s Great Lakes Audio, Gene Farris’ Farris Wheel Recordings, and four-time GRAMMY nominee Steve “Silk” Hurley’s S&S Records.

A string of double-digit singles for prominent labels, including remixes for artists such as Common, Kanye West, Little Louie Vega, Jamie Principle, Steve "Silk" Hurley, Iz & Diz, Fast Eddie, Shalamar, Roland Clark, David Morales, Colette, Amp Fiddler, JT Donaldson, and Gene Farris, to name a few. 

2012 saw the emergence of his epithet, Change Request, with the Change Theory EP on four play music. This new persona allowed the freedom to explore hybrids of mid-tempo live instrument focused jazz-dance-fusion. 

Following this release was “After All” on Seasons Recordings, with another single thereafter featuring house music icon, Chez Damier, “I Wanna Go Back”, including a remarkable rework from Glenn Underground, on Glenview Records. 

The ever-growing collection of songs and musical dialogue eventually led to the conceptual album series from Change Request. Each full-length effort containing a completely separate story and scored via its own unique incidental subtext. 

Emil created AstraVox Music with the award-winning Los Angeles-based composer, Mr. Nathaniel, as a home for his increasing catalog of incidental dramatic musical compositions. 

www.andrewemil.com