Good Fortune - PJ HARVEY Cover

I (Aaron) Wrote this arrangement in my early 20's on an acoustic guitar. I slowly over the years added some fanciness to it.

Don't spill my drink

Our Favourite Shop

The Lodgers (Or She Was Only A Shopkeeper's Daughther) (Club /Dance Mix)

Road Noise: The Official Bootleg (Live)

Stay with Me Till Dawn (Live)

Depeche Mode - Enjoy The Silence (Downtempo Instrumental RMX by Hybrid) 85 BPM

Depeche Mode - Enjoy The Silence (Downtempo Instrumental by Hybrid)

Mixed by Chris Coady at Sunset Sound Studios, Los Angeles
Mastered by Heba Kadry at Timeless Mastering, NYC

New album 'Microclimate' out 3rd Feb 2017 on Volcanic Field
Pre-order here!
Bandcamp:
https://porcelainraft.bandcamp.com/
ITUNES:
http://itunes.apple.com/album/id1170131332?ls=1&app=itunes

Distant Shore

Poésie Noire - A Night Like This (The Cure Cover)

recent remix I did
I timed a copy of the track along the original track so the vocals at least would echo themselves on beat. It turned out a lot cooler than I thought it would. However, the bridge didn't work so well with the echo, so I left that unedited, then copied the ending of the song, and just double-tracked it (I don't know if that's the right terminology, but I basically just copied the ending and lined it up with the original on the same beat- in order to emphasize the energy). I also took that copy and warped it, creating an interesting stereo experience. It's not my best work, and only took me about 5 minutes of work... but I would appreciate any feedback. :) enjoy

The Flaming Lips "Borderline" [Madonna cover] SuperAwesomeEchoRemix

The Cure | In Between Days (Change Request ReVision)

For this ReVision, I did one of my all-time favorite tracks from the seminal British ensemble. 

Written by Robert Smith—Smith solely wrote the entire full length—“In Between Days” was The Cure’s first single from their sixth album, 1985’s The Head on the Door. 

Inspired by Siouxsie and the Banshees and The Human League, Smith wanted to present an album that featured a variety of styles and moods. This single—often compared to New Order’s "Dreams Never End”—was their first single to reach the Billboard Hot 100. 

The lyrical content surrounding the maturity of loss is contrasted by the decidedly up-tempo music. This song sees a very familiar ensemble orchestration from The Cure, featuring Smith on vocals, guitar, and—the most distinctive instrument that came to define their unique sound—the 6-string bass.

Buy ReVision

The Cure | In Between Days (Change Request ReVision)

Happy for the new Garbage album, I made this Paranoid remix (long time that i wanted to do it).

Garbage - I Think I'm Paranoid (Phyronoid)

"Hallo Spaceboy" -  David Bowie (live)

Andrew Emil // Change Request 

A preeminent artist of Chicago's 3rd wave, Andrew Emil is one of house music’s most staunch stalwarts. A concert-trained percussionist since age 11, he earned a chair in his native Kansas City Symphony before eventually moving to Chicago. 

As a traditional musician, Andrew Emil has worked as a keyboardist, arranger, and an orchestrator on recording sessions and productions, cutting his teeth at the former Chicago Trax Recording Studios. 

Credited on over 200+ recordings, his composition and studio productions have ranged from concert works and sound design to film scoring stages and hundreds of releases of electronic music productions. 

After a life in live music performance, from orchestra percussion sections to punk rock ensembles, he crafted a reputation for House Music productions in Chicago under his own name, as well as Broadway & Wilson, and Uptown Tones. 

One of the earlier innovators of the “Jackin House” genre under the Broadway & Wilson moniker with Jeff Bloom, Andrew is never content to stay in one place or style of musical thought for very long. 

He is the only recording artist to do production work simultaneously for Derrick Carter’s Classic Music Company, Mark Farina’s Great Lakes Audio, Gene Farris’ Farris Wheel Recordings, and four-time GRAMMY nominee Steve “Silk” Hurley’s S&S Records.

A string of double-digit singles for prominent labels, including remixes for artists such as Common, Kanye West, Little Louie Vega, Jamie Principle, Steve "Silk" Hurley, Iz & Diz, Fast Eddie, Shalamar, Roland Clark, David Morales, Colette, Amp Fiddler, JT Donaldson, and Gene Farris, to name a few. 

2012 saw the emergence of his epithet, Change Request, with the Change Theory EP on four play music. This new persona allowed the freedom to explore hybrids of mid-tempo live instrument focused jazz-dance-fusion. 

Following this release was “After All” on Seasons Recordings, with another single thereafter featuring house music icon, Chez Damier, “I Wanna Go Back”, including a remarkable rework from Glenn Underground, on Glenview Records. 

The ever-growing collection of songs and musical dialogue eventually led to the conceptual album series from Change Request. Each full-length effort containing a completely separate story and scored via its own unique incidental subtext. 

Emil created AstraVox Music with the award-winning Los Angeles-based composer, Mr. Nathaniel, as a home for his increasing catalog of incidental dramatic musical compositions. 

www.andrewemil.com