I find the system quite distressing, a lot of exoskeletal and segmented movement down there. Another great piece!

Hey, I just realised your piece was selected for the Sonorities Festival in Belfast — because I also received the letter! Congrats! :)

Full track available from electrocd.com
electrocd.com/en/album/5984/Niko…poulos/Micro-lieux

1st prize at the Open Circuit 2016 International Electroacoustic Competition / Mention at Foundation Destellos – VIII° Competition in Electroacoustic music.

The title of the work refers to a mode of seed dispersal. Fracturing of the seed pod releases stored elastic energy into kinetic energy launching its contents. The term reflects musical processes as well as timbral qualities of the work . .The events portrayed in this piece are fictitious, and any resemblance to real events, past, present, or future, is entirely coincidental but highly probable.

Ballistichory (Excerpt)

Yell

Dirac  
[for string quartet]

Matthew Lee Knowles
[2014]

Premiered by the Manon Quartet as part of 840's debut concert on Saturday 31st of January 2015 at St James Church, Islington.

SCORE:
https://www.scribd.com/doc/254395381/Dirac-string-quartet

Dirac [2014]

Diarrhea Of An Angel

Written for the MIT Media Lab's Mediated Matter Group. The video can be seen at https://vimeo.com/136764796

Written and Produced by Jeremy Flower.
Many thanks to Carla Kihlstedt - Violin.

From their Vimeo page:

Glass 3D Printing (G3DP)
Additive Manufacturing of Optically Transparent Glass developed by the Mediated Matter Group at the MIT Media Lab in collaboration with the Glass Lab at MIT.
Ancient yet modern, enclosing yet invisible, glass was first created in Mesopotamia and Ancient Egypt 4,500 years ago. Precise recipes for its production - the chemistry and techniques - often remain closely guarded secrets. Glass can be molded, formed, blown, plated or sintered; its formal qualities are closely tied to techniques used for its formation.
From the discovery of core-forming process for bead-making in ancient Egypt, through the invention of the metal blow pipe during Roman times, to the modern industrial Pilkington process for making large-scale flat glass; each new breakthrough in glass technology occurred as a result of prolonged experimentation and ingenuity, and has given rise to a new universe of possibilities for uses of the material. This show unveils a first of its kind optically transparent glass printing process called G3DP.
G3DP is an additive manufacturing platform designed to print optically transparent glass. The tunability enabled by geometrical and optical variation driven by form, transparency and color variation can drive; limit or control optical light transmission, reflection and refraction; and therefore carries significant implications for all things glass. The platform is based on a dual heated chamber concept. The upper chamber acts as a Kiln Cartridge while the lower chamber serves to anneal the structures. The Kiln Cartridge operates at approximately 1900°F and can contain sufficient material to build a single architectural component. The molten material gets funneled through an alumina-zircon-silica nozzle. The project synthesizes modern technologies with age-old established glass tools and technologies producing novel glass structures with numerous potential applications.
The G3DP project was created in collaboration between the Mediated Matter group at the MIT Media Lab, the Mechanical Engineering Department and the MIT Glass Lab. Researchers include John Klein, Michael Stern, Markus Kayser, Chikara Inamura, Giorgia Franchin, Shreya Dave, James Weaver, Peter Houk and Prof. Neri Oxman.

Glass

Taken from the Acid Scratch LP out on the 15th April.. To pre order go to the colony productions band camp..


11) - K.L.O - Gangsta Beats

“Transit” was inspired by listening to the music of Terry Riley to create a work that involved long feedback delay lines. I began with a mental image of performers in a space working with electronics and worked to develop a virtual system to mimic what I had in mind. Once the setup was developed, I experimented with improvising material live and notating what felt right. I then continued this cycle of improvisation and notation to extend and develop the work.

MP3, OGG, FLAC, and Project files are available at: http://kunstmusik.com/2016/08/09/transit/

Transit

The inspiration for `Rise from Slumber' came from a desire to move away from episodic structure. The piece consists of a system whose elements are reactive to one another. At times certain elements come to the fore before collapsing back into the system. The title reflects the gentle rising and falling nature of the material.

Rise From Slumber was realized in at the University of Sheffield Sound Studios in 2011 as part of an MA in Sonic Arts. It has has performed at the Queen's University of Belfast's Sonorities festival and also at Staffordshire University's NoiseFloor festival both in 2013.

Rise from slumber

Taken from a live set at the Brickbottom Artists Building in Somerville, MA in May of 2012. Three Songs here, all three untitled.

From 2012 With Love

track by keepalive and smartypants - aka Rainbow Bright.  Killin.

The Rollah

How I Know It's Hopeless

Andrew Reeman has completed an MA in Sonic Arts at the University of Sheffield. During this course he wrote several acousmatic works and developed various pieces of software to aid electroacoustic composition. 

Rise from slumber

andrewreeman

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