здОровский, хорошо выстроенный интеллектуальный лайв! Последняя композиция (перед финалом с железной дорогой) медитативно унесла за собой, Оч кайфовая!!!))

Реально волшебная. Каждый раз,  как слушаю -  хожу,  по городу танцую)      Мастер! 

ATOM (Alisa Oleva and Timothy Maxymenko) is inviting you to join a Far Away Dance - to dance together at a safe distance outdoors in Hackney Marshes to a live set based on the sounds of the location by musician Andrey Kiritchenko (director of Next Sound) who is situated in Kyiv, Ukraine. 
 
We take pandemic restrictions as generative of new choreographies and ways of listening together. We are offering a situation for people to be together safely in the darkness of the evening, keeping each other in sight but at a far distance, dancing amongst the silhouettes, listening and being surrounded by the sounds of the location at the same time. 

ATOM has commissioned Andrey Kiritchenko in Kyiv to do a live performance based on field recordings collected from the site of Hackney Marshes. You will be able to safely share the space together, dancing or just listening to the live set created specially for the event from the everyday sounds and noises of the place you are in.

Live at Soundcamp festival 2021: Far Away Dance

mixtape pop hyperpop indie mix remix lit funky rnb r&b

BandCamp

headphones recommended to enjoy full stereo - as usual

method: went shopping. walked past a transformer. recorded on voice tracer. a zeppelin flew by. came home. sent recording through boss sl20, recorded on zoom r12, triple tracking also with moer ocean machine II. post production in samplitude with one item of balabolka voice added.
image: this very transformer station, copyright jo richter

poem / copyright jo richter:

verschalt in blech
der trafo summt
nimm den hund, den hund
von der leine
der trafo summt
da oben fliegt*
ein zeppelin
der trafo summt
tagaus tagein
graues blech, lüftung
der trafo summt
der trafo summt

* in meinem Erleben fliegt ein Zeppelin und fährt nicht, was auch immer Fachsprachler sagen ;-)

interlinear translation: transformer // housed in sheet metal / the transformer hums / unleash the dog / the dog / the transformer hums / a zeppelin glides / up there ( the transformer hums / everyday, every night / grey sheet metal / ventilation / the transformer hums / hums

trafo

Artist: CTF
Title: Future Vision EP
Tracklisting:
01 Future Vision
02 Drift
03 None
04 Drift (Fjäder Avian Dawn Interpretation)
Reference: LR012
Available now on Bandcamp: https://lettrecords.bandcamp.com/album/future-vision-ep-lr012
Mastered at Ultimae Studio by Vincent (http://ultimae.com/audio-mastering/)
Artwork by Luise

Buy Digital

04 CTF - Drift (Fjäder Avian Dawn Interpretation)

Release Date : 21 May 2019
Format :	Digital & Vinyl
Support & Buy : https://otiumrec.bandcamp.com/album/acts-of-intimacy
----------	
Label on Facebook : https://www.facebook.com/otiumrec/
Label on Soundcloud :	https://soundcloud.com/otiumrec
	
Artist on Facebook - https://www.facebook.com/jeunegkanthor
Artist on Soundcloud - https://soundcloud.com/kanthor
----------	
Description / Infos

We are glad to present you ‘Acts of Intimacy’, a 6 track compilation maxi (vinyl + digital), booklet, and large format prints release. Featuring Paulie Jan, Refracted, Asfa, Joseph, Kanthor and Vâyu, the creative process of each artist on the vinyl was guided by our multidisciplinary approach for this compilation. 

The booklet is made of Benoît Lefeuvre micro experiments photos shots taken trough a microscope lens, and Léa Moret-Bailly’s poem. We gave the artists a carte blanche around these artistic elements, to let them compose a musical creation in their very intimate way. 

‘Acts of Intimacy’ comes in a limited press of 200 numbered vinyls, 100 booklets, and 10 unique framed photo prints on fine art paper.

Support & Buy

Kanthor - En Immanence [Otium]

Sebastian Melmoth - The Dynamics Of Vanity
Artificial Dance 2019
AD008

Since forming in 2006 post-punk experimentalists Sebastian Melmoth have been on a thoughtful and adventurous musical journey. In a constant state of aural evolution, the London-based four-piece has a delivered a string of albums and EPs that variously touch on everything from garage-rock, grunge and lo-fi pop, to electro, new wave, dark ambient and music concrete, all the while drawing on a myriad of literary and artistic influences.

The band’s first release for Artificial Dance digs deep into their admirable and eye-opening catalogue and draws together some of the Amsterdam-based label’s favourites from the more electronic end of the band’s output. Entitled “The Dynamics of Vanity” – a comment on Western culture’s obsession with rehashing the past and the band’s own in-built distrust of artistic naval-gazing – the set is not a ‘best of’ retrospective but rather a ‘sort of’ selection of stylistically interconnected cuts that gives a very specific snapshot of the band’s work.

Check for example “Icarus”, a drowsy, hypnotic and sample-laden soundscape that effortlessly joins the dots between post-rock, pitched-down electronica and early morning ambient, or the slowly unfurling throb of thought-provoking opener “The Engineering of Consent”, a swelling, melancholic post-jazz meditation on propaganda and governmental mind control featuring spoken word samples from William S Burroughs in conversation with Brion Gysin, Timothy Leary, Les Levine and Robert Anton Wilson. 

The showcased songs are typically hard-to-pin-down, too, with the re-imagined gothic horror break-up cut “Prosopagnosia’ and slow-burn audio addition of “Waiting For Godot” being joined by the wide-eyed morning dream-pop hallucinations of “Seeds (Descent Into Decadence)”.  It all adds up to a collection that expertly showcases one engaging thread – of many – running through Sebastian Melmoth’s esoteric body of work.

https://artificialdance.bandcamp.com/album/sebastian-melmoth-the-dynamics-of-vanity-ad008

Sebastian Melmoth - The Dynamics Of Vanity (AD008)

Radio Rituel mix Sam De la Rosa 320mp3

RADIO RITUEL 22 - SAM DE LA ROSA

When I discovered the first liturgy mix from BOTANIKA I immediately fell in love with a person I haven't met before. Still I am so glad to have found this mix and its artist behind. He is also known under the name https://soundcloud.com/lil_taty1, living in Serbia. Taty made another liturgy mix for my Esbat series. Thank you so much Taty. I listen to it a lot and love to do my rituals with it. Normally I post them series around full moon, but in this case, you should listen to it also during these days, where you fumigate at home. It's the time now to put a mistletoe in front of your entry. It will keep bad spirits from your temple. Stay wicca!

Tracklist:
Stevan Stojanović Mokranjac - Liturgija (Hor Kolegijum Muzikum); 1976 Yugoslavia
Апорєа - Ѕвѣздо, Ѩвлѩющаѩ Солнцє; 1988 Yugoslavia
Kathedralchor Kairo ‎– Liturgie Der Koptisch-Orthodoxen Kirche. Karwoche; 1997 Germany
Orthodox Ecclesiastic Byzantin choir; unknown
Anastasia - Na Rekjah Vavilonskih (By The Rivers of Babylon); 1997 Greece
Rachmaninov: Moscow Chamber Choir, Vladimir Minin - Liturgy of St. John Chrysostom, Op.31; 1995 Russia
BOTANIKA - Untitled, 2020 Serbia

Esbat V - BOTANIKA

The newest Радиант for RS is presented by the blog's old friend Anton Shmargovich (https://soundcloud.com/anthony_junkoid), who hosts Unaussprechlichen Kulten show on Kiev's 20ft Radio.
The mix compiles a number of barely collaborating genres — industrial dub, experimental techno, breakbeat, Japanese IDM, grimy folk music and obscure noise rarities from the 60s.

https://www.20ftradio.net/unaussprechlichen-kulten-1/
https://t.me/unaussprechlichenkulten20ftradio

Tracklist:
Alan Watts - Love You
FFWD▸▸ (ORB & Robert Fripp) - Collossus
ajc дог - Kolutovi
С.P.I. - Walking And Falling
Osamu Sato - Face the Music (Glue-Glue Mix)
Yoshinori Hayashi -  0208
Priscilla Ermel - Luar
Aucuba Replica - Of Layering
Marco Shuttle - Ritmo Elegante
Sebastiano Carghini - One Thing For Another
Deux Pingouins - House On The Beach
Fletcher Pratt - Heavy Dub
Visio - Fado Do Exilio
Kassir - Mope
Ka Baird - Metamorphoses
Scan Lines - Scan Lines (Part I)

Радиант #4 - Anthony Junkoid

Mechta Podcast 033 — bijū

An all female mix of Russian & Eastern European music to celebrate Women's History Month / Женский День

This month featuring the works of @kedr_livanskiy, @masha-ny @rosemary_loves_a_blackberry and @olga-maximova and more!

Flyer photo/art by Alisa Gorshenina

If you are a Russian/Eastern European musician and want your music featured on my show, please feel free to DM me your music either here or on instagram:

@ m.ish.ka

NTS - Mishka: Women's Day Special - March 1st, 2021

New album "Ultra Marshes" out now on Flaming Pines / UK
https://flamingpines.bandcamp.com/album/ultra-marshes

Andrey Kiritchenko is a person known among experimental music fans as author and contributor of various critically acclaimed projects, founder of Nexsound records, director of NextSound festival, producer who has contributed his significant share into the development of electronic music scene in Ukraine.

Born in 1976 in Kharkiv / Ukraine and started his musical career in 1995 as a singer / song-writer in a local rock band. Being involved mostly in experimental electronic and electroacoustic music for the last 10 years, Andrey gains recognition among the musicians and followers of this style all over the world. His recent activities range from indie-pop to free-improvisation, from melodic electroacoustic music to experimental techno.

So far he collaborated with Francisco Lopez, Kim Cascone, Martin Brandlmayr(Radian, Trapist), Anla Courtis, Jason Kahn, Jeff Surak, Saralunden, the Moglass and others; remixed by Andreas Tilliander/Mokira, Frank Bretschneider, Mikael Stavostrand, Frans de Waard/GOEM, Brian Lavelle, Scanner, Marcus Maeder and others; under all aliases he released more than 50 albums on labels such as Staalplaat, SPEKK, Ad Noiseam, Nexsound, Zeromoon, Bip-Hop, Neo Ouija, etc.; in 2006 nominated by Qwartz Electronic Music Awards in categories Discovery and Most Promising Artist, awarded in category Discovery; in 2006-2007 curates Detali Zvuku international festival for experimental music and related visual arts in Kiev; in 2007 participates in Ukrainian exhibition on the 52th Venice Biennale; in 2008-2009 curates Ukrainian magazine for contemporary music – Gurkit.

Live at Soundcamp festival 2021: Far Away Dance

andrey kiritchenko

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