A cool ambient&noise session with my modular system.
Float and relax!

The Machine Project - Deep Ambient

Producer & Modular Synth Performer.

Born in 1973, Andy Morello is involved in electronic music, productions and remixes, since a long time. His research is aimed at finding the link between improvisation and programming. Either playing live or in his studio, Andy travels through rarefaction, granularization, dub, techno and experimentation: a sort of extemporaneous sound installation, created on the spot, unique. From 2017, Andy is deeply passionate to modular synthesis, starting from 2018 the Milano Modulare community, coordinating in 2019 the realization of the first modular day in Milan “Connessioni a modular journey” realized in partnership with Machine Jockey and LePark. Never exhausted, Andy opens in 2020 the Voltage Creative Studio, a recording studio dedicated to musicians, vocalists and producers, which aims to become a reference point both for Milan modular community and for “modular based” productions and sound design.

Projects//_online/
# Andy Morello
# Milano Modulare
# Voltage Creative Studio

Projects//_offline/
# LAF
# Zatopek Allianz
# The Machine Project
# Friser, Fiore Meraviglioso
# I-Spirit Vibration
# Giudabasso
# InnaCombination
# Mr. Bobcat
# The B.F.F.

Collaborations//
# Microguagua (E)
# Mou (IT)
# Pakava it (RU)

Discografy//_Andy_Morello/
# Tapes EP, 2022. 51 Beats Records
# Tragedy After Party Compilation, 2022. Perciante Rocco Production
# Leaf Tape Twin Peaks Edition Compilation, 2022. Pitch the Noise Records
# Modular Cuisine EP, 2021. 51 Beats Records (Pitch the Noise+Milano Modulare)
# Electricults, 2021. W/ Duscio. 51 Beats Records/
# Collateral Fluxus of imaginary Thoughts, 2020. 51Beats Records/
# Atacama Attitude, 2018. Zatopek Allianz/
# Fiore Meraviglioso vol.6, 2013. Friser/
# Fiore Meraviglioso vol.5, 2011. Friser/
# Fiore Meraviglioso vol.4, 2010. Friser/
# Barrio Santo, 2009. Microguagua/
# Fiore Meraviglioso vol.3, 2009. Friser/
# Superground Highspeed Crossover, 2009. Pakava it/
# Giudabasso, 2005. Giudabasso/
# Sciakalli, 2003. Giudabasso. Cous Cous compilation (cni)/

I am a composer and sound artist with a strong interest both in Computer and Electroacoustic Music. My main interest is to explore the creative use of technologies in Art. I create computer programs able to generate sounds and music. I am very interested in algorithmic composition and sound synthesis and in the generative use of mathematical models to support and explore my creative processes.


𝗟𝗘𝗟𝗘 𝗦𝗬𝗡𝗧𝗛 

Sound manipulator / researcher 

Born in Arezzo, music lover at 360 DEGREES, especially electronic music. The first approaches to music are in the city's philharmonic as a saxophonist. Already as a teenager at the age of 12 he concentrates on experimenting and researching sound, using common keyboards, toy pianos and with modified sounds, noises, he creates dreamlike atmospheres, noise, dark ambient and cinematic sound.

 Today Lele Synth with its handmade machines and instrumentation, drone machine, sidrolz 5, exfriend synth, folktek. Wingie ranges from dark, ambient, horror, butõ, white noise and meditation atmospheres. 

https://www.facebook.com/lele.synth

https://www.instagram.com/@lelesynth

https://youtube.com/@lelesynth


Oxytronix music is a mixture of warm and screaming synthesizer sounds with deep shattering drum beats accompanied by emotional and melancholic melodies. He was born 1974 near Zurich. He started his music career with a violin. He was forced by his mother until she realized that he has no talent for the violin. Because of his struggles in school and the problems in his family he discovered electronic music as an escape from his difficult childhood reality. His parents refused to pay him piano lessons or to buy him a synthesizer after the violin experience.

Influenced by Jean Michel Jarre and Vangelis, he startet to experiment with his Amiga 500, a little monophonic Casio toy keyboard and some feedback effects from his boombox and the microphone. A friend inspired him to start guitarplaying, but he lost himself in experimenting around with the weird sounds of his new zoom digital effect processor, that was also used by Nine Inch Nails at this time. But his experimental music never succeeded in front of bigger audiences then, so he decided disappointed to quit making music.

After long absence from music he discovered the albums of Mercan Dede as a cure for his emotional struggles while his divorce. The mystical music of Dede brought him back to music making. He started to play the traditional reed flute of the sufis called Ney and mastered his craft by taking lessons from Suleyman Erguner, the brother of Kudsi Erguner who played the oriental Flute part in the original piece Revolutions from Jarre. A deep crisis in his life, after loosing his son, lead him to making some spiritual ambient music and he published some meditation music singles.

After his recovery he produced two instrumental Trap and Downtempo albums. Inspired from his record collection and the older albums of the Boards of Canada, he found back to his electronic music roots and published in 2017 the four Albums Oxipop, Micronox, Darkness and Night Shift on his own independent label Kanakland Records. His music is influenced by the electronic music pioneers from Jarre over Enya up to newer musicians like Leftfield and Lorn. His music is also inspired from classic composers like Beethoven, Bach and the classical Ottoman music.

His deep yearning for spirituality and his melancholy had always a big influence to the music of Oxytronix.