Related to Nietzsche`s notion of the Wagnerian music drama as a revelation of the abysmal truth about man, “In the Vortex of Dionysian Reality” allures us into the Dionysian dreamland, where tragedy reigns, in pursuit of the ultimate oneness. With its washes of noise and layers of piercing feedback on a subbase of wavering synths, it is a maelstrom of sound generating a hallucinatory reality. The atmosphere oscillates between destructiveness and aggravating frenzy, between the archaic and the sacral, between frenzied passion and abyssal melancholy, serving the mythical experience of music in a world where language has failed as a method of communication and music figures as the primordial form of expression.

As he considers humanities to have reached their limit, young Nietzsche hopes to find ultimate spiritualization and idealization in the reborn myth. Music alone (“our German masters”), as the primeval form of poetry and revelation of true Dionysian wisdom, may achieve triumph over the Apollonian shallow world of apparition.

With his timely musical rendition of mythical experience as “In the Vortex of Dionysian Reality”, Anemone Tube conveys an emotionally and mentally charged album which reveals his soft spot for progressive post rock metal acts like O.L.D. /JAMES PLOTKIN, AMUSEMENT PARKS ON FIRE or BLUT AUS NORD. Their special approach of dreamy melodies vs. atonal, discordant sounds is skillfully recreated through polyphonic synths lines, which are then modulated into feedback and added for good measure.

Carrying the same title as the 2015 cassette EP release on The Epicurean, this CD with its 40+ minutes total length and five all new, yet unreleased tracks is less a mere re-release, but rather a full stand-alone album, featuring Ukrainian dark ambient artist MONOCUBE on one track, as well as including sounds by Russian avantgardists POST SCRIPTVM and sound processing by French sound artist PACIFIC 231.

Anemone Tube - In The Vortex Of Dionysian Reality CD/LP

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listen mindlessly to the relentless waves of dementia⸳depersonalization...
...till u numb urself away 'n' out of ur body
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"A woman undergoing treatment for mental illness in German stands in a narrow cell, her arms affixed to the wall in the attitude of the crucifixion (circa 1890)."
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@႟꩷߹𒀀𒐾𒑖𒐿𒂟𒈫𒀁𒑗 ✕ ማፋጠን ✕ التسريع ✕ արագացում ✕ ত্বরণ ✕ 加速度 ✕ აჩქარება ✕ પ્રવેગ ✕ επιτάχυνση ✕ תְאוּצָה ✕ त्वरण ✕ ವೇಗವರ್ಧನೆ ✕ ការបង្កើនល្បឿន ✕ 가속 ✕ 𐭠𐭥𐭮𐭲𐭠𐭯𐭮𐭭𐭭 ✕ ການເລັ່ງ ✕ ത്വരണം ✕ प्रवेग ✕ အရှိန် ✕ त्वरण ✕ ତ୍ୱରଣ ✕ سرعت ✕ شتاب ✕ ਪ੍ਰਵੇਗ ✕ تيزي ✕ ත්වරණය ✕ முடுக்கம் ✕ త్వరణం ✕ อัตราเร่ง ✕ ایکسلریشن ✕ تېزلىنىش ✕ אַקסעלעריישאַן ✕ ✕  ✕   ✕    ✕     ✕      ✕       ✕        ✕
＋∝ ⸻
𒄬𒉽𒆜𒀽𒆙+⁺ˊˏ ⨯ˊ𒑠⸍ˏ ⨯ˊ 𒑠⸍ˏ ⨯ˊ 𒑠⸍ˏ ⨯ˊ 𒑠⸍ˏ ⨯ˊ 𒑠⸍ˏ ⨯ˊ 𒑠⸍ˏ ⨯ˊ 𒑠⸍ˏ ⨯ˊ 𒑠⸍ˏ ⨯ˊ 𒑠⸍ˏ ⨯ˊ 𒑠⸍ˏ ⨯ˊ 𒑠⸍   ˟

ᴉᵎꜝǃᵎᴉǃꜝᴉᴉǃᴉꜝᵎᴉꜝꜝǃꜝᴉᴉᴉᴉᵎᵎꜝᴉᵎꜝᴉǃꜝꜝꜝᴉᵎǃꜝǃᴉᵎǃꜝꜝǃᵎǃᵎꜝᴉᴉᴉꜝᵎᵎꜝᵎᵎᵎꜝǃᴉǃǃꜝᵎᵎᵎꜝᴉᵎꜝǃꜝᵎᵎᵎꜝǃǃǃꜝᴉᴉᴉꜝᵎǃᴉᴉᵎꜝᴉꜝꜝᵎᴉǃꜝꜝᵎᴉꜝꜝᵎꜝᵎꜝᴉᴉᵎᴉǃꜝᵎᴉǃꜝᵎꜝǃꜝǃǃꜝǃᴉᴉᴉꜝꜝᵎᵎᴉᵎꜝǃᴉᵎᵎǃǃꜝꜝǃꜝꜝᵎᵎᴉᴉǃǃᵎꜝᵎꜝᵎᴉǃᵎǃꜝᴉᵎᴉᴉǃᴉꜝᵎǃꜝᵎᵎᴉǃꜝᴉᴉᴉǃǃǃǃᵎᵎǃǃǃᴉꜝǃᵎǃǃᵎᵎꜝᵎᴉǃǃǃǃᴉǃꜝᴉǃǃǃꜝᴉꜝᵎᵎꜝꜝᵎǃǃᵎꜝᵎᵎᵎꜝᴉꜝꜝᵎǃᵎᴉᵎꜝǃᴉꜝǃᴉᵎꜝᵎᵎǃᴉᵎꜝᵎǃꜝꜝǃᴉᴉǃꜝꜝᴉᵎꜝꜝꜝᴉꜝᵎᴉǃǃᴉᴉǃǃǃǃǃǃꜝǃᴉᵎᵎꜝǃᴉꜝꜝǃᵎᴉᴉᴉᵎᴉᵎꜝǃᴉꜝᵎᴉǃꜝᴉᵎǃᴉᴉᴉꜝᴉᴉǃꜝᵎᵎᴉᴉᵎꜝᵎǃꜝǃᵎǃꜝᵎᵎꜝꜝǃǃᴉꜝᴉǃǃᴉǃǃǃᴉǃᴉꜝꜝǃꜝᴉᵎǃᵎꜝᵎꜝᵎᵎᵎᵎꜝǃǃꜝᵎᴉᵎꜝꜝᴉᴉᵎᴉᵎǃǃǃꜝᵎᴉᴉᴉǃꜝᴉꜝᴉᴉᴉᴉꜝǃꜝᵎᵎᵎǃᵎᴉǃǃᴉᴉᵎᵎꜝꜝǃᵎǃᵎᵎᴉꜝꜝᴉꜝꜝǃǃꜝꜝᵎꜝᴉᵎᵎǃꜝᵎꜝǃᴉꜝᵎᴉǃᵎᴉǃꜝᴉǃᵎᵎᴉǃᵎᴉᴉᴉᴉǃꜝǃᵎǃǃᵎꜝᵎᵎᴉǃꜝꜝǃǃꜝꜝᵎꜝᴉǃǃꜝᵎǃᵎǃᴉǃꜝᵎᴉꜝᴉᵎᵎǃᴉǃǃǃꜝᴉᴉᴉᴉǃǃᴉꜝᴉᵎᵎᵎᵎᵎᴉᵎꜝᴉǃᴉᴉᵎᴉ
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﹏入浴〰𝔲𝔫𝔢𝔪𝔭𝔣𝔦𝔫𝔡𝔩𝔦𝔠𝔥𝔨𝔢𝔦𝔱＇Ｍ・Ｍ・Ｘ・Ｖ・Ｉ

HARSH PERSIFLAGE

lavender psychosis

Art As Catharsis is proud to announce the release of Uboa’s The Sky May Be – an overpowering record that slips between dreamy ambience and nightmarish caverns of harsh noise.

https://uboa.bandcamp.com/album/the-sky-may-be-2

Drawing elements from the trans-driven noise scene, Xandra Metcalfe’s work as Uboa condenses a wider range of influences into a frightening soundscape of its own. Fans of Purgist, Facialmess, Endon, Locrian, Nurse With Wound, along with artists on the No Rent and Triangle Records labels will find themselves right at home with this recording.

“I only take inspiration from things that immediately affect me,” says Metcalfe. “Various trans issues that do not get airtime in music in particular - trans subcultures, transmisogyny/transphobia, medication, passing, sterilisation, suicide and depression, isolation. A lot of the stuff about mental illness - depression, psychosis, anxiety etc. - comes directly from my experience as being trans in a cisnormative society.”

As the first single off The Sky May Be, Thigh High Cat Tights represents Metcalfe’s most terrifying work on the album. Driven by white noise, distortion and glitched shrieks, the song rampages beyond the realms of tangible before tunnelling into a monotone plateau of drone. Thigh High Cat Tights is the audio equivalent of a hellscape for androids – all the while serving as ambassador for the digital savagery and abrasiveness Uboa is capable of.

“Uboa was originally just for doom, noisy stuff that I did on a whim,” says Metcalfe. “Afterwards I used its anonymity to spread rumours I was a woman well before I was out, which was funny. It became a little vessel for me to escape myself at the time. I guess it helps me be myself? Sounds corny but true. That being said, nowadays I just use it to scare people, which is always fun.”

The Sky May Be offers a teetering balance between simmering moods and terrifying electronics. The record rattles with a sense of instability from start to finish – song structures are freeform and unbound by chorus or verse, harsh elements attack at random yet land perfectly, and it’s rare that any single track can be summed up as solely ambient or noise. The sum of the music is a feeling that pushes sound and mind to its limits, reaping new forms of terror and weakness as the seconds pass by. 

This unbridled creativity is in a class of its own, unshackled by the boundaries of genre or traditional construction – it’s within this freedom that The Sky May Be sets itself as one of this year’s most important releases in Australian harsh noise.

The Sky May Be

Thigh High Cat Tights

Hearing Bells

Suicidal Fantasy (Negation Of Myth II)

Perpetual Dawn

Perfect Dream

Turm Des Boesen (Die Letzte Weisheit)

dark industrial/noise with a strong psychogenic impact
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