Related to Nietzsche`s notion of the Wagnerian music drama as a revelation of the abysmal truth about man, “In the Vortex of Dionysian Reality” allures us into the Dionysian dreamland, where tragedy reigns, in pursuit of the ultimate oneness. With its washes of noise and layers of piercing feedback on a subbase of wavering synths, it is a maelstrom of sound generating a hallucinatory reality. The atmosphere oscillates between destructiveness and aggravating frenzy, between the archaic and the sacral, between frenzied passion and abyssal melancholy, serving the mythical experience of music in a world where language has failed as a method of communication and music figures as the primordial form of expression.

As he considers humanities to have reached their limit, young Nietzsche hopes to find ultimate spiritualization and idealization in the reborn myth. Music alone (“our German masters”), as the primeval form of poetry and revelation of true Dionysian wisdom, may achieve triumph over the Apollonian shallow world of apparition.

With his timely musical rendition of mythical experience as “In the Vortex of Dionysian Reality”, Anemone Tube conveys an emotionally and mentally charged album which reveals his soft spot for progressive post rock metal acts like O.L.D. /JAMES PLOTKIN, AMUSEMENT PARKS ON FIRE or BLUT AUS NORD. Their special approach of dreamy melodies vs. atonal, discordant sounds is skillfully recreated through polyphonic synths lines, which are then modulated into feedback and added for good measure.

Carrying the same title as the 2015 cassette EP release on The Epicurean, this CD with its 40+ minutes total length and five all new, yet unreleased tracks is less a mere re-release, but rather a full stand-alone album, featuring Ukrainian dark ambient artist MONOCUBE on one track, as well as including sounds by Russian avantgardists POST SCRIPTVM and sound processing by French sound artist PACIFIC 231.

Turm Des Boesen (Die Letzte Weisheit)

dark industrial/noise with a strong psychogenic impact
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'The Emptiness That Filled the Universe'  is the new Oblivion Guest album and is available as a limited (100) digipak CD and high quality download from https://oblivionguest.bandcamp.com/ from 25th September 2020.

Oblivion Guest (a.k.a. Hunter Barr) is a producer, composer, musician and performer from the Retina II Studio stable. He is best known as a founder member of KnifeLadder and continues his studio work and tours with the groups Black Light Ascension, AntiValium, This Is Radio Silence and Naevus.

He has also been a long standing producer for the artist Andrew King and a long-term member and producer for Altered States. His most recent collaboration as Oblivion Guest is with Una Shamaa, a dancer/performer for oriental, gothic fusion and creative dance, creating improvised soundscapes and movement.

New EMAZTEGAIAK release (2025)
https://deathbedtapes.bandcamp.com/album/abismuen-errota

New TUBE TENTACLES solo release (2024)
https://deathbedtapes.bandcamp.com/album/thanatophobia

New Release in Pure Reactive Records:
TUBE TENTACLES split ROHCO feat. extremeOBSN
https://www.facebook.com/TubeTentacles

New Release in Pure Reactive Records:
GOVERNMENT ALPHA split TUBE TENTACLES
https://www.facebook.com/TubeTentacles

New Release:
TUBE TENTACLES split WITCHES OF MALIBU
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New Release in Ex-Nihilo / Mattoid: 
TUBE TENTACLES / GUILTY C. 
http://www.exnihilo-records.com/mattoid/mr-015-tube-tentaclesgilty-c-split/

Tube Tentacles "The Invocation" new album
https://www.facebook.com/TubeTentacles