pianist, composer & producer based in Berlin.

“Proof there's still plenty of innovation left out there” - Midwest Record

"... the volcanic musical energy he is able to create, which is quite phenomenal” - adambaruch.com

“There's no good way to classify any of it, but that's precisely the point"
- allaboutjazz.com

https://juliuswindisch.bandcamp.com/album/orgelalbum
Orgelalbum


https://boomslangrecords.bandcamp.com/album/in-its-own-pace 
immerweiter - in its own pace

https://juliuswindisch.bandcamp.com/track/i-feel-like-i-know-you
I feel like i know you

https://juliuswindisch.bandcamp.com/album/what-am-i-doing-w-my-life
What am I doing w my life

https://funinthechurch.bandcamp.com/album/meander
Windisch Quartet - Meander

https://juliuswindisch.bandcamp.com/album/es-hilft-nichts
es hilft nichts

https://juliuswindisch.bandcamp.com/album/live-at-loft
windisch/berger/coudoux/jermyn - live at loft

https://juliuswindisch.bandcamp.com/album/chaos
Windisch Quartet - Chaos

Nuntempe Ensamble es un cuarteto de guitarras dedicado a la música contemporánea. Su propuesta combina la tradición de la música de cámara junto al eclecticismo de los lenguajes actuales, en los cuales conviven guitarras acústicas, guitarras eléctricas, procesamiento en tiempo real, electrónica y dispositivos tecnológicos, distintas manifestaciones estéticas desde una perspectiva experimental, representando una fuerte renovación del repertorio original para la formación. En los últimos años el aspecto escénico ha cobrado gran importancia en sus presentaciones, concibiendo al concierto con un concepto holístico entre lo visual, lo sonoro, lo espacial y lo temporal.

Nuntempe - en Esperanto Ahora - cumple 10 años de trayectoria en los cuales ha estrenado más de 20 obras de compositores argentinos y del exterior, habiendo realizado primeras audiciones en Argentina de las obras más importantes del repertorio actual.

Ángeles Rojas is an Argentinian composer based in Berlin. Her practice is centered on the listening experience as a sensitive means to inhabit other perceptions of time and space. In her music, she explores the concept of unity through deepening into the harmonic spectrum and the resonance phenomena.

e x p e r i m e n t a l . s o u n d

 Berenice Llorens is a composer, guitar player, and sound experimental artist from Córdoba (Argentina) based in Berlin. Through her work, she engages in artistic research focused on musical composition and the transformations of the creative process based on the temporal, visual, and auditory perception of our environment. Llorens delves into creating immersive musical experiences by capturing and reinterpreting the sounds of nature, the city, and machines. Berenice Llorens' work extends beyond her solo project. She collaborates with multidisciplinary projects in different fields, including music ensambles, technology, AI, immersive audio, films and dance, among others.

booking: berenicellorens@gmail.com

Compressing everything but time.

Next
NOV 4 _ Escebas Sónicas - Many tentacles
NOV 19- Beyond of line - Refuge Worlwide
NOV 24 - SoLo Set - Experimontag - Mamade Claude

Antoine Läng
voice + electronics from Geneva//Switzerland

Contrabajista / compositor /performer
musicasituada- 
música echa en lugares especificos
paisaje sonoro / contrabajo / escritura / sonidos particulares

Aaron Michael Smith (UN/NO) is a composer, violist and artist currently based in Boston, MA.  Aaron is interested in exploring the way that various practices and mediums overlap, reflect and contradict one another.  He is often engaged in collaborations with filmmakers, visual artists, philosophers and other musicians.

masters: 
composition with Joshua Fineberg & Rodney Lister @ Boston University
undergrad: 
music composition & viola performance @ Indiana University Jacobs School of Music - Bloomington, Indiana
from a small town in northern Indiana called Wabash.  

contact me here or at aaronmichaelcomposer AT gmail.com

Alma Laprida was born in 1985. Her experience with music includes studies in a Conservatory, pure improvisation and, recently, studies in Electronic Arts. She studied piano and guitar, and also played bass and percussion. She sang in a classical music choir and she screamed imitating her punk rock heroes in school bands. She sang jazz for years and learned how to improvise. She played in a medieval music ensemble for six years, learned about ancient instruments and discovered non-tonal music. Now she uses her medieval trumpet marine and her voice to improvise, but she knows that the music she likes the most is one she has never heard yet.


Ángeles Rojas is following