My first tape on Clan Destine records from june of last year. It's up everywhere else but fuck spotify

A1 - SEUL ENSEMBLE - BUCCI

Duct

Five urging bass hybrids from Lyon’s producer and electronic activist LeTo, where he shows his ability to bring gun finger energy in all genres, to be released on the French imprint Syrinx Music.

Read more on CxC 🔗 couvrexchefs.com/en/leto-syrinx-music-meander

Article

PREMIERE: LeTo - Meander (Syrinx Music)

https://anhphi.bandcamp.com/album/bu-ng

"“I was born with empty hands and I will leave with empty hands", mom said."

Titled "Buông", the debut EP draws from a word dear to Anh Phi mother's heart, meaning “to let go” in Vietnamese, echoing resilience, impermanence, and the intergenerational dichotomy of both forced and privileged migrations. It was composed in constant transition across borders, East and West, underlaid by paradigm shifts and diasporic discourses. Anh Phi’s "Buông" is a visceral exploration, inward and outward.

Multilayered metropolises, primal tribal, global borderless club mutations, Nam Cát Tiên biosphere, cinematic plots, twists & cliffhangers… “OI” — timeline collapses, equanimity, transmutation, mess & order —, “Ạ” — memories lost in translation, testimonies, mother tongue & alien tongue, morphed bikes, arpeggio birds —, “()” — breaths, autonomous sensory meridian response, childhood reminiscence, body movements, play —, “Ừ” — soil, light, wind, bells, rite, propelling to space…

It all converges at the intersection of uncertainty and clarity, where no answer is given yet sparse ingredients are digested.
Systems and beliefs reset to the unknown.
Mining an unreal epoch.
In between spaces yet to be discovered.
Swarm of flying beings diving into new lights.

🪷 
credits
released February 20, 2024

Music written and produced by Anh Phi.
Mixed and mastered by Raphael Valensi.

Artwork by Anh Phi.

All proceeds will be donated to Gò Vấp Orphanage —
Trung Tâm Nuôi Dưỡng Bảo Trợ Trẻ Em Gò Vấp.

As we mark the milestone of POLAAR's 10th anniversary, we are thrilled to introduce a brand new compilation that defines our sonic territories and encapsulates the essence of our exploration in sound.
Driven by the desire of independance and passion for bass-driven rhythms and experimental sounds, Flore and his mate Marc decided to start POLAAR 10 years ago, with the ambition of shaping their unique Bass music sound, far from the code initiated by the UK club scene. Since then, we've been at the forefront of a musical revolution, championing diverse artists from all over the globe and pushing the limits of genre conventions.
Territoire / definition : Expanse of land, more or less clearly delimited, which generally presents a certain unity, a particular character.
Territoires Vol3 is a compilation in which we ask to our artists to remix a tune taken from our back catalog. It is a way to pay homage to this still relevant past releases and create a bridge between our past and present. A way to showcase the depth and diversity of our own vision, without rut of styles or BPM.

Mastering: Cedric Ifa

Bandcamp

4 Only Now X Flore Morphers (Prettybwoy Remix)

XPAM Podcast #29 : ENN + ERRANTH

New XPAM mix by ENN + ERRANTH. 
A sick selection exploring club hybrids.

FOLLOW US :
Instagram : instagram.com/xpam.tunis/
Facebook : facebook.com/xpam.tunis

ENN :
Instagram : www.instagram.com/enn_0000/
SoundCloud : @enn_0000

ERRANTH :
Instagram : www.instagram.com/laetaph/
SoundCloud : @smntcdens

XPAM Podcast #29 : ENN + ERRANTH

Liliane Chlela - Anatomy Of A Jerk
Label: Infinite Machine
CAT#: IM112
Format: Digital
Release Date: July 5th, 2024
Artwork by Richard Kahwagi
Mastered by Fausto Mercier

Tracklist:

1. Bison
2. bza2
3. Friendly Fire
4. Ouverture
5. Rave Melancho
6. Third Fraud
7. Did I Stutter
8. The Right To Offend Itself

Liliane Chlela’s ‘Anatomy of A Jerk’ reflects on sonic storytelling, experimenting with the compositional frameworks under which it operates. The Beirut-born producer, dj and performer stands at the forefront of the independent electronic music scene in Lebanon, with a reputation for shattering expectations with her live auditory soundscapes, exploring improvisation and the manipulation of sounds from wide-ranging musical genres. Her fifth record (and first on Infinite Machine) steers further into such territory, warping manic synth patterns into percussive motifs, cutting abruptly in and out of poignant melodic interludes. Chlela’s sonic narratives begin, repeat, break apart, disappear and fold into themselves, encouraging contemplation of the compositional elements–the anatomies–that constitute them.

Each track is a meticulous excursion–a melange of varied constituents carefully and uncannily arranged, sometimes coalescing, often deliberately breaking away from the song’s anticipated structure to bring forth unexpected moments of beauty. The first arrangement, ‘Bison’, is exemplary of this, where high intensity metallic stomps, clangs and stabs form a rhythm that is frequently interrupted and broken apart, sometimes by evasive melodies that tease the listener before fading.

‘Bza2’ and ‘Friendly Fire’ move further into the discomfort of unanticipated moments and interruptions. In each, haunting strings and synth-pad melodies start and stop, floating and pausing over jitters and stutters of mechanical percussion. Other tracks move further into the atmospheric, creating dramatic, theatrical soundscapes. ‘Third Fraud’ leans into this approach, where string progressions and cinematic drums tell a story that is less affronting.

Like previous works of Chlela, these eight compositions reach into a difficult space that is only rewarded with careful attention, patience and openness. The arrangements are invigorated by the distinct nature of the compositional fragments; seemingly divergent patches, sounds and rhythms are paired across an eccentric timeline, providing ample opportunities for listeners to relish in the sudden jerk of the unforeseen.

Ạ

Anh Phi