Blue Bojangles

Sometimes simplicity is infectious.  The simple tones of the telecaster guitar.  Quite poppy and lyrical.

Sweet Is Simple

Baltic Tribute

One death by a lover’s hand
One death by a jealous husband
One death typically will do
But one death ain’t enough for you
Wrecked and ruined, forever doomed
One death. One death.

One death suspicious circumstances
One death illegal substances
One death is ten too few
One death ain’t enough for you
Endless misery for all your cruelty
One death. One death.

And just when you think it ends
Another death and another death again and again and again and again
One death. One Death.

One death amidst a fevered dream
One death in the waters deep
One death, the debt’s come due
One death ain’t enough for you 
All the cash you’ve accrued won’t do no good, it won’t do no good.
One death.

And just when, you think it ends
Another death and another death
Here it comes here it comes again and again. Again and again.

One death nobody saw it coming
One death happened all a sudden
One death, dead through and through
One death ain’t enough for you
Last words memorized. All of it lies, all of it…

One death by a lover’s hand
One death by a jealous husband
One death typically will do.
One death ain’t enough for you.

One Death (Ain't Enough For You)

Original soundtrack for the short film 'Earl Grey Blues'.

Earl Grey Blues

Hbd-Rina4faceMusik

Lost Memory Theatre

https://dieroteerde.bandcamp.com/

DIE ROTE ERDE came to life in the summer of 2004. I don't remember the exact date now, as it's all shrouded in tons of marijuana smoke, projects, and bad memory if something is not written on the computer or on a simple piece of paper.

Anyway, the summer of 2004 was when I figured out I want to move beyond rock music and pop music, and structured music, and move towards the improvised realm of sound and noise.

I discovered Maurizio Bianchi and Merzbow that summer. It was a big surprise and revelation for a fan of Hawkwind, Black Sabbath, Amon Düül II, Nirvana, etc... to discover what you could do with extreme and industrial music. Of course, the space and improvised nature of my rock music roots remained intact.

In 2004 I was already out of my project with Mateusz Nowicki, so I was free to experiment alone in a small room (my first "home studio") with my guitar and a computer. I recorded one CD-R, and that was it for Die Rote Erde for almost 10 years.

I nearly forgot about my CD-R from 2004, but the name Die Rote Erde reoccured again in 2013, and this time I wanted to make more guitar-centered experimental music. So, I recorded the second Die Rote Erde album 2013/2014, and released it in 2014 on bandcamp.

Around 2014/2015 I discovered more interesting artists, like Angus MacLise, Yuri Morozov, and Éliane Radigue. They proved to be the creative fluxus fueling Die Rote Erde for quite some time.

But it wasn't until 2018, the magic year for Die Rote Erde, that I really knew what I wanted to do sonically for the project, and also with the vision and artwork and artistic direction.

Moving back to my rock roots, but in the context of Kosmische Musik: Kluster, Zweistein, the Chamsin soundtrack, early Tangerine Dream, studio-as-instrument by Can, etc, I decided to make Die Rote Erde a combination of space pulsations and extreme noise. Much alike imagining how would Hawkwind's Space Ritual sound only with the electronic devices left in the mix.

Die Rote Erde will celebrate its 20th anniversary next year. I never thought this name, this path, and this project, could last for 20 years. But, obviously it did. This might mean a proper re-release of the earliest materials, new material, and further archive materials appearing on the project's bandcamp.

Die Rote Erde was always on the experimental side of things, and it's not easy for pioneers. So, being a small local pioneer in Poznań, Poland, I never imagined I would last 20 years making music and noise nobody really wants to hear. Or maybe YOU want to hear it? If so, check out the bandcamp and float on.

Die Rote Erde - "Między Gruzem Melodia" | New Track for 20 Years of DIE ROTE ERDE.

Why this title? A media hype in February 1991, unbearable videos, like in a game, of an immense massacre perpetrated in 35 minutes! by the forces of the coalition:
🇺🇸United States
🇨🇦Canada
🇫🇷France
🇬🇧United Kingdom
around 2,500 vehicles destroyed and thousands of military and civilian corpses grilled like sausages by missiles and depleted uranium shells... and all this to crush a country which was supposed to have weapons of mass destruction!!! ...and we were even applauding this massacre 🙄
NO WAR  -  ❤️🕊️🙏
How will this happen with the Russians who truly possess weapons of mass destruction?
NO WAR  -  ❤️🕊️🙏
________________________________________________________________________
Pourquoi ce titre ? Un battage médiatique en février 1991, des vidéos insupportables, comme dans un jeu, d'un immense massacre perpétré en 35 minutes ! par les forces de la coalition :
🇺🇸États-Unis
🇨🇦Canada
🇫🇷France
🇬🇧Royaume-Uni
environ 2 500 véhicules détruits et des milliers de cadavres militaires et civils grillés comme des saucisses par des missiles et des obus à l'uranium appauvri... et tout cela pour écraser un pays qui était supposé détenir des armes de destruction massive !!! ...et nous étions même à applaudir ce massacre 🙄
PAS DE GUERRE - ❤️🕊️🙏
Comment cela se passera-t-il avec les Russes qui possèdent réellement des armes de destruction massive ?
PAS DE GUERRE - ❤️🕊️🙏
________________________________________________________________________
Recording sessions from 05/04/2024 - 12/06/2024.
−··· −−− −· ·−−− −−− ··− ·−· ·−−·− − −−− ··− ···
−··· −−− −· −· ·  ··−·· −·−· −−− ··− − ·
···− ·· ···− ·  ·−·· ·−  −− ··− ··· ·· −−·− ··− ·  ☺️
________________________________________________________________________
🛠 - Made with MOOG & Modular / Multi-tracks
🎹 - Composed, arranged, performed, produced by Pier WILL & Studio 4H09
🔲 - Artwork - Pier WILL
🙏 - Acknowledgements - Ableton, AKG, Arturia, Audacity, Cantabile, Focusrite, Hewlett Packard, Korg, Logitech, M-Audio, Sony, SoundCloud, Teac, Techniks, Yamaha.
⚙️ - #Ambient #Movies #Experimental
________________________________________________________________________
*🌸*❤️*🕊️*🙏*🌸*

Depleted Uranium

Depleted Uranium - NO WAR  -  ❤️🕊️🙏

Trying out some sound samples from the popular Splice website, and whipped up this thing in just a few hours, combining sampled loops with my own playing. Most of the track is from samples I chose and arranged, and my playing contribution is mainly the organ, drum fills & effects, and most of the middle 'Funk' section, including the vocal bits (Funk section is my favourite part, ha!). 
Not sure if this is a final version, but kinda fun experimenting.

Any critique / suggestions from you electronic music peeps out there, or anyone, is very welcome! (as always.) Here's a couple other electronica tunes I've got buried in my collection. There's more in there somewhere...

tech-tonic electronic
https://soundcloud.com/user-432503709/tech-tonic-electronic

bravo*echo*alpha*tango
https://soundcloud.com/user-432503709/bravo-echo-alpha-tango

thanks for the listen!

------------------------------------------------------------
here's some pictures I took:
https://500px.com/p/MrMark?view=photos

Splice of Life (Melodic Soul)

29 - 6-2024

Hi guys, I'm Anish Dhanrajani, a Classical and Jazz composer, arranger, pianist, violinist, GarageBand, Soundtrap, Musescore, and Logic Pro artist.

(If you want to listen to more works, go to my YouTube Channel)

Blue Bojangles

Anish Dhanrajani

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Alfred de Raza

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