DryStorm9 Mopomoso TV Edition is the soundtrack of the experimental video "Drystorm9 Mopomoso Edition". The video had premiere at September 22th 2024 @ Mopomoso TV, curated by Ebba Jahn and can be watched here: youtu.be/HCfMpKSHHeQ?si=J_tOihjql0oLWuEH

sound (accordion / electronics) and visuals (processed video with animation) by Anja Kreysing

c) Anja Kreysing, 2024
www.anjakreysing.de


DryStorm9 Mopomoso Edition

Electronic music in your 50s. Learning and collaboration. Nothing to lose. 

From Barcelona to Cologne through many steps. CA ES EN DE

The Fear of Muzak originate from the UK and were active in the early 1990s gigging mostly in London. More recently they have been recording new music which has been released on the Beauty and Disgust net label as an album entitled 'After Faze Hokum' on 5th December 2022.

We have a wide range of influences that include new wave, indie, shoegaze, pop, avant-garde, gothic, rock, funk and electronic.

A-laise is a Tuckey production solo project. “A-laise” is derived from the French word “alaise,” signifying comfort. A-laise, an accomplished artist and musician, delivers original tracks with a smooth, mellow, and upbeat sound. These tunes are designed to soothe and relax, providing a pleasant backdrop or more, tailored to your personal preferences.

Anja Kreysing, sound- and media artist with accordion & electronics. Deep listening practitioner. Always cinematic. www.anjakreysing.de
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Anja Kreysing is a sound and media artist working at the intersection of expanded cinema, live soundtrack performance, and experimental composition with accordion & electronics. Her layered videos and real-time electroacoustic scores navigate the space between abstraction and storytelling. A Certified Deep Listening® Practitioner, she performs internationally and presents her work at festivals and institutions. Anja is also co-curator, with Helmut Buntjer, of the label schwarz-weiss ist die bessere farbe, dedicated to performative expanded cinema, and an ongoing researcher of aesthetic transformation. Her practice is always cinematic.

Indie Musician, recording electronic music, jazzy stuff and sounds of all sorts...

UK creatives should listen to this: https://www.youtube.com/watch?v=yK4wBWiozyM

You must hear this: https://vimeo.com/52766051

*****

Ed Brunsden was kind and patient enough to interview me for  his blog Desert... Mountain... Dust...  - you can read it at https://desertmountaindust.blogspot.com.au/2017/02/tuonela-primitive-progressive.html

After silence, that which comes nearest to expressing the inexpressible is music. ~ Aldous Huxley

All good music resembles something. Good music stirs by its mysterious resemblance to the objects and feelings which motivated it. ~ Jean Cocteau

All music is beautiful. ~ Billy Strayhorn
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I've become addicted to drone. Again. I was the kid with his head on the piano, listening to the overtones die away, or pressing his ear to the steel hull of the ferry, enthralled by the sounds it created. I was the kid who formed wordless songs to accompany the sound of train wheels on a long journey, or hummed along with the fan on a hot day.

In the 60s I used to play my 45s on 16, or backwards, or by hand using razor blades as stylii.

I made cut-up tapes on a cheap cassette recorder in the 70s and experimented with reel-to-reel in the 80s. 

Thank you Subotnick, Lygeti, Coltrane, Jimi, Mimaroglu, Eno, Cluster, Tangerine Dream, Klaus Schulze, Frank Zappa, Pink Floyd, Kraftwerk, Throbbing Gristle...

I am not a musician. I am a scavenger of sounds. I use the most basic software to process those sounds, stretching and filtering until something emerges that makes a joyful noise. Or not...

plunderphonics / sound collage / avant-pop / post-industrial / post-vaporwave / post-everything

experimental abstract electronica
modular live sessions

https://www.youtube.com/user/DRORELIMELECH120V

https://www.facebook.com/dror.elimelech.338/


ACOUSTIC AND   ELECTRO-ACOUSTIC  COMPOSER .
STUDIED  COMPOSITION WITH  SERGIU  NATRA .
ELECTRONIC AND  ELECTROACOUSTIC  MUSIC  WITH YIZHAK  SADAI .
PIANO  --  WITH  PNINA  SALZMAN  , BART  BERMAN  , AVI  SCHONFELD .
CONTEMPORARY CLASSIC  COMPOSER , ACOUSTIC ,
ELECTRONIC AND  ELECTROACOUSTIC   MUSIC , 
EXPERIMENTAL  MUSIC . SOUND  ARTIST .
IMPROVISATION AND INTUITIVE MUSIC .
PIANIST .
ACCORDION AND  RECORDER  PLAYER .
FOUNDED  AND  CURATED    2  SERIES  OF  CONTEMPORARY  CLASSIC  MUSIC   IN TEL AVIV  ,  ISRAEL  -- 
 " NIGHT  HAPPENING -  FORUM FOR EXPERIMENTAL MUSIC "    1986  -  2007
" OTHER  ISRAELI  MUSIC "      1985   -  1987
MANY COLLABORATIONS  WITH  POETS , ACTORS , DANCERS ,  PAINTERS ,
 VIDEO ARTISTS , PERFORMANCE  ARTISTS .
MORE THAN  120  PREMIERS  OF  NEW  CONTEMPORARY  CLASSIC MUSIC - 
ACOUSTIC , ELECTROACOUSTIC , MULTI-MEDIA  --  WERE  PRESENTED
IN  HIS  SERIES DURING  23  YEARS OF ACTIVITY .
HIS  MUSIC WAS  PERFORMED  IN  EUROPE , CANADA , USA .
WON  VARIOUS GRANTS AND PRIZES .