Performed by Halyna Honcharenko, Iryna Danylejko and Anna Pidgorna
Text by Anna Pidgorna

“Вcтавай, вставай, Галю, геть вже тобі спати!
Ой, виходь же, Галю, в поле жито жати.”

А в Марусі коси русяві 
Як пшиниця жовтісінькая.
А я їх же розплєтаю, 
Плече білі тай накрию, 
Нєжно розчесаю. 

“Ой пійдемо, Галю, в бору погуляти,
Ой пора же, Галю, калину збирати.”

А в Марусі губи солодкі
Як калинонька примержшая.
А я тую калиноньку,
Візму тай паламаю,
Тай розчавлю ягоди червоні,
Губи жарко поцєлую. 

“Ой, пійдемо, Галю, в ставу одяг прати,
Ой, пійдемо, Галю, пісні поспівати.”

А в Марусі оче ясниє 
Як зірочки в ставу.
А білизна в водє чорній,
Білі руки, білі ноги, 
Білі плече, білі грудє…
А я в ставок тихо зайду 
Тай в глибині втону."


“Get up, get up, Halya, that's enough sleep for you!
Come out, come out, Halya, to reap rye in the field.”

But Marusya's blondish locks are
Like the yellowest wheat.
I will unbraid them, 
And covering her white shoulders, 
Gently comb them. 

“Let's go, Halya, for a walk in the pine-woods,
It's time, Halya, to gather the guelder rose.”

But Marusya's lips are as sweet
As the frost-nipped guelder rose.*
I will take the guelder rose,
Take it and break it,
Crush the red berries,
And kiss her lips hotly. 

“Let's go, Halya, to the pond to do the washing.
Let's go, Halya, let's sing some songs.”

But Marusya's eyes are  
As bright as the little stars in the pond.
And the linens in the black water,
White arms, white legs, 
White shoulders, white breasts...
I will walk into the pond softly 
And drown in the depth.

Drown in the depth (trio)

Writing music I want to listen to. Drop a note or like 😊💕

webpage for art productions and relations

Gargyzaa is a one-man band located in Espoo, Finland.
 I play all the instruments manually (guitars, keyboards, bass, plastic  didgeridoo, Korg monotron duo, fipple flute etc.) and sing all the vocals. Plus I have written these lyrics and peculiar poetry/ bizarre dialogues you hear (in Finnish&English).
Some people have asked me who plays the instruments and I have answered them several times that it´s me who is responsible for all this trippy noise and musical weirdness.
It has been quite tedious and more or less irritating to explain this relatively often, hahaha.
I´m a also a self taught "musician" and "vocalist". I play by ear.
The drum parts are made from short loops with Audacity and then the so called rhythm track is upoaded to my Zoom R-24. After that I will start recording the instruments/vocals on top.
I don´t have or play drums. Well, maybe one day.
So basically I use Zoom R-24 to record and even master these tracks. I bring the finished "product" to SoundCloud through Audacity.
My equipment is very amateurish, cheap and in some cases semi-broken. 
I use those infamous progressive rock structures, but deliver them with a punk rock attitude/gear, hehehe.
The cover art/design is just basically a few collages/paste-ups, psychedelically distorted&enhanced pics and a couple of random photos I took. Nothing special.
This is a non-profit project. Enjoy!
Many thanks to all of my listeners and followers!

{almost one Million Songs only in UKRAINIAN}
Пишу СЛОВА для майбутніх ХІТІВ -
щоб за душу брали і продюсер щоб хтів)
original-лірика, драйвовий приспів!


Замовляй тут або slovom@yahoo.com, https://www.facebook.com/yury.vlasishen
LISTEN to UKRAINE - listen your <3

collaborations, shared projects, ideas ..

http://marcolucchi.bandcamp.com/

https://musichevirtuali.blogspot.com/

www.musichevirtuali.org

https://twitter.com/musichevirtuali

https://www.facebook.com/pages/orchestra-eclettica-e-sincretista/111790807863?fref=ts

"I'm a mellow artist, ageing 69. I love and release eclectic music, from post-classical to drone. My fave instrument is the Mellotron."

Così, sinteticamente, di solito mi presento.

In genere compongo musica partendo dal suono delle tastiere, ma il mio vero strumento è il registratore.

O i software di registrazione.

"I was made for loving and making recorded music."

Confido da sempre nel potere evocativo e orfico della musica, nella sua capacità di riconsegnarci a mondi più veri e più giusti, più belli di quelli in cui di solito viviamo.

"Ich bin ein kosmische Kurier"

I'm using these tools: Mellotron micro, Waldorf Blofeld synthesizer, Behringer Crave, IK Multimedia Uno synth, Roland Juno synth, Volca keys, Casio digital piano, micropiano Korg, Manetron (iPad app), iTampura (iPad app), Eko 11 (...) string acoustic guitar, electric violin, Orla analogic expander, tenor, treble and descant recorders, soprano and tenor tin whistle, Akai, Roland, Alesis and Arturia controllers, upright piano, Squier 3/4 electric guitar, melodica, Bubble Harp (iPad app), Schoenhut toy harp, soprano ukulele, Eko acoustic guitar, Peavey Composer acoustic guitar, Kurzweill micropiano, Boss and JamMan loop stations , Behringher multi-fx, Olympus portable digital recorder, Phonic, Behringer and Yamaha mixers, Audacity, Paulstretch, various players and plug-ins .. (that's all, folks, I think ..)

latest releases:

https://whitelabrecs.bandcamp.com/album/the-book-of-dreams
https://chitrarecords.bandcamp.com/album/lieder-ohne-worte 
https://ambientologist.bandcamp.com/album/suggestiva
https://ambientologist.bandcamp.com/album/venusia
https://hibernate.bandcamp.com/album/as-riddled-as-the-tide

for further works please go to my bandcamp page
https://marcolucchi.bandcamp.com/

and to 
http://webbedhandrecords.com/
http://www.laverna.net/home/
https://silentflow.org/

iTunes and Spotify as well ..
feed and share ..
https://open.spotify.com/artist/1TRilVaDaQw0ksGqU5tuCh?si=zXD-0xFWS-2yrUs542SH9A

SoundCloud è la piattaforma musicale che preferisco perché è soprattutto il regno degli ‘amateurs’, di quelli che fanno musica per sé e per gli amici .. come quando da ragazzi si condividevano con gli altri le invenzioni e le creazioni .. io sostanzialmente sono rimasto lì e così .. non sempre, ovviamente, ma spesso ci trovo delle cose che valgono altrettanto - se non di più - rispetto a quelle più affermate e conosciute

Anna Pidgorna (b. 1985) is a composer and media artist who combines her interests in sonic objects, visual art and writing to create works that are dramatic and picturesque. She works in both the acoustic and electronic realms, and is quickly rising on the contemporary music scene. Her mini-opera for voice and electronics, "Mirror, mirror," was premiered by Janice Jackson at Halifax's Oscillations Festival in February 2012. "Light-play through curtain holes" for solo accordion was recently included in ISCM Canadian Section's official submission to World New Music Days 2013. Pidgorna was born in Ukraine and is heavily influenced by her heritage. Ukrainian folk themes appear as bird song in her first orchestral work, "Tintamarre," and form the backbone of her second chamber opera, "On the Eve of Ivan Kupalo." Ms. Pidgorna completed her undergraduate studies at Mount Allison University in Sackville, New Brunswick in 2007 and is pursuing a master’s degree at the University of Calgary. This year she will be participating in a prestigious workshop with Kaija Saariaho and Anssi Karttunen at Carnegie Hall, and the National Art Centre's Composers Program in Ottawa. Days.