WHY SHOULD WE CARE – Why should we care about tomorrow? Why should we fear global warming or an economic crisis? Why should we worry about the situation in the Middle East or human rights?

These are the questions asked on Why Should We Care, which is released in October 2012. SCREED‘s full length debut after the band‘s four-year existence. Hard guitar riffs meet strong melodies, polyphonic singing powered by fast drum beats. Californian style Punkrock, made popular by bands like Pennywise or NOFX. This is SCREED as you know them.

Having released two EPs already, SCREED appear more matured on their first longplayer Why Should We Care – not only regarding the arrangements of the compositions but also their lyrics. The 14-track album‘s got it all: soulful ballads as well as angry, some times cynical, sociocritical songs. Songs with which SCREED will find their way into the hearts of Punkrock fans.

Punkrock has to be experienced live in the first place and so SCREED are on the road quite often. Thanks to a lot of shows in Germany, Austria, the Czech Republic and Poland they have already made a name for themselves. They frequently get the chance to share stage with internationally known bands like Lagwagon, Useless ID and No Use For A Name.

Flo, Stocki, Benni and Mark meet in June 2008. Soon they know the chemistry is right – first songs come up and SCREED is formed. They already play their first gig in Munich’s underground club ‘Sunny Red’ in December 2008.

In the beginning of 2009 other gigs follow and the band record their first EP “Indiscreed”. Due to its release they play more shows and even support the Swedish band Nemas at several shows in Germany and Austria at the end of the year.

Encouraged by the successful previous year 2010 starts with a self-organized tour. In April the band hits the studio again to record the EP “Day By Day”. It is finished in the end of May and is put onto the band’s website as a free download. “Day By Day” with it’s five diversified songs with catchy melodies gets positive feedback throughout the scene. After a successful festival summer in and around Munich the guys start their first tour through the Czech Republic and Poland in fall.

Due to examination stress and angry bosses, 2011 starts unintentionally quiet. First priority is songwriting. Based on numerous festival shows the cornerstone for support shows for Punkrock legends like No Use For A Name, The Adicts and The Meteors is set.

2012 starts with pre-production and studio recordings. In April, after an intensive time of preparation, SCREED begin to record 14 songs for their debut album Why Should We Care. This varied album marks a new highlight in the band‘s young history. With this powerful production SCREED take a stand and show that there are plenty of reasons to think about the world of tomorrow.

Demos and Sets
sebastian@grossstadtvoegel.de

People if you want more songs plz 300 Followers it's my birthday today I am so glad to be in this partnership it's been I whole year I love your guy's support.I am back you guys hade a hard time

driving rhythms from vienna

booking: booking@gdn-agency.com
contact: silentsevir@gmail.com

Who we are: we are a record label, like many others are, but we're a whole lot more than that. We are the baby of Lars. Lewerenz, who began to release our music, the music of his friends, his adopted family, in 2003. Which was a good decision, we've celebrated ourselves for this everywhere in the meantime. Cuz Audiolith Youth is everywhere. And we're there with it and down with it. We're coming to your town, and we're listening to what you have to say, and we'll see each other in the streets and we'll be wearing the same t-shirt. Your style is important to us, cause you like our mix. So you become part of it, cause everything fun and authentic goes, cause we're don't dig getting in trouble but rather get on parking lots. On which we rave. We drink our beer. But don't close our heads. We dance and sing songs. Cause we're way hotter than the crap they try to flog at you in Discounterland. Don't listen to them. Loosen up. Blow your mind with good music.
    
Who we are: Wir sind ein Plattenlabel, wie tausend andere auch und wir sind noch mehr als das. Wir sind das Baby von Lars. Lewerenz, der 2003 begann, Musik von uns, seinen Freunden, seiner Wahlfamilie, zu veröffentlichen. Das war gut, denn deswegen feiern wir inzwischen überall. Coz Audiolith Youth is Everywhere. Und die ist mit uns und wir unten mit ihr. Wir kommen auch in deine Stadt, und wir hören dich an, und wir seh'n uns auf der Straße und wir tragen das gleiche Shirt. Dein Style ist uns wichtig, weil du unsern Mix magst. Dann bist du mit dabei, da alles geht, was Spass macht und echt ist, weil wir nicht auf Ärger stehen, sondern auf Parkplätzen. Auf denen wir raven. Wir trinken unser Bier. Aber machen nicht den Kopf zu. Wir tanzen und singen Lieder. Denn wir sind geiler als der Scheiss, den sie dir verkaufen wollen in Discounterland. Hör nicht auf die. Mach dich locker: Blow your Mind with good Music.
    

est. 2006, Berlin 🇩🇪 
music that moves!

Follow us: https://bar25music.lnk.to/home
Demo´s welcome: contact@bar25music.com

Sublabels:
Sounds Of Sirin: https://sirinmusic.lnk.to/home
TalkTalk Records: https://talktalk.lnk.to/home

The music label embodies the spirit of the legendary "Bar25" Techno Club and stands for playful electronic music. Our growing family of artists, including Acid Pauli, NU, Nicone, Be Svendsen, Bondi, Frivolous, dOP, Oliver Schories, and Butch, redefine the boundaries of dance music. 

Curious about our roots? Dive into the magic with "Bar 25 – Tage ausserhalb der Zeit"​, a movie that unveils the untold story. Click here to embark on a sound voyage: https://bar25music.lnk.to/bar25movie 🎬🔊

Promote your music with UpNow: https://bit.ly/3Z3IJuE

Anni Held is following