Annie gave some valuable hints to what music should be/do/evoke, but the main impact is done by the words and their presentation ...

Hey Annie; just left a comment on the APi_zz version; goes for this one, too//Annie

"Goin' To Brownsville" (John Estes)
J Dulva
2021 Cenote Music

Goin' To Brownsville -4.21.21-

“The Lord (You Gotta Move)” is an adaptation of the blues song from Mississippi Fred McDowell, released on the Rolling Stones “Sticky Fingers” album.
As blues and Celtic instruments match very well together, I've adapted and arranged this mystical tune with an addition of bagpipe, bombard an Irish whistle.
This track is a second version with new arrangements and instrument (bombard) of the one already released on the album "Scots Wha Hae" (2022).
—
"The Lord (You Gotta Move)" est une adaptation de la chanson de blues de Mississippi Fred McDowell, sortie sur l'album "Sticky Fingers" des Rolling Stones.
Comme le blues et les instruments celtiques se combinent très bien, j'ai adapté et arrangé cette mélodie mystique en ajoutant une cornemuse, une bombarde et une flûte irlandaise.
Ce single est une deuxième version avec de nouveaux arrangements de la piste sortie sur l'album "Scots Wha Hae" (2022).
--
Credits:
Traditional & Mississippi Fred McDowell & Reverend Gary Davis as “You Gotta Move”
Recording, arrangements, mix and mastering by Eric Maclewis

The Lord (You Gotta Move)

A collaboration by 8000 Miles and Duncan Butler (@user-967116465).
This is a fun funk rock story about an impossible Romulan love ;-)
Dedicated to all Star Trek fans!

\m/ Love Music and Stay Safe <3

Credits:
Rebecca Williams - bass, percussion, synths, production
Andrea Pierantoni - arrangement, guitars, FXs, production
Duncan Butler - arrangement, lyrics, vocals, bass, percussion
Mixing and mastering by Never Enough Cowbell Studios
Cover art by Rebecca
SafeCreative Registration code: 2305014205327

Kobayashi Maru (Impossible Love)

Feel

I decided to cover the song Hysteria by Muse and added a slower western vibe to it.  Thanks for checking it out!

Mechanical license is available through Distrokid.

Hysteria

Hey everyone, I want to tell you a bit about my song 'Lifestyle.' This track is all about embracing who you are and living your life unapologetically. It's a celebration of individuality and the joy of being true to yourself, no matter what anyone else thinks. I wanted to create an anthem for those who live life on their own terms, loving themselves fully and fiercely. I hope this song empowers you to embrace your unique lifestyle and shine your brightest. Thanks for listening and living your best life with me!

Tasha-Lifestyle(acoustic)

Black Plague

This was inspired by a lucid dream. The first verse is verbatim what happened, but I couldn’t remember the rest when I woke up. So I imagined what I think might have happened, or could have happened, or even should have happened next! 

Big thanks to @APi_ZZ who has magically composed some quite dreamy, trippy and unique-sounding music to accompany the voyage. 

Words and vocals by Annie Dieu-Le-Veut
Copyright © Annie Dieu-Le-Veut, August 2024 

Music and really cool cover art by APi_ZZ 
Copyright © APi_ZZ (Andreas Pirner August 2024) 

WORDS

You found me lying dozing on the Web. 
“Why are you here?” you whispered softly.
“This is what holds it all altogether,” I said
Gesturing to encompass its warp and weft,
“What? All of it,” you said, lying next to me.
I smiled at the warmth of your magnetics,
“Yeah,” I said, “they’ve got this Wyrd thing
“Going on...to help them manage infinity!”


“How to do you know all this stuff?”
You asked, still not really sure of my premise.
After all, I expect you thought it wasn’t very scientific.
“It’s easy, you just follow the River of Words.
“It’s not a waterway that runs to the sea,
“But back to the cosmic ocean of birth.
“The Druids called it the silver river of ‘Awen’.
“Their bards took their inspiration from there.”
“The silver river of Awen!” you laughed 
 “Oh, we should go there now… Come on!”
You grabbed my hands and pulled me up, 
“Sure” I said...and then we just jumped. 

“Hold on,” you said. We gripped tight to our wooden raft.
You were staring down at the river, and said: 
“I could swear I just saw the word ‘magic’ floating past.” 
“Yes, we’re going back to the genesis of that word,”
“So you can get what it means, from its source.”
“Where is that?” you asked. “You’ll see,” I replied.
 “Now watch out. We’re just coming to the giant waterfall 
“That plunges into the abyss of the Age of Enlightenment.” 

 “What the hell was that?” you asked, 
As our raft emerged out into a smooth-flowing creek,
“Don’t worry about it, “ I said. “It was just a device
“To end the Dark Ages. Only it just made things worse.
“They thought that by separating matter and spirit
“They’d get a more true view of reality.
“But, unfortunately, it was quite the reverse.”
“But what started the Dark Ages?” you wondered,
“Oh...that was just the Time Bandits
“Telling us that the Sun orbited around us,
“Screwing up our sky charts and calendars
 “Robbing us of our place in the All That Is.”

The sun was beating down as if it was midday
So we lay back on our raft to soak up the rays.
But then it just got hotter and hotter, until you asked
“Where are we now?” “Ancient Alexandria,” I said

The ‘magic’ word came past again, but now it just said ‘mage’
It floated towards the sandy banks where we saw an old sage,
Seated on a camel, his head wrapped in a purple turban, 
“We must be in the cradle of alchemy because there’s a mage.” 
 “That’s a mage?” you said. “You mean a magician?” 
“Yes, ‘mag’ just meant ‘power’; the ability to rearrange 
“The electro-magnetic warp and weft of, you know, 
“the Web of the Wyrd upon which our reality is staged.” 
“Well, I think it’s all a simulation,” you replied.
“So if you’re talking about that coding...”
“I am,” I smiled, sensing another adventure ahead.
“Then I’m in for the ride!” you said.

Web Of The Wyrd

TRAGIC LIFE 2 061912

https://open.spotify.com/artist/1leJLqQI1cgW9Ff0jY9HZB
A song I wrote for the Uk feature film "ALL FIVE EYES" in production and to be released 2025. Set in the sixties this tune is as jangly as it gets. Music production Steve Fenton.
https://www.bennybellamacina.com/

Words and Music
Benny Bellamacina

Music production
Steve Fenton

LET ME BE YOUR LOVING MAN

Exodus

Bard, storyteller, song maker, star walker and author of books on the sacred mysteries.

All the lyrics of my songs are written by me. I put them to music with A.I. and then I spin up the whole lot in the Magimix with samples and loops. I can't sing for toffee, so if you fall in love with a singer on one my tracks, it's likely to be a robot!  Just sayin'...😎

All my socials: https://hyperfollow.com/anniedieuleveut

Web Of The Wyrd

Annie Dieu-Le-Veut

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