When I heard this beautiful piece by David I thought it would make a lovely song. I’m very grateful to him for letting me sing on this lovely piece. 🙂🎶
@david-dunhamuser589535203 for more lovely guitar compositions.

Little bird
Won’t you stay a while 
And help me sing

Little bird
Won’t you fly with me
And help me soar

Little birds
Won’t you sing with me
And help my soul

Little bird
Won’t you sing to me
I hear your voice
I hear your voice...

Pajarito (Little bird) by David Dunham & Annie Smart

PLEASE STOP SENDING ME OFFERS OF MUSIC PROMOTION.
 
AI is not an option I use or intend to in the future. All of my music is composed, played and produced using the following equipment:
Cubase 14 Pro on Windows PC
Arturia instruments (full suite) some FX
Native Instruments - Instruments and FX
Toontracks -Superior Drummer 3 and Percussion
Korg Triton Synyh
Roland RD800 Piano
Native Instruments - Komplete Control S49 and S61 keyborads
Icon Mixing desk
Yamaha & KRK active monitors
Congas and various  LA percussion instruments.
Various String libraries including: Spitfire/ IK Multimedia/labs/Orchestral Tools-Berlin Free Orchestra
Orange Tree Samples - Guitars and Flute
Musiclabs Guitars
Spectrasonics Trilian Basses
Soundpaint: Strings/Brass/Wind/Guitars/Percussion/ and a multitude of other things.
Various FX from a multitude of companies.
Various Programs from the Spitfire Original range
My trusted "Drum Stool"
Fridge (for Guinness)!!!!



Now retired from a life 'on the road' as a freelance keyboard player, I compose and record in my home studio, situated in the Carrick Hills in Southern Scotland. My music is mainly instrumental in nature and is a reflection of my life experience, sometimes real and sometimes imagined.
My influences are many and I have quite probably been shaped by listening to the very many "giants" of music, both players and composers. From classical to contemporary jazz and everything in between. My main instrument is the keyboard, whether that be piano, organ or synth. But I also play banjo, flute and percussion. I have a special relationship'with bass, whether upright or electric and use virtual and synth basses from numerous sources, but mainly Trilian by Spectrasonics.


https://music.apple.com/us/artist/alan-hamilton/119498445/see-all?section=full-albums
https://open.spotify.com/artist/2j38dJ8YVPX2nVQcUjaAYx
https://music.apple.com/us/album/time-travel-and-other-journeys/1651782098

A female composer, singer, musician, pianist, piano teacher, choir leader (Heart of Scotland choir), song writer living in Bonnie Scotland! I have grade 8 piano with distinction and an LTCL piano diploma. On band camp too! 
I also have a duo with the wonderful @wane-of-summer
Follow us @user-949559825 (Passion Arcade) 💕
I teach online piano and singing via video if anyone is interested just message me!

musical sketchbook
DIY, low skill, low fidelity

Hello! Thanks for stopping by.  I write songs in reaction to life, quite often my own, or the lives of those around me.  Sometimes my song tells me what I'm thinking before I've even realised myself.  
I hope there is something here that resonates with you, I'd be really delighted to hear your comments.  
I started writing and playing again in March 2015 after a break of about 20 years having realised that life is short and I'd better crack on! I self released my 9 track CD 'Your Life' in 2017 and have since written many songs which will eventually end up on a 2nd 'album'!  I’ve had a couple of radio plays on BBC Introducing and played at a few local singers nights, but I’m really blown away by this Soundcloud community,  there’s a treasure trove of real music on here and the support is really appreciated.  
March 2021 update I've been teaching myself keyboard and have found it an inspiration for song writing and so my more recent tracks are written and performed with the piano keyboard.  
First memory of being captured by Songwriting was sitting behind a sofa aged 10 at a party and discovering Carol King’s Tapestry and a turntable. Teenage years dominated by an obsession with David Bowie, his word craft, imagery, story telling and his example of being able to constantly reinvent himself and not be pigeonholed. 
All tracks are my own compositions and performances except extra rhythm guitar and percussion on ‘Doing Time’ which was Carl Hetherington. 
Most of the images I have used are my own original artwork.  I now have an Instagram page where I’ll be posting my art at rowenaartandmusic 

https://www.instagram.com/rowenaartandmusic 

Thanks for stopping by, it’s much appreciated.

Singer/Songwriter concentrating on traditional country, folk and pop rock. Working as part of the duo Daniels & Durgy; https://soundcloud.com/danielsdurgy

Demos and sketches of songs, mostly recorded in my home studio.
Part of the Netta&McGill duo.
Thanks for having a listen.

Composer/Producer blending folk melodies with neoclassical vibes, and cinematic verve, my work is a mix of original compositions and contemporary arrangements of traditional tunes.  I hope you enjoy the music! 

Philleann (pronouced PHILLY-ENN) is a mash up of my name Phil and one of the instruments I play, the Uilleann Pipes.  I also play the Whistle and Accordion.

I'm a Brit now residing in the beautiful Pacific Northwest. I'm also a member of Bellow Bridge a traditional celtic folk band.

Please take your time and I would appreciate if you´ll listen to my older tracks too. My music prefers movies, so please visit my YouTube channel...(link below)

CAUSES AND EXITS OUT ON THE 29:TH OF MAY!
PRESAVE BY USING THE LINK BELOW!

https://share.amuse.io/mmqWD3TUI7ee

Make sure you follow me on Spotify or/and Youtube as well, that's usually where I post my new songs first with better soundquality. links below!!

https://open.spotify.com/artist/71i7uOL3kFiEbFCmT8QVZw?si=LI4PHP_TQPiOgA52cnRpqg

https://www.youtube.com/channel/UC03Ds7TOKv_gdY5e8ykBS4A

The Underclass Academy is multi-artist Hans Gustavsson's way of describing his own and others' existence in text and tones. After striving for most of his adult life not to feel alienated, 

Hans turned his perspective and instead embraced what had previously been an enemy and adversary in existence. As a result, his texts are not infrequently written from a socially critical perspective and with a focus on the tribulations and failures of the little person. 

But also those who steal, exploit and rule only for the purpose of self-improvement without any consideration of what kind of impact it leaves on others in their vicinity. As a musician, he continues to create a mixture of singersongwriter/rock with a variety of influences seasoned with impressions and different perspectives. 

Over the years, Hans Gustavsson has appeared on several published recordings, both as a band member and also as a solo artist. Other expressions are jewelry art in the form of rings and other things made of metal wire of various sizes and types that are joined according to the traditions and crafts of the "travelling people". 

These can be seen on twitter under the address @travelingrings where there is also a link in the bio to his main page on twitter with the address @uclassacademy Easiest way to search for his music on Youtube is to simply search for The Underclass Academy to reach his music channel! 

Enjoy

If you can relate to my tunes, please repost!



Hanging out in the cloud forests of the Sierra Juárez mountains in Oaxaca, I’m tapping into the sounds of the universe like a mushroom-drunk nahual, reaching into the heart of nature to grasp at the mysteries of existence.

You’ll hear influences from deep time and across as many cultures as I can get my hands on. I get obsessed, man. Seriously, everything else melts away around me. I can spend days absorbed in an idea, like that stone statue guy—but with a stone guitar instead.

My approach to music? About as unpredictable as my ability to remember where I last saw my passport (pretty crucial when you live abroad all the time, right?). My unique way of processing the world often leads to an avant-garde approach to life. And yeah, maybe there’s been a mushroom-induced revelation or two along the way, but who’s counting? I don’t need a million-dollar studio—just a good instrument, a decent interface, a computer, and some monitors that hopefully survive my absent-minded chaos.

I’m a multi-instrumentalist who loves complexity, especially when it sneaks up on you through unexpected rhythms or harmonies from the far corners of the globe. From Carnatic ragas to garage rock grooves—why not just mix every cool sound and see what happens? Maybe I’ll start with a harmonic progression from Bach’s Goldberg Variations and slap it into a Hindustani 7/4 thaal (that’s rhythm, if you’re wondering). It’s a bit technical but, trust me, as cool as—well, let’s just say it’s the kind of vibe that might inspire a dream-like hallucination about nailing the perfect groove. (Music available for film, TV, and media licensing.)

Yeah, I am a Ph.D. trained evolutionary biologist, and... that sounds impressive until you find out I bailed on it the second I landed a good job. I was bored out of my mind. People look at me like a guy who won the lottery and then spent it all on the greatest collection of rare video games (I mean, I’m not that bad, right?). But switching from science back to music wasn’t just quitting—it was finally tuning into something deeper. Music and science might seem like distant cousins, but to me, they’re intertwined—both ways to unlock the secrets of the universe.

Now, I live in Capulálpam De Méndez, a mystical town in the Oaxacan mountains. The ancient Zapotec culture runs deep here, and creativity flows as freely as the mezcal at the fiestas (and trust me, there are plenty of fiestas).

Art is for everyone, and I’m always pushing to create something that connects—whether it’s a complex harmonic structure or just the right amount of groove to make you forget your troubles (or your keys, in my case).

So if you’re into music that teeters on the edge of chaos but mostly lands right where it needs to be—well, welcome. Just don’t expect me to remember how I got here, or where I left my bag. Seriously, my passport might’ve been in there… Was it the tuk-tuk? (sounds like a joke right... Err.. its not....)


--------------
Relajándome en los bosques nublados de la Sierra Juárez en Oaxaca, estoy sintonizando los sonidos del universo como un nahual borracho de hongos, llegando al corazón de la naturaleza para intentar comprender los misterios de la existencia.

Escucharás influencias de tiempos profundos y de tantas culturas como pueda explorar. Me obsesiono, hermano. En serio, todo lo demás desaparece a mi alrededor. Puedo pasar días absorbido en una idea, como ese tipo de las estatuas de piedra—pero con una guitarra de piedra en su lugar.

¿Mi enfoque hacia la música? Tan impredecible como mi habilidad para recordar dónde dejé mi pasaporte (bastante crucial cuando vives en el extranjero todo el tiempo, ¿verdad?). Mi forma única de procesar el mundo a menudo me lleva a un enfoque vanguardista de la vida. Y sí, tal vez haya habido una o dos revelaciones inducidas por hongos en el camino, pero ¿quién está contando? No necesito un estudio de millones de dólares—solo un buen instrumento, una interfaz decente, una computadora y unos monitores que, con suerte, sobrevivan a mi caos despistado.

Soy un multiinstrumentista que ama la complejidad, especialmente cuando te sorprende con ritmos o armonías inesperadas de los rincones más lejanos del mundo. Desde ragas carnáticas hasta los grooves del garage rock—¿por qué no mezclar todos los sonidos geniales y ver qué pasa? Quizás empiece con una progresión armónica de las Variaciones Goldberg de Bach y la meta en un thaal hindú de 7/4 (es decir, un ritmo, por si te lo preguntas). Es un poco técnico, pero créeme, es tan genial como—bueno, digamos que es del tipo de vibras que podrían inspirar una alucinación soñadora sobre encontrar el groove perfecto. (Música disponible para licenciamiento en cine, TV y medios.)

Sí, tengo un doctorado en biología evolutiva, y eso suena impresionante hasta que descubres que lo dejé en cuanto conseguí un buen trabajo. Estaba aburrido como una ostra. La gente me mira como a un tipo que ganó la lotería y luego lo gastó todo en Beanie Babies (no soy tan malo, ¿verdad?). Pero pasar de la ciencia de nuevo a la música no fue simplemente abandonar—fue finalmente sintonizar con algo más profundo. La música y la ciencia pueden parecer primos lejanos, pero para mí, están entrelazados—ambas son formas de desentrañar los secretos del universo.

Ahora vivo en Capulálpam De Méndez, un pueblo místico en las montañas de Oaxaca. La antigua cultura zapoteca corre profundo aquí, y la creatividad fluye tan libremente como el mezcal en las fiestas (y créeme, hay muchas fiestas).

El arte es para todos, y siempre busco crear algo que conecte—ya sea una estructura armónica compleja o solo la cantidad justa de groove para hacerte olvidar tus problemas (o tus llaves, en mi caso).

Así que si te gusta la música que oscila en el borde del caos pero que la mayoría de las veces aterriza justo donde debe estar—bienvenido. Solo no esperes que recuerde cómo llegué aquí, o dónde dejé mi bolsa. En serio, creo que mi pasaporte estaba allí... ¿Fue en el tuk-tuk? (suena como una broma, pero... ehh, no lo es...).