Ann Jangle

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Pre-order "Pop Psychology", out 4/22 - http://myplay.me/16v4

Neon Trees 
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Pop Psychology

Sleeping With A Friend

Download on iTunes

Download American Authors debut album "Oh, What A Life" on iTunes - http://smarturl.it/iOWAL

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Oh, What A Life

Ghost

Brother

Cage Blues

Killing Me

Shakedown

Swamp Thing

Our debut album "When It Was Now," is now available on iTunes- smarturl.it/atlas

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Lyrics to Trojans:
Take it off
Take it in
Take off all the thoughts of what we've been
Take a look
Hesitate
Take a picture you could never recreate
Write a song
make a note
for the lump that sits inside your throat
Change the locks, change the scene
Change it all but can't change what we've been

Your trojan's in my head

It's ok if it's gone
The thoughts that you had that it was the one
And oh what is left?
For all those times is that what you get?
Oh regardless
The walls get painted anyway
Oh you're guarding
The gates, but it all got away

Your trojan's in my head

Take it off
Take it in
Take off all the thoughts of what we've been
Take a look
Hesitate
Take a picture you could never recreate
Write a song
make a note
for the lump that sits inside your throat
Change the locks, change the scene
Change it all but can't change what we've been

About Atlas Genius-
The members of Adelaide, Australia’s Atlas Genius do things a little differently….They set about building a studio where they could write and record music for their newly formed band 3 years before they even played their first live show as Atlas Genius. For two years, they devoted their days to constructing their dream studio and spent their nights performing songs by The Police, The Beatles and The Rolling Stones at local pubs to pay the bills. “We really got down and dirty with dry walling and literally laying the floorboards, and at the same time we were taking a couple of days a week to focus on writing songs,” recalls Keith Jeffery, Atlas Genius’s vocalist/guitarist. "We had a lot of song ideas and it was important to us to have our own studio where we could experiment and hone in on our sound," adds brother and drummer, Michael Jeffery. The studio was designed and outfitted by the brothers with the help of their father (who comes from a music and engineering background). Once the studio was complete, the first song that Atlas Genius finished was a song called “Trojans,” which they wrote, recorded and produced in collaboration with their friend, keyboardist Darren Sell. After many weeks tweaking the song, Michael insisted that the song was ready to be heard outside of the studio walls. Within an hour, “Trojans” was on the Triple J Unearthed Website, SoundCloud, and for sale via TuneCore on iTunes, Amazon and Spotify worldwide.

“We had begun to think that music was a pipedream and we had all gone back to university to pursue more realistic careers,” says Keith. “We’d had such a long slog of playing late nights and working all day, and it felt like we didn’t really have anything to show for it.” But then, in the midst of cramming for their Fall 2011 semester final exams, Neon Gold discovered “Trojans” on the Triple J Unearthed Website and wrote a post praising “Trojans” as a song sure to “invade your head, all dressed up in a clever disguise of earnest vocals riding a hooky riff.” Checking the band’s email account for the first time in over a month, the band found that dozens of record labels, publishers, lawyers, booking agents and management companies from all over the world had contacted them.

“We were trying to focus on school, but it was just impossible,” recalls Keith. “So we said, ‘There’s something going on here. Let’s get back to the music.’” The band added manager, Jonny Kaps from +1, to their extended family to navigate all of the interest as the band focused on writing and recording more songs.

Quickly named an iTunes Single of the Week in Australia and New Zealand, “Trojans” reached #4 on Hype Machine by the end of May. In August, SiriusXM Satellite Radio’s Alt-Nation discovered the song on a blog and decided to give it some spins. There was an immediate reaction from listeners, and in September, “Trojans” was placed into heavy rotation, where it maintained a top-five position on the listener-generated Alt-18 countdown and peaked at number one for 4 consecutive weeks in January 2012. “Trojans” began selling over a thousand tracks per week on U.S. iTunes and soon climbed to 45,000 sales - all with zero promotional efforts from the still-unsigned Atlas Genius.

“Knowing we had this audience that was waiting on new songs, we had a much greater sense of purpose than we had before,” says Keith. “It was really exciting to know that there were people who wanted to hear more of our music.” Although labels were clamoring for the band to come to the U.S. and play a series of showcase gigs, Atlas Genius turned down those offers in favor of staying in Adelaide to keep writing and recording new songs. In February 2012, after months of communicating with numerous labels via Skype, the band chose to travel to the US in order to make their label decision.

“We’d never been to America before,” says Keith. “We flew in at night and saw this sea of lights, and it really became apparent to us how massive the U.S. is. It was pretty intimidating - like ‘How do we fit into all this?’” In April 2012, the band returned to the states having made their decision to sign with Warner Bros. Records. “We felt a connection with them,” notes Keith. “Everyone there feels very creative and dedicated to the music.”

The band’s first release from their new label home, the EP Through The Glass (produced, engineered and mixed by the band), came out in June of 2012. With Through The Glass completed, Atlas Genius then holed up in its studio and worked on writing and recording its first full-length album, while at the same time rehearsing for their first ever tour. The tour started in August 2012 and led to three more tours back to back taking them thru to the end of the year. Thus, their full-length debut was finished up between tour dates and got completed just before Christmas 2012. When It Was Now is set for a US release on February 19th, 2013, with an international release to follow soon after.

The debut captures Atlas Genius’s singular combination of sophisticated musicality and warm, wistful spirit. Infused with a classic sensibility, each of the songs would fit seamlessly if somehow slipped into a long-treasured mixtape. On the shimmering “Symptoms,” for instance, taut keyboard riffs mesh with urgent acoustic strumming before the band bursts into a gently frenetic, guitar-drenched chorus. Meanwhile, “Back Seat” blends its pulsing bass throb with a sweetly infectious beat and tender vocals that alternately soar and sigh. And on “Trojans,” Atlas Genius begins with a restrained guitar melody and vocal (“Take it off, take it in/Take off all the thoughts of what we’ve been”) before giving way to the handclap-accented, harmony-soaked refrain and lush yet kinetic bridge.

“It’s still surreal,” says Keith of all that’s happened over the past 18 months. “I think when we were very young, we had hopes that something like this might happen one day,” he continues. (Thanks largely to encouragement from their Beatles fanatic parents, who encouraged the brothers to begin playing music by age 14.) “But then you grow up a bit and it seems less and less likely. So when we put ‘Trojans’ out, we figured it would be a success if maybe a hundred people heard it. We don’t want to force our music onto anyone. Our goal is to write songs that we love and we hope they connect with other people too.”

Trojans

Buy on iTunes

This is a song I wrote and recorded in the back room of a desolate farm house outside Stellenbosch. It's a very raw, acoustic sound, bringing me back to my roots. I only have the gift of music to give so I wrote this to all the mothers of the world. Bless you.... and Happy Mothers Day, everyday.

Oh Mi Madre

Feat: Lucy Kruger on vocals & Jess Van De Merwe on tenor Sax
Written & Arranged By Riaan Smit (Redeye Riaan)
Published by Sheer Music Africa

Recorded & Produced by Jo Ellis (Bloo room studio's)

photo by: Jonx Pillemer

Just Dreaming

I simply love this song, its lyrics. I prefer this arrangement than the original. Their voices sound perfect together.

No copyright infringement intended.

All of the stars - Ed Sheeran ft. Christina Grimmie (The Voice Live)

The 1st single from Zebra & Giraffe's 4th studio album "Knuckles". Watch the video here: http://youtu.be/Pbpw7opV8bc?list=PL8EDA9FC823E61EEA

Zebra & Giraffe - I've Been Bad

As The Crow Flies

Moral Code is the first single from the new album "KICKING SAWDUST". It was re-recorded with a full band featuring Jess vd Merwe on Saxophone, Lee Thomson on Trumpet, Lee Nicholls on Bass, Matthew Raven on Drums, Basson Laubscher on Electric Guitar, Arno van Zyl on Banjo. Written, Composed & Produced By Ann Jangle, Produced by Albert Meintjies, Tracked Live at VH Studios.

Moral Code

Nun With a Gun, the re-release recorded live at VH Studios. Written & Composed by Ann Jangle. Experimenting with a more fuller sound and touching more on the darker feelings buried deep inside the topic of religion.

Nun With A Gun

A Good Day For Sarcasm is one of the new tracks featured on the "Kicking Sawdust" Album. Recorded Live at VH Music. Featuring Lee Thomson on Trumpet. All Songs written by Ann Jangle

A Good Day For Sarcasm

Gypsy Toy

Burn It All

This song is based on a true story about a woman called 'Ann Fitzgerald Rangle'. Her bones were found in a cupboard 10 years after she was declared dead/missing when her husband died. His family cleaned out his house and found her remain in the cupboard. Till this day no one knows if he murdered her or if she died of natural causes and he just could not let go of her. Her was said to be a heavy drinker and abusive at times. The found broken ribs in between the remains.



Ann Rangle

Demented Clown (Official)

"Down The Way" album by Angus & Julia Stone

Angus & Julia Stone - Draw Your Swords

www.imaginedragonsmusic.com
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Imagine Dragons - Demons

Daughter - Medicine

Funny

Soul Robbers (Radio Edit)

This has become the Goldfish "Anthem" turn it up loud and sing along!!!

Soundtracks & Comebacks

Soundtracks and Come Backs (radio mix)

Goldfish - Soundtracks and come backs (radio edit)

Demented Clown

Vocals, electric guitar, Sannie Fox
Vocals, Adrian Day (Bilderberg Motel)
Drums, Werner Von Waltsleben
Bass, Omar Kimmie
Engineered and Mastered at Paris Zannos Studios
Lyrics and composition, Sannie Fox
2013

Freedom

“A revelation of the divine power of music to transcend the barriers of class and race and not only delight and uplift men of different colour, creed or occupation but also to make them feel as one by virtue of music’s exaltation and is a noblement of mans soul and spirit.”
Uys Krige

Would i be free of the things holding me ?
Would I be free like some?
Yeah I’ll be ready when my freedom finally comes

Under the heel of the boss
Here’s one for the road
Told the boss to get lost
And Returned to the Unknown

He said if all this,
Could fill the body of a ship and be sent away across the seas to expand,
In the middle of an ocean and be turned into big dreams

He wanted Freedom
He wanted to feel free-
Freedom for all to touch
And for all to see
He said if I could turn,
This flame into a fire that never dies, a flame to burn,
So high it touches the sky with its hands

He said if I could turn these shadows into a hundred silver horses
If I hurled my bitter quarters out into open waters?

History’s got its band around me, I got it, mother its my disease (x2)


Freedom (Paris Zannos Version)2013

Ann Jangle. Queen of the underground. Her ominous style of dark folk, electric rock, gypsy infused, theatrical, soulful style of writing & performing leaves a long lasting impression. She belts out her voice on stage like she was born there. This South-African born singer/ songwriter/ producer/ composer has performed her way onto a vast variety of stages all across Europe & Southern Africa and shares the stage with many different artists to bring a heartfelt performance that resonates.
Since the start of Ann Jangle, she has received a substantial amount of airplay and very good write ups all over South-Africa and Europe.
2012 gave way to the Debut album ‘acoustic archive’. With a very acoustic sound, deeply rooted in the blues. Ann’s love for Dark, underground sounds & odd music genres called her to a greater challenge, a deep desire to break free from a box and create her own style.
It was then that the much anticipated 2nd album “KICKING SAWDUST” launched in Cape Town, South-Africa in MARCH 2015, with a more powerful sound than ever before. On this album Ann is joined by an 8 piece band on different instruments including Trumpet, Celo, Banjo, Saxophone, Accordion and many more. It features some of South Africa’s finest talent and has featured on many Music Review Platforms such as ‘Kalulah Inflight Magazine’, ‘Kfm Radio’s Artist of the Week’, ‘Texx and the City Album Review’, ‘Wat Kyk Jy’, ‘European Music Bloggers Forum” and many more.
With a Dark Folk, Gypsy-SKA undertone, Ann’s passion for experimenting has driven her to many different recipes for great entertainment.
“It’s nice to see a band live up to the hype. Ann Jangle is quite frankly one of the finest front women you will see, furiously strumming at her guitar and singing in a wild, deep voice”
– LMG Magazine Feb.2013

“Her second Album “Kicking Sawdust is a massive piece of work with big, bold sounds and a rich variety of styles and genres, something they have pulled off to an almost-flawless degree.”
– Texx and the City 2015

“Her sexy, husky voice & dark lyrics casts a spell on you, hypnotizes you and then you find yourself in a alternate world of black magic folk, blues & gypsy jazz carnival like a whirlwind about to blow your brain. Sax , trumpet – eerie folk blues – and sometimes if you are not looking , hard rock riffs that bring you home again. The music tempos fast and slow – highs and lows that sweep you away . I don’t know – she’s a rock and roll Marlene Dietrich – singer- alien child of blues. I don’t have a favorite song. I listen to it like i do to a good vinyl – from start to finish . But I must say, ‘Ann Rangle’ and ‘A Good Day For sarcasm’ passed the goosebump test . Fucking hell . Best album of 2015 so far for me.”
– Wat kyk jy Music Review May 2015

Since starting her career as a full time musician in 2011, Ann was solely based in Cape Town, South-Africa, but has recently relocated back from a 2 year journey in EUROPE where she spent her time touring, playing music in over 20 countries. She was mostly based in Berlin, Germany, as this was where her deep desire to gain more experience and knowledge of music internationally satisfied her most.
“Ann is a unique specimen, a breath of fresh air to the underground music scene. She is who she is, come rain or shine. Her lyrics are quite shocking at times and pierces through the bullshit of today’s personas people hide behind. I’m excited to be witnessing her growth” – Berlin Underground music Blog September 2015
Since 2015 no new music has been released by Ann Jangle untill now. It has been a crazy transformation. August 2017 gives way to the first single, Nothing Left, off of her 3rd album.