Great track…..🌍☮︎👍🐞🍀2024

Des voix d'accords si belles et subtiles qui s'emboîtent si joliment pour créer une ambiance paisible... peut-être même romantique.

Une fois de plus nous sommes propulsés sur "Rhode" island... Superbe!

This recording is a completed work of Wild Christopher's work "Jolene (Ever Find Your Forever Man)" with my guitar playing. "Jolene" is based on "Let Me Know", one of the "Paploviante Open Collab" pieces.
I received warm compliments and words of welcome from both of them. I am very grateful.I would like to thank them from the bottom of my heart for including me in their wonderful work.

This work is over 6 minutes long. My guitar playing starts with a low volume and rhythm. About a third of the way through, my guitar starts playing to complement Christopher's great singing.

Below are links to each work.

Wild Christopher-Jolene (Ever Find Your Forever Man) - Paploviante Open Collab
https://soundcloud.com/neon-blur/jolene-ever-find-your-forever-man-paploviante-open-collab

Let Me Know - Offer Open Collaboration 80 Bpm(Paploviante and friends)
https://soundcloud.com/paploviante-and-friends/let-me-know-offer-open-collaboration-80-bpm

"Let Me Know" by Paul (one of the "Paploviante Open Collab" pieces)
A few days after the release, he received a number of really excellent works. I was really surprised by the ability of the artists to finish such amazing works in such a short period of time.

Results Offer Open Collaboration Let Me Know(Paploviante)
https://soundcloud.com/paul-racle/sets/results-offer-open

Chord= A ,E
Key = E

After listening to the above works, I realized immediately. Simplifying the scales that form the melody, assuming the case of playing the guitar, it was divided into the case of  Cm/E pentatonic, and the case of  Cm/E and Em/G pentatonic. I thought, ``This is a great exercise for me. For example, putting four songs together on one track, listening to them all in order, and playing the guitar along with each scale is a very useful daily practice. I could imagine that this would be useful not only for myself, but also for most people who are learning to play the guitar.

For example, alternately play the following:
1)Cm/E　Pentatonic scale(Key = E)
2) Cm/E, Em/G Pentatonic scale(Chord = A7,E7)
2) '  Am/C,Cm/E,(Em/G) Pentatonic scale

It's easy to envision it that way, but first, what do I do with the first one? So I started playing guitar while listening to Wild Christopher's "Jolene".
I found it possible to use two chords, A and E7, and finish off with some rock'n'roll backing, but it's too simplistic a way to spice up Christopher's cool and passionate vocals. 

So I took the plunge and tried using the A7 and E7 chords to make a blues rock song. And I was convinced that depending on the way I played, I could proceed without discomfort. An image of the rough blues rock of the early 1970s came to mind. However, I was conscious of keeping the taste of the country blues that was popular before that.

I thought that Wild Christopher's wonderful singing voice would suit slightly rough guitar playing based on precise rhythm composition. A playing style that many great guitarists and predecessors have developed over the decades. I hope that people who come across this piece will want to listen to it again and again :))

Wild Christopher - Jolene - Paploviante Open Collab ft.JUNZO on electric guitars

Wild Christopher - Jolene - Paploviante(Let Me Know) ft.JUNZO on electric guitars

■概要(Overview)
辛い時期もあるけどなるべく笑顔で乗り切れたらいいな、一歩ずつ
・・・という感じの曲です。
何回スマイルって言ったかわからないけどみんな笑顔になってほしい。
さあ行け！ロボドッグよ！(ガチャ、ガチャ！ワンワン！)

There are going to be tough times, but I hope I can get through it with a smile on my face, one step at a time.
It's a song that feels like...
I don't know how many times I've said "smile", but I want everyone to smile.
Let's go! Robodog! (Gacha, Gacha! Bow Wow!)

■歌詞
涙見せないように　笑う君の事
馬鹿にした口調で　責める人たちもいる

残念だけれど　この世界は
単純じゃないんだ　一問一答じゃないんだ
複雑さに目を背けた人たちは　君を責めるけど

マイペースにやろうよ
やれることを　一つずつ　ホップ・ステップ・ジャンプでさ
僕や周りの事なんて気にしないでいいから

もう一度スマイル　そしてスマイル
少し休んで　またスマイル＆スマイル
いつでも応援しているよ　気楽にやろう
テイク・イット・イージー

誰のせいでもない事　誰かのせいにすること
それで何を生み出せるというの？

残念だけれど　この世界は
理由なんて　意味が無いんだ
誰かが作ったミサイルが
今日も誰かの命を奪う

(Smile again
With a heartfelt smile
Just smile..)

マイペースにやろうよ
やれることを　一つずつ　ホップ・ステップ・ジャンプでさ
これから先何が起こるか分からないんだから　

もう一度スマイル　そしてスマイル
少し休んで　またスマイル＆スマイル
いつでも応援しているよ　
僕もどうなるかわからないけど
何とかなるさ
(If we could hold hands again
Also someday….)

マイペースにやろう
まだまだ先は長いから
笑い方を忘れないようにしよう

もう一度スマイル　僕もスマイル
彼女もスマイル　彼らもスマイル
あの野郎にもスマイル
もう一度手を取り合えたなら・・
またいつか

■Lyrics (Google translation)
You smile, trying not to show your tears
I can hear her voice blaming her in her mocking tone.

Unfortunately, this world
It's not simple, it's not one question and one answer.
Those who turned a blind eye to complexity will blame you.

Let's do it at my own pace
I think all you have to do is hop, step, and jump.
You don't have to worry about me or the people around me.

Smile again and smile again
I want you to take a little break and smile again.
I'll always support you. Take it easy.
Take It Easy

Blaming someone for something that is no one's fault
What can you produce with that?

Unfortunately, this world
Reasons are meaningless
A missile made by someone
I will take someone's life today too.

(Smile again
With a heartfelt smile
Just smile..)

Let's do it at my own pace
I think all you have to do is hop, step, and jump.
We don't know what will happen to us from now on.

Smile again and smile again
Take a break and get your smile back
I'll always support you
I don't know what will happen either
we can work it out
(If we could hold hands again
Also someday….)

Do it at your own pace
There's still a long way to go
Let's not forget how to laugh

Smile again, I smile too
She smiles, they smile too
Smile at that bastard too
If we could hold hands again...
Also someday

VV peace

Une ode aux perdants , à ceux qui n'arriveront jamais les premiers ...
Compositeur - Musique : Philippe SEGUINARD
Auteur mélodiste - Chant : Guillaume DULER
Chant : Sylvie TIRET
An ode to the losers, to those who will never get there first ...
Composer - Music : Philippe SEGUINARD
Songwriter - Vocals : Guillaume DULER
Singer : Sylvie TIRET
Lyrics:
Quand est-ce qu'on boit à nos étoiles
Même si le ciel est déjà mort
C'est vrai qu'elles brillent encore
Mais la plupart ont mis les voiles

Quand est-ce qu'on boit à nos défaites
A la puissance des vaincus
Nous nos blessures ont survécus
Quand leurs victoires sont obsolètes

Quand est-ce qu'on boit à nos amours
A celles qui saôulent de souvenirs
Celles qu'on n'a pas pu retenir
Mais auxquelles on pense toujours

Quand est-ce qu'on boit à nos héros
Aux révoltés aux cœurs ouverts
Ceux qu'ont joué avec l'enfer
La vie tatouée sur la peau

Quand est-ce qu'on boit à nos succés
Ces étranges malentendus
C'est à peine ce qu'on a voulu
Et tout juste ce que l'on pouvait

Quand est-ce qu'on boit à nos enfances
Illusions perdues à jamais
Comme la douleur d'un condamné
Qui sait qu'il va mourir d'avance

Levons nos verres aux regrets
Aux perdants de la gloire
Cicatrices laissées
Dans un coin de mémoire
Aux survivants sans médailles
A nous les moins que rien
Sur nos champs de batailles
Ombres du quotidien

Quand est-ce qu'on boit à nos fantômes
Toutes ces peurs qui nous soutiennent
Main dans la main elles nous souviennent
Vers la dernière demeure des hommes

Quand est-ce qu'on boit à nos futurs
Retournons nous voir s'ils nous suivent
Mais y'a personne pas âme qui vive
Y'a même pas de rats sur les ordures

When do we drink to our stars
Even if the sky is already dead
It's true they still shine
But most of them are gone

When do we drink to our defeats
To the power of the defeated
Our wounds have survived
When their victories are obsolete

When do we drink to our loves
To those soaked in memories
The ones we couldn't hold back
But still think of

When we drink to our heroes
To the rebels with open hearts
Those who played with hell
Life tattooed on their skin

When we drink to our successes
These strange misunderstandings
It's hardly what we wanted
And only what we could

When we drink to our childhoods
Illusions lost forever
Like the pain of a condemned man
Who knows he's going to die in advance

Let's raise a glass to regrets
To the losers of glory
Scars left
In a corner of memory
To survivors without medals
To us less than nothing
On our battlefields
Shadows of everyday life

When we drink to our ghosts
All these fears that sustain us
Hand in hand they remind us
To the last resting place of men

When we drink to our futures
Let's go back and see if they follow us
But there's no one, no soul
Not even rats in the garbage

© Philippe SEGUINARD/Guillaume DULER  Novembre 2023

Ivre"S" (feat Sylvie Tiret) Version intégrale TRANSLATED

Though lt had been looking Pretty Grim, not to be Thwarted by the mundane problems of the everyday, our seekers of Truth and Condiments Get their house (bus) ln order, Finding incidental Data on the making of the dumpling ln the process. With a full tank,  full bellies, hope ln their hearts, and a large bag of Condiment--They set their sights on Mexico--

Tea R Sea-(Terry) Synth/Percussion/mlx/Production/Artwork
TexMex Shaman(Stephen)-Electric Guitar
Stonerjazz (jeff) lyrics/Vocals)

AKA The Smoking Trout

Lyric Major Parlay

Sally ls a hero, found a hundred dollar bill and a sack of Skittles
ln between the Cushions of the couch-
Sid and MaryAnn are at the local blood bank
peddling pints of plasma
for fifty bucks a pop-

Maurice and Nostradamus are at the western Union
picking up three hundred dollars
from their grandma ln Tacoma
Gus ls working on the Bus
ln the episcopalian Parklng lot
and even got two hundred dollars from the congregation-

Stu he's got a Visa card which he never uses
Ubered over to the lucky Ladles where he's playing black jack
hoping for a Major Parlay--Hoping for a major Parlay-----

Larry and Roberta, while beggin for some buckshees
and playin music on the corner at the farmers market
met a Sufi sitting on the sidewalk
serenely spouting scripture from the Transcendental Dharma of the Dumpling--

Along with baking soda, salt, wheat and water
A heavy leavening of responsibility ls required ln the making--
And some mushrooms from Oaxaca-lf you wanna make that dumpling, she sald
you're gonna have to go
To Mexico--:)

Major Parlay-The Smoking Trout (Holy Dumpling #7) Tea R Sea and TexMex Shaman

11-12-2023

BECAUSE YOU ARE ME

I Don’t Mind feat. Patricia Edwards / Paploviante Music
Vocals and Lyrics :
Patricia Edwards
https://soundcloud.com/patriciaedwards
https://www.looperman.com/acapellas/detail/17219/i-dont-mind-94bpm-country-acapella
Paploviante:
Bass, Music Composing, Mix and Mastering

I Don't Mind Feat. Patricia Edwards

There's a fantastic 70s leaning pop-rock album  Ticket to Shangri-La  released in 2023 (Young Gun Silver Fox) with a song called Starting Wars. I miss heard and mis-read the title as Starling Wars which seemed a great metaphor for something. It could have applied to a relationship - but the 2 wars going on became the theme

Starling Wars

You fly in to foul my nest 
Seeing red I puff out my chest
Aiming at your catacombs
Dropping all my guano bombs
Flit across and I peck at you
Cause my beliefs are the only truth
Starling wars it’s about pecking order 
Starling wars gonna bomb your son and daughter

I ruffle your feathers
You think that you’re better
Ethnically superior
The plumage of an emperor
Gonna peck my eye’s right out
Squawk about it loud and proud
Starling wars it’s about pecking order 
Starling wars gonna bomb your son and daughter

Em7 Dma7 Ami7 G Bb/C F F#m7 B

Underneath there’s the dove of peace
Peeking out at the busy streets
I Wrap your eggs neath protective wings
Drop a flower confess my sins
Fleeting thought it just flies away
Revenge is sweet gonna make you pay
Starling wars it’s about pecking order 
Starling wars gonna bomb your son and daughter

STARLING WARS

Sometimes it's good to climb the hill and look at life from beyond the daily grind.

Passion for the Beyond

bloom reef

blooming reef

It was 3 hours before midnight and it would become a new year. It was an ominous feeling. All year it had been building. 2024 was going to be a defining year, and maybe not in a good way. There will be changes in who we are. A year that will affect the world. I felt I needed to put my feelings into music, not where I control what I play, but to relax into it and let my fingers tell the story. When I "try" to write music it is work and it takes planning and many hours to perfect, especially if I write the piano score. When I improvise it is played in one take, never to be played again. It took my whole life to be able to play this way. It is who I am, not trying to do or sound like anyone. I hope you enjoy. Thank you for listening.

I was tired.I had spent many hours working on a go fund me for a families in the Congo - the DRC. I've known them for 8 years, and have helped them with money for medicine and food quite a few times, but this needed more help than I can do. I made a video for it as well as a written story. My music is the soundtrack for that with 20 photos. If you would like to see it and help me share it I would be indebted to you.

https://gofund.me/f2c2d76f

Artwork by Armando Macias
Death row, San Quentin
I've known him 20 years

Everything Changes At Midnight

Brightenin'(Jam Sesh Feat Aunt MiiMii)

free player, loves music like a breath,Music painter, sound researcher, unusual harmony tester
Repost  https://soundcloud.com/yannkifer

BECAUSE YOU ARE ME

Yann kifer

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