Hexfarm is

Phil Bywater - Saxophones/Flutes
Dane Renshaw - Drums
Mat Ward - Bass Guitar/Vox

Track 2 from Hexfarm - who meet once a year to jam for a couple of days then head back to their various corners of the world : )

Cost/Benefit Erection - Hexfarm

‘aqua aeterna’
Modular Eudemonism.
Track created in 2023.

Columbo on the beach.

Fully generative.

Tools :
Marbles (with jitter).
- E352 Cloud Terrarium (Morph+Phs) > Data Bender > Monsoon (Clouds mode).
Ochd, Batumi, Zadar.
Quad Vca, Black stereo mixer, Listen IO.
Recorded live and mastered with Logic Pro X.

Associated image : Petrus Major.

Ocean Reflections [modular eudemonism]

rain rituals -
if the gods are here now
to see the paddies
(Takarai Kikaku)
https://www.naviarrecords.com/naviarhaiku599-rain-rituals/
Komposition1076 FlöteViolineCelloTrio

rice and rain (naviarhaiku599)

INTANGIBLE

This is a collaboration with Stan Magendanz (https://soundcloud.com/stan_magendanz)
Hear the awesome original at https://soundcloud.com/stan_magendanz/opheretri
K995 Fagott

Bridge (Stan & Robert)

Another track from 12 years ago, written under the name Before After.
I love this song to bits and just wanted to save it from the clutches of oblivion.
--
Me: composition, programming, editing
Can't give credit to the creator of the artwork, didn't look up their name when I stole it from the Interwebs back then. My sincere apologies.

Neighborhood

Cyber Dive

Hello Dawn

The Shangri-La Mushroom Dance

When the authentic self seeks to create an environment set apart from the all pervasive false reality and narratives of these distorted times, it must do so without foundation or context, upon a tabula rasa, an arte povera, from nothing, and how better than through joyful aimless play with no intention other than to create and exist within the moment, through art and music and dance, away from symbols and language and meaning, away from expectation or reception, a creator with no audience or consumer, for the simple  fun of it. And it must be fun; if working hard and making effort are key to success or gaining respect then neither success or respect are important, one need not pass beyond gatekeepers for something as worthless as approval. There are no bad paintings. Want for nothing other than to know the people sing even if you hate their song. Smile at their terrible dancing, then dance yourself.

SQRIA is like all my other recordings in that it is made live only with small cheap synth boxes (Korg Volca (Sample1, FM1, Modular, Kick), Korg NTS1, Korg SQ1, Bastl Kastle (1.5, Drum and ARP)) - no daw or complex programming - just some forethought/intention and the generation of a suitable playspace - then recording what happens as I move things about. SQRIA is different in that each track is originally hours long and then edited down to something near 20 minutes.

B/ Easier Weather

‘a divinis’
Wastes & Sequences.
2022 live performance.

Chaotic music engineering franchise.

Tools :
Marbles.
- Loquelic Iteritas Percido > Sisters > Desmodus Versio.
Ochd, Sinc Defero.
StMix, Black stereo mixer, Listen IO.
Recorded live and mastered with Logic Pro X.

Associated image : Petrus Major.

Screamalodon Tropilabia [wastes & sequences]

www.dezernat5.de
https://www.youtube.com/watch?v=Ie3PzgNXw0o
tototod.bandcamp.com/album/apeiron
https://martinhoogeboom.bandcamp.com/album/crackle-sniff-hiss
https://thomassander1.bandcamp.com/

thomas.sander.schwerin@gmail.com

INTANGIBLE

ANSOUND Thomas Sander