https://www.nts.live/shows/the-nts-guide-to/episodes/psychedelic-soul-special-16th-september-2021

PSYCHEDELIC SOUL SPECIAL VOL. 1 - 160921

State Lines

A track from the upcoming Will Russell album '....and another thing'. Written and Recorded one very late boozy night at the old Syringa Studio.  

Turn left for heaven

15.10.25 - week seventeen of a demo a week for a year. Recorded and mixed out of a backpack in Tangier.

Swallowed up in the Night

Why Do I Get So Shy?

Études Store Mix N°12 curated by @am-agency

Air - Ulla Straus 
Zure (Yves Tumor Obession Edit) - ryuichi Sakamoto
Pesticide - BONES feat. Cat Soup 
Cobra - O’Boy 
Leave It - UZ 
Jungle - Syncope
Testimony and Honor - K. Leimer
baggage - ukeme
Faith (Beauty Queen)/On fait une autre - Manast LL’
Sofia - Leonardo Martelli
4REIGN$//IMPORTED - IV.KEEP$
Yukko (Love Version) - Siddiq & Vektroid 
Beauty Dies Before Me - DJ Charme

Store Mix N°12

Purchase: geographicnorth.bandcamp.com/album/catch-a-blessing
Catalog #: GN52
April 5, 2019
LP+DIGI

Matthew Sage is a composer, producer, label owner, and publisher based in Chicago, IL. Since his earliest recordings, Sage has carefully considered and crafted each of his various approaches to experimental music. His debut LP A Singular Continent was an endless epic that charted imaginative aural cartography and seemed to soundtrack actual worldbuilding. Now, after five years personal changes and growth, Sage returns with his tried and true sonic trademarks, but with a noticeably liberated approach to his brand of experimental studio music.

Catch a Blessing shows Sage in a much more impulsive light. Where past work existed in space that was cerebral, meditated, and composed, the music here is more natural, playful, and effort-less.

Opting for chance and the unknown rather than rules and conceptual rigor, Sage "practiced" an amorphous technique that led to profound moments of accidental, unplanned beauty. And the perks were plenty. As Sage explains: "Learning to know less and to just feel more about what I am making has become important to me. I like, or am learning to like, the possibility of that openness, that uncertainty. Not knowing. It is uncomfortable, but it is nourishing."

Recorded over a summer in a tiny room on the second floor of a 120-year-old apartment in Chicago, 'Catch a Blessing' is the result of and the meditation on the exquisite exhaust and lavish lushness of his crumbling (and rebuilt) locales. 

Presented as a collection of ornately expressionistic portraits of Chicago, Sage approached the album more as paintings or sculptures than musical compositions. Album opener "Avondale primer Gray" unfurls a calm but vibrant quasi-melody that dissolves into a blur of found sonic objects both familiar unknown. "Lions to Baffle" is a semi-synthetic symphony of muted, sax-laden alien jazz, while "Elevator Straffing" maintains a whirling, glittering hum of echoed dissonance. "Claiming Air Rights" could be the literal sound of a piano floating through space, levitating despite an impossible weight. "Michigan Turquoise" brings an exquisitely eerie hymn with the same ghastly grace of Sparklehorse. Album centerpiece "Window Unit +Three Flat" is an open-ended epic of texture and ambiguity, immediately followed by the warped and trickling elegance of "Polish Triangle". "Wolfe Point Fog" closes 'Catch a Blessing' with peculiar focus, departing with an open-ended and wholly optimistic focus.

The moods and modes are constantly, entirely at odds with themselves: private vs. public, abject vs. profound, rural vs. urban(e), and so on. Where other players of experimental studio music take a more high-minded, often stuffy approach, Catch a Blessing floats in airier, more refreshing modes. It’s endlessly lush but sincerely marked by decay. This is naturalism in the truest sense.

M. Sage - "Polish Triangle"

Precipitation - Deep Sleep

OUT NOW: https://lnk.to/wiltedwomanPH88

Wilted Woman is a producer whose left-field approach to electronic music emerges from an experimentally minded and refreshingly unapologetic attitude, forged on the punk and DIY scenes of the East Coast of the United States, and more recently, Berlin. Across her debut release for Phantasy, she contributes two unpredictable and outlandish cuts of hyper-modern club culture, complimented by a remix from fellow outsider alchemist, Laurel Halo.

‘Lon Lon Night Vision’ is a creeping, industrial interpretation of acid sounds, peeling away layers of tension to reveal a melody straight from the cold heart of a John Carpenter soundtrack, resolving in uniquely dystopian funk.

‘No Stinger’ immediately unleashes a burrowing, cybernetic ear-worm of a hook, biochemically blossoming into a sublime, undulating landscape of contemporary trance, rich in ideas and sonic euphoria.
Finally, Laurel Halo turns the screws on the original mix of Lon Lon Night Vision, extracting an almost impossibly taut slice of techno, building raw tension towards a blistering rush of electro psychedelia.

Follow Wilted Woman:
https://twitter.com/wiltedwoman?lang=en
https://wiltedwoman.bandcamp.com/
https://soundcloud.com/eelburn
https://open.spotify.com/artist/2RHGNrfvjmagbfnZDud6pa?si=BMwpYwckQVC2QKNzxi33wA

Lon Lon Night Vision

Released on cassette & download 06.11.20 https://acidwaxa.bandcamp.com/album/twenty20-volume-3

Twenty20 Vol 3

BUY/DOWNLOAD/SUPPORT

Roy of The Ravers - Time Machine

Produced By: Delroy Edwards
Vocals: Mickey Van Seenus

LACR026 Earth To Mickey - Pleasure Comes And Pleasure Goes

DJ Close Your Eyes To Find Me 
DJ In A Dream 

Running @fallingstarerotica please send me demos I will listen to everything :) 

lhlt009 , LHLTSUB2, Reptillian Trax 001, 38, Falling Star Erotica 001, Infinito Audio Label 033, QC 2#

The only reason the Gods flooded the earth instead of burning it is because they were afraid of the flames reaching heaven.  

bookings: message me here

Why Do I Get So Shy?

Tony Rainwater