My name is

The Sound of New Isolationism

Electric Indigo Radio

Submerged

Daily Mix 5

Nordic Noir

Sacral Space

Full album → https://bit.ly/3qv3Lhj
Artist:Laima Adelaide 
Title: Parallel Space
Remixes:Moody Waters  & Francois Dillinger
Format: CD
Catalogue: DRSS177
Mastered: Juta 
Artwork:Natalia Volkova

Tracklist:
01.Figure (Intro)
02.Body
03.Focus
04.Above Black
05.Landscape
06.Lost in my Mind
07.Drive
08.Still
09.Remembrance (Outro)
10.Lost in my Mind (Francois Dillinger Remix)
11.Focus (Moody Waters Remix)

All CD orders include two Diffuse Reality stickers and digital downloads of the full release.
www.diffusereality.net

Laima Adelaide with remixes from Moody Waters  & Francois Dillinger

><⋃⊃⊃∑

Vespera

Music For Acoustic Instruments & Feedback

Bells

Piano, Bells & Two Reversed Tape Loops

Always Inside Your Head

Coming Into Being and Passing Away

@lujoasiatico
--
Hi there.
Here is our new compilation.
"VA.2 Tiny Textures"
We opened our spectrum to new sounds and new artists.
--
Artwork: Romina Malta 
https://www.instagram.com/si_romo_/
Textura: Gisele A.S.
Mastering: Nicolas Bruschi aka SidiRum
--
Buenos Aires, Argentina - 2021

Lujo Asiatico - AM Prosperität

Cracks

OFFAIR: Music For Water

April's Coloring Book

Spotify: https://open.spotify.com/album/1IqGcxtak2nImHCN0JZNc0?si=AtqsR6grRset_DywOwgajw
Apple Music: https://music.apple.com/us/album/breakdown-ep/1587805498
Deezer: https://deezer.page.link/fWKqDLUw3wxWSbLF7
Tidal: https://tidal.com/browse/album/199152667
Youtube Music: https://music.youtube.com/playlist?list=OLAK5uy_lpZt216n59miNJ6Kfz1CKYfRLZYugsmdg&feature=share

Tentacle - Breakdown (The End Of Chemical Romance)

Warsaw

Warsaw (Original Mix)

Inside The Tunnel

01 Rovina

still numbers

Your Loving Arms

Your Loving Arms (Martin Roth NuStyle Remix)

The World

LA Hills Burn At The Peak Of Winter

A Body Turns To Eden

A Collection Of Ceramic Vases (Yves Saint Laurent Buried In The Garden Of His Marrakesh Home)

Taken from Tom Demac & Real Lies debut EP for Kompakt "White Flowers", out September 14.

Buy/Stream: https://KompaktRecords.lnk.to/WhiteFlowersSD

Tom Demac & Real Lies - White Flowers

Vletrmx

Taken from th album 'Ecstatic Computation' releasedas LP and Download

Ecstatic Computation

Caterina Barbieri 'Fantas' (EMEGO 259)

akkamiau​ - InTerjeCtions (EP)  DETUND LTD 49
1 | Krabat 2 | Choices 3 | Kraak 4 | 4CM

support artist:
https://detund.bandcamp.com/album/interjections-ep

The piece deals with human sounds, spoken language and its emotional charge, and with a subjective sound environment, in a way of internal sound ecology. Conceptual Act Theory suggests that language plays a role in emotion because language supports the conceptual knowledge used to make meaning of sensations from the body and the world in a given context. The viewpoints I built on consider the language a basis for music and the music as the language of emotions. Human musical ability is proposed to play a key phylogenetic role in the evolution of language, and the similarity of hierarchical structure in music and language has led to considerable speculation about their shared mechanisms. In order to understand our own emotions hidden in our speech, I consider animals sounds as inspirational source in a search for the essence of human sound.

I interviewed people about the issues connected to the topic of reproduction. Recordings of our talks were meditating over topics such as choice of giving birth, parenthood, family trauma, abortion, or transhumanism, and served as the source material for manipulating the speech into abstract sonic grains, by distillation of its emotional essence in the process called sound granulation. The long interviews on the emotionally loaded topics revealed personal opinions and relations to the issues. In series of improvisations I was granulating the parts of the speech, searching within grains for hidden meanings, as they were coming forward. This process created samples, later used in the final composition as vocals. The instrumental part is composed in a similar way, documenting the urge to create music as the soundtrack of the psychical state. Recorded improvisations on hardware synthesizers are the source material to form the timeline of the composition. I approach sound as therapeutical personal tool, which allows me to translate internal feelings into the abstract message, open to audience interpretation. I have few intentions within the structure of the composition, for example using low frequencies of the percussions in 4 channel set up to "lock" the body into the trance by repetitive and ritualistic drumming. Sounds in mids keep the narratives, highs will set the mind free to float over the transposed feelings. This take on dispersing inner stress and excessive emotions comes from personal experience as a dancer and also from the practice of various forms of exercises, such as taichi or tensegrity. It is known that dance and singing releases hormones which makes us feel good, and I also believe that evoking the traumatic experiences, by bringing them vividly into the center of our attention, while physically working on "vibrating" this energy into embodied harmonized state of being, actually dissolves old traumas. Inspired by the effects proven in buddhistic chanting, I named this creations "vibrational mantras". 

released November 27, 2019

music by Akkamiau
akkamiau.weebly.com

mastering by Joe Farr
www.joefarrmastering.com

animation by Anastasiia Holumbovska
www.instagram.com/golumbovska

Akkamiau - KRABAT (InTerjeCtions EP)

Elephant

Land III

Land III (Vocal Mix) [feat. Carmen Ruiz]

Hotel Nota

Pénombre

Lost At Sea

Lost At Sea (Kelly Moran remix)

Kapsalon

Coming in late February 2021 my second album on my
recently formed Before & After Silence Recordings. 

Six completely new pieces of deep Ambient music clocking in 
at 76 minutes 

CD & digital will be available from 
https://beforeaftersilencerecordings.bandcamp.com/releases

Celestial Observations Teaser (Before & After Silence Recordings)

Shadow Box

Melts All Your Memories

Winter Ashes

Path of Devotion

Stumhetens toner

Tårlös sorg

The future:

25/07 TBA, USA
26/07 The Great Beyond, MN (US)
01/08 Technoferia, Medellín (CO)
02/08 Tunnel, Pereira, (CO)
09/08 Eden, Stockholm
 30/08 Berlin Atonal w/ Neel & DJ Red (DE) 
31/08 Berlin Atonal LIVE (DE)
06/09 Sejong Theater, Seoul (KR)
06/09 Vurt, Seoul (KR)
12/09 Trädgården closing, Stockholm (SE)
13/09 Magick Bar, Rome (IT)
18/09 Solace, Melbourne (AU)
 19/09 TBA, Sydney (AU)
 20/09 TBA, Melbourne (AU)
21/09 TBA, Adelaide (AU)
11/10 Inkonst, Malmö (AU)
01/11 Under Bron, Stockholm (SE)

Bookings:
booking@northernelectronics.se

The cohesive array of depth charged devices that Anthony Linell has produced is formidable. From his opening statements as Abdulla Rashim on his early label of the same name, right through to his recent work that puts his aliases aside, there is a robust and rigorous intent that compounds the elemental strategies of techno's models to apprehend his singular vision.

Presiding over Stockholm's Northern Electronics label with Varg (Jonas Rönnberg), Linell dispenses with mechanisms of attention on all fronts. Marked by an indefatigable self-reliance, the label presents exactly what it means to display, and no more. Carving an idiosyncratic platform for his music is as great of a warning as there could be that Linell's leveraging little toward the benefit of the audience. By his measure, the familiarity and comfort of contemporary techno is stripped back to its rushing heart, the senses left tailgating the strobe in a fit of intuition over decision. The greater this is exposed the colder it gets, and its in these extremes that Linell's caustic rhythmic precision hits. Live, it comes off as a galvanizing strike from the outside; analysing the room as a DJ, it's a case of being pursued through the dark.

Just as the brevity of Linell's output in the eyes of techno is exalted as it is brought into focus, the background to this blurs as you start to decipher his other projects. Lundin Oil skirts the fringes of noise and experimental music, and in collaboration with Varg as Ulwhednar, this is perhaps even more pronounced.

Purposively ricocheting between the techno world and experimental electronic music, Linell forges a distinct passage that gathers the aesthetically uncompromising motifs and missions from across this spectrum. It's this combination and resolve that's brought Linell to the world's attention, however little that attention has been solicited.