Performed by Julia Den Boer,

Commissioned by the SWR EXPERIMENTALStudio.  

Written with technical assistance from Gary Berger

PoseII: On the Shadows of Ideas (2013) - for Piano and Electronics

You are communicating with yourself through the medium...
...This is just another channel to do so...

b. 1999
composer/komponist
graduated from bachelor, tua(geidai), Tokyo/Japan
03.2023〜 02.2025 Hochschule für Musik Carl Maria von Weber Dresden (Master, Klasse Prof. Mark Andre & Prof. Dr. Stefan Prins)
03.2025〜 Staatliche Hochschule für Musik und Darstellende Kunst Stuttgart (Konzertexamen, Klasse Prof. Luxa Mart*in Schüttler)

Tanapon Chiwinpiti 
(b. 1992) is largely self-taught Thai-born sound artist, sound engineer, computer programmer, visionary, pianist, improviser and composer.

He attractively works on technology, algorithm-based approach in composition to explore a new prototype of digital age music from 21st century. He graduated in Music Composition at College of Music, Mahidol University from 2011-2016. The year of 2014-15, He attended to study computer music and design (Sonology Department) at Kunitachi College of Music Tokyo, Japan as an exchange student.

He studied piano under a guidance of Nithi Kornkaewsakuldej, Jamkad Saen-ngamwong, Pohnchanan Suravichai and Satoko Inoue. Music Composition with Roger W. Petersen, James J. Ogburn, Julia Lake Bozone, Tyler Capp, Shintaro Imai and Cort Lippe. Computer & visual programming with Shintaro Imai, Cort Lippe, Takayuki Rai and Shu Matsuda. Sound technology, live sound reinforcement and recording with Ruangkarn Tatiyasuk, Pongpat Chuapibul and Satoru Kobayashi.

He attended several lectures and workshops conducted by Dirk P. Haubrich, Mie Yanashita, Zygmunt Krauze, Zhou Long, Yann Robin, John Corigliano, Paul Patterson, Kee Yong Chong, Jean-Luc Darbelley, Mara Gibson, Martin Jaggi, Jōji Yuasa, Ums'n Jip Duo, Hans Tutschku, Enno Poppe, Peter Eötvös, Joe Hisaishi and David Rosenboom. He also has collaborations with Haruna Tsuchiya, Tomomi Kubo, Takashi Miyamoto, Noriko Tsuboi, Akiyuki Okayasu, Ensemble TACETi, Michael Hall, Ums'n Jip Duo, Inflexio Duo, Mahidol University String Quartet, Salaya String Ensemble, Ensemble Mosaik, Salaya Saxophone Ensemble, Pan Pacific Ensemble, Kammerorchester Basel, Collegium Novum Zurich(as a personal assistance) etc. He was a finalist in Basel Composition Competition, Best Award of Ryuichi Sakamoto's Sound Installation Competition《IS YOUR TIME》collaboration with Shiro Takatani at NTT ICC Tokyo Japan. Grand Prize ACSM116 in Acousmonium Music at CCMC 2017 Japan, a finalist Young Composers in Southeast Asia 2013 by Goethe Institute, and Distinguished Prize for Music Composition of Young Thai Artist Award 2013, 2015-17 etc.

Presently, He is focusing on “Parametricism and Digitalism” practical based-concept embodies an Artificial Intelligence relevant, augmented reality/hardware/VR, data science, algorithmic approach, mathematical models, spatial music, creative coding and design through particular inspiration of Zaha Hadid's foreseen architectures. Regarding to Asian concept of beauty in Japanese and Thai aesthetics and applied Trans-humanism ideology.

Events:
- Received a commission from the American violist Michael Hall to premiere a composition at Thailand International Composition Festivals 2012(TICF). Call for music「Game Music 2 for synthesizer」performed by himself in TICF July 2015.
- A Finalists of Young Composers in Southeast Asia Competition & Festival (2013) collaborated with Ensemble Mosaik under a conductor and composer, Enno Poppe.
- Grand prize from the 1st Annual Mahidol University, College of Music Composition Prize for String Quartet "Streichquartett Nr.1" (2014)
- his psycho-electronique"project number 1" for cello and computer with live-video by Takashi Miyamoto was performed in Sonic Interaction 2014 vol.2 at Kitazawa Town Hall, Tokyo JP 
- "...au/one.sound..." for ondes martenot was performed by Tomomi Kubo in her "Ondes Martenot Recital" at Ryogoku Monten Hall, Tokyo JP (2015)
- "microtalk.bandpass" for snare drum and electronics will be perform  by TACETi ensemble directed by Piyawat Louilarpprasert, a classmate composer (TH).
- New work for his piano advisor "Satoko Inoue"
- He has a long-collaboration with Japanese artist, Akiyuki Okayasu.
- "glaciereskimo" for orchestra was given a world premiere by Kammerorchester Basel under the baton of Franck Ollu at Basel Composition Competition (CH).
- "data.protons" was "honor mentioned" in Forum Wallis Festival (CH).

Laboratorium is the 2nd profile of a well-known experimental band from Germany. 
The one you're on is about pure Improvisation.
Hope you enjoy this as much as we do!

If you want to watch Filmtrailers we did music for: please choose the links "Music for Movies 1 & 2"

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Versuchsanordnung // laboratorium players (from 2006 until today):

Christoph Uhlhaas: piano, electronics

Christian Barthold: guitar, live-looping, microkorg, bass-ukulele, fretless bass, live-electronics, theremin, kalimba, percussion, flutes

Martin Schubert: drums & percussion

Wilfried Hanrath: our new man on fretless bass & fretless bass-ukulele

Markus Blatzheim (2006-2014): fretless bass, bass-synth, selfmade flutes, synth

Jörg Düpjohann (2006-2010): electric & acoustic drums & percussion

Joe Becker (R.I.P. 2016): drums, percussion

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For concert offers, CD's or anything else:
please contact Christian Barthold (Manager)
mailto: weaverofyourdreams@gmx.de

Thank you for your open ears!

sculptures sonores
Le fil du temps se remplit à l'infini d'instants... Mon souhait serait d'habiller ces tout petits moments comme on costume un petit théâtre : les vêtir d'un rien, d'un silence, d'une chaise vide, d'un coussin tendre, d'un son soyeux, d'un plein et d'un délié, du son d'un mouvement du corps en action, d'un geste de la voix, de l'harmonie qui se compose entre tout ça, d'une construction de l'espace objet et de l'espace sonore, d'une composition qui se déploie à la minute qui passe... mon souhait serait d'habiter un moment du présent qui se donne. 

Pour d'écrire mon travail créatif : il se construit sur deux axes de réflexion : le premier prend toujours en considération la relation à autrui, tandis que le second souligne et dénote les gestes qui opèrent alors en corrélation. L'autre être qui peut nous écouter, nous voir, nous sentir, nous parler, nous recevoir, nous montrer, nous donner... et à chaque fois je note, dénote, transcris les gestes, les actions... et finalement les histoires qui se construisent entre nous... pour ce faire mon travail s'appuie sur une production plastique, musicale, écrite, où la performance de l'instant présent livre aux souvenirs des traces aussi précieuses que les objets qui sont échangés. D'une simple conversation du regard, au partage d'une bulle de savon, d'un poème de la vie courante écrit sur les lignes de la main (ou le contraire d'un poème de la main écrit sur les lignes de la vie courante) à une parole en l'air, d'un prospectus à une mise en question taggée, d'un rêve illustré à une réalité décrite, je suis tour à tour Marchand d'idées, Marchand de sables, directeur du musée de la mémoire et de l'oubli, chercheur au centre de découverte des gestes inutiles et des actes sans conséquences, fonctionnaire au centre administratif de la vie par voix thérapeutique, démonstrateur au centre de soin esthétique, acteur avec la compagnie du temps, donneur de voix, prêteur de geste, poète des présents que l'on fait.



Alexey Logunov was born in Leningrad, Russia. He graduated in 2014 from Saint-Petersburg State Conservatory of Rymsky-Korsakov, where he studied composition with Vladimir Tsitovich and Gennady Banshchikov and was later assistant to Sergei Slonimsky. Logunov studied piano performance at Saint Petersburg Conservatory, mentored by Ekaterina Murina from 2016 to 2018. In 2020, he earned a Master of Music degree in Composition from the Indiana University Jacobs School of Music, where he studied with P. Q. Phan, Eugene O’Brien, and Tansy Davies. Logunov is now a doctoral student and associate instructor of composition at the Jacobs School.

Logunov’s compositions have been performed at numerous festivals in Russia and internationally, including From Avantgarde to Present Days, Children’s Earth, Sound Ways, reMusik.org, Musica Futura (Minsk, Republic of Belarus), New music-new reality (Ekaterinburg), Composer 2.0 (Yaroslavl) and the Midwest Composers Symposium 2019 (Indiana University, USA), Performing Media Festival 2024 (South Bend, Indiana) and SEAMUS@40 (Louisiana State University, USA). He collaborated with artistic groups “Musica Futura” and “Dialectic of Sound” from 2010 to 2011. In 2016, he participated in the “Roche Continents” program in Salzburg, Austria. The following year, he joined a concert tour of France’s Atlantic coastal cities as part of the Dinard Réunit les Jeunes Virtuoses festival. He was respectively a scholar of and a student of the X and XI International Young Composers Academy in Tchaikovsky-city and a participant of 2023 Splice Institute (Kalamazoo, Michigan).

PoseII: On the Shadows of Ideas (2013) - for Piano and Electronics

Anthony Tan