Swedish duo. We Still Don't Care 👩🏻‍🦰🪩👩🏽

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STREAM CLUB ROMANTECH 💚⭣
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Spotify: https://spoti.fi/2PMtzGb

'Back to Life' OUT NOW!
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Management:
Smiley Cleary - smiley@peppermintblue.com.au

Melbourne-based producer & DJ Marcus Santoro has spent over a decade carving out a distinct sound rooted in melody, depth, and evolution. From the early trance records that sparked his love for electronic music to the rich, textured landscapes of Afro and progressive house that define his current sound, Santoro has always been guided by one thing: feeling.

With millions of streams to his name and support from icons like Swedish House Mafia, Black Coffee, David Guetta, Diplo, and BLOND:ISH to name a few, Santoro is a standout name in Australia's dance music scene.

In 2024 he expanded his sonic palette with 'Nowhere', a collaboration with Nico de Andrea on Armada Music - followed by a reimagining of Opus III's 'Fine Day' with Nicky Romero under his Monocule alias on Protocol. Furthermore, his track 'Haunted' with Lohrasp Kansara via in partnership with MDLBeast and Resound Records gained global support from the likes of Adriatique, THEMBA, and BLOND:ISH.

Santoro's polished production has led to a celebrated touring history, including performances at Tomorrowland UNITE, Ultra Music Festival, headline spots at Marquee and Cafe del Mar, and hand-picked to support Above & Beyond on their Common Ground world tour.

In 2025, he dropped 'The World' on Abracadabra with Colombian duo Presi On & Renate, debuting in the Top 10 on Beatport's Afro House chart. With a distinct sound and global ambition, Marcus Santoro continues to cement his status as one of the most exciting rising talents in electronic music.

John Martin, the son of a stuntman was born and raised in the Southern suburbs of Stockholm, Sweden. He got his first guitar at the age 13 and formed his first band.  They played Nirvana cover songs and at the shows John usually wore a dress.

At home John sang Alice in Chains songs and his vision of life as a star grew stronger. Gradually, the covers were replaced by his own songs and the creative drive to write took over.

John worked for his family buisiness and played with his band during the weekends, performing at every bar and club that offered free dinner and drinks. However, a conflict of creative interest was leaving John with a feeling of being held back. The band was signed and after working on an album for several years the project was stopped by the record company.

In Spring 1999, John Martin performed with his rockband at a party in central Stockholm and Michel Zitron, an aspiring young songwriter and producer, attended the show. Afterwards they were introduced by a mutual friend.  It was ten years before John and Michel’s paths s crossed again.

A summernight in 2009, Michel Zitron who by now was an established songwriter/producer, was DJaying at a club in Stockholm. A drunk John Martin was in the crowd, having left his friends at the rockclub on a quest for housemusic. After closing time John and Michel ended up at the same underground club and were re-introduced by a former eurodisco artist. The duo discovered their common passion for melancholy, big melodies and clubmusic. They had a long conversation about the lack of sadness, meassages and stories in contemporary dance music.  It was decided that they should work together.

Their first songs emerged rapidly and were like prophecies from their own lifes. They realized that they were both at the same crossroads in life and musical soulmates.

Michel felt that John’s voice was bigger than the group he was currently playing with and after a number of long nights including a lot of wine, philosophy and debating about the meaning of life, they decided to make an album.

They both broke up with their girlfriends and locked themselves in the studio.

Grammy Nominated Composer and Technologist. I am a man that believes sound can change the world. I seek, I learn

用音樂改變世界
http://www.facebook.com/dingyifan0924

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