ATN007 - IUEKE -Tape 4 (ANTINOTE007)

Bongo Joe Records invites Cheb Chalet, specialist in music from the Caribbean and the Indian Ocean.

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Outsiders: Bongo Joe Records w/ Cheb Chalet @ Kiosk Radio 07.01.2026

Released 15th March, 2026

All music by Marco Guglielmetti

Mastered by Carl Saff

Additional recordings by Matteo Divo Simonin

Co-released by Osàre! Editions and Stanze Fredde Records

Cover art and layout by Monica Müller

Insert design by Stanze Fredde

Illustrations by Tommaso Leporale

Copyrighted by Mara Travella

Manufactured at intakt!, Berlin

Distributed by Rush Hour, Netherlands

Produced with the financial support of the Swisslos Fund – DECS Ticino

© 2026 Osàre Editions and Stanze Fredde
license
all rights reserved

[ OE 027 ] : Infesta - Abisso Blu (Snippets)

The beautifully unhinged "Kraut Cheap Tune" is like stumbling into a broken arcade in some lysergic hinterland where the machines have learned to improvise. A-Tweed strips away the usual constraints here, letting the tracks breathe and mutate across odd terrains, somewhere between krautrock's hypnotic sprawl and chiptune's glitchy nostalgia.

The Rome-based producer, known for his elastic approach to tempo and texture, opens up new space on this EP for Sketchy Lines Records.  Toulouse Low Trax delivers two takes on "Junk Foot," each one pulling the original into different orbits, while Kamoun's rework of "Dixan Cheap Tuning" offers another dimension entirely. Fresh dimensions indeed – this is A-Tweed at his most exploratory, and the results are properly compelling.

Out February 24th on Sketchy Lines Records: https://sketchylinesrecords.bandcamp.com/album/kraut-cheap-tune

PREMIERE: A-Tweed - KrautTxeepToon [Sketchy Lines Records]

Broadcast XI - Waswaas - Nightly Pollutions

Souzo present Ælthoran Architects with Lilli Zylka - 9 février 2026

minereed back to biardo records with new album called 1013.
17 steps jung industries is the blend of 3 different styles and moods, and here's why.
17 steps - is a track made from jam using tape loop of indian flute bansuri playing through moog dfam sequence, and of course one chant with personal lyrics written after argument with the partner.Then working on production, Nikita came across with two more parts to represent the movement of the personal argument. Tension, understanding and reconciliation.
1013 LP by minereed available on cassette tape and download format on biardo records bandcamp

🛒: https://biardo.bandcamp.com/album/1013
youtube: https://youtu.be/lJRLqRmXVts

https://soundcloud.com/minereed
https://soundcloud.com/biardo-records

follow Social Club:
instagram: www.instagram.com/44100hz_social
youtube: www.youtube.com/@44100HzSocialClub

PREMIERE | minereed - 17 steps jung industries

Silicon Scally and Fleck E.S.C. need no introduction at this stage. Both artists are veterans not just of Sheffield’s Central Processing Unit label but of modern electro as a whole, with the pair having decades of skin in the game at this point. Their new release, a four-track EP entitled Slip where Silicon Scally handles the first half and Fleck E.S.C. the second, carries itself with the adventurous confidence of a record made by masters of their craft.

Slip opener ‘Phased Array’ is exactly the kind of top quality machine-funk tackle you’d expect from this meeting of minds. The beat programming is deliciously tactile from the off, hissing and clanking like machinery in an old Detroit factory. The feel of ‘Phased Array’ is altered, though, when the chords come in, a series of alternating floating sounds which give the track an altogether eerier feel. When all of this is coupled with the otherworldly synth blurts that periodically force their way to the front of the track, the overall effect is a piece of real depth assembled by an expert practitioner.

‘Phased Array’ is followed up by ‘Stax’, another brilliantly propulsive number. Here we find the drum beat - one which is a little reminiscent of that Kraftwerk tune about the numbers, no less - once more offset by some decidedly more shadowy synth work, all while arpeggiated keyboard licks work against an intricate web of basslines, chords and unidentifiable flying synth tones.

Fleck E.S.C. opens the Slip B-side with ‘Good Ride’, a number where the nudge-wink title is borne out by a track built around looped snippets of sighing vocals. That said, with a bassline that sounds like a blurting old landline telephone, a ghoulish synth lead and all manner of motion-sick breakdowns, the ‘ride’ in question could just as well be a Wipeout-style whizz through hyperspace as anything more suggestive. ‘Good Ride’ also sets itself apart from the other joints here by showing off a swaying halftime breakdown.

‘Intox Remedy’, Slip’s closer, wraps the EP in a manner which continues some of the trends of the record’s earlier tracks - richly tuneful chords, precision-engineered broken beat drum programming and a wide palette of delightfully unusual synth tones are all present and correct. However, there is also something about the chords here which pares back the eeriness of previous joints for a bit more of a wide-eyed, stargazing feel, and as such ‘Intox Remedy’ sees the record out by placing the listener firmly back in the cosmos.

Tough enough for the dancefloor and intricate enough for home listening, the Slip EP is a fabulous collaboration from two of the most respected voices in the electro game.

RIYL: Cygnus, Maelstrom, DMX Krew, Jensen Interceptor

Slip

Silicon Scally - Fleck ESC - Slip

Buy Digital: https://music-from-memory.bandcamp.com/
© 2026 Music From Memory

MFMDIGI004

Johnny Sais Quoi - One Way To Say (Extended Edit)

As a natural continuation of the mixe's series vision, TDT now expands into a label with its first Various Artists release, conceived as a space of convergence.

The project explores the idea of a shared space where sonic paths from both peripheral and central scenes, anonymous and established alike, intersect. Each track brings its own flow and momentum, gradually shaping a collective landscape.

Kamoun opens the VA with a hypnotic cut, driven by intriguing sound design and razor-sharp dancefloor impact. Fluid Matter follows with a tense dubstep track, propelled by a devastating break and raw, physical energy. RAMZi then invites the listener into a slow, organic groove, drifting between downtempo and bhangra. Millia (member of acclaimed trio Purelink) closes the release with a track of masterful restraint and tension, where dub, ambient and trance converge with rare precision.

Together, these four tracks form a coherent narrative, a continuous journey that reflects the label’s ethos: to create a space where aesthetics meet, where emerging and established voices enter into dialogue, and where a collective reading of contemporary electronic music can take shape.

True to TDT’s DNA, the project prioritizes dialogue over accumulation: encouraging encounters, weaving shared narratives, and allowing artists to collectively shape a coherent body of work.

https://soundcloud.com/phubu
https://soundcloud.com/tourdetrance

PREMIERE⚡️RAMZi - bhangzilla [TDT]

TDT launches its label with Confluence Vol.01, a four artist Various Artists release arriving March 13, 2026. Millia closes the debut VA with “Year of the Buzz.”

Pre-order: https://tourdetrance.bandcamp.com/album/confluence-vol-01
More: https://www.orbmag.com/music

@tourdetrance
@milliamusic

ATN007 - IUEKE -Tape 4 (ANTINOTE007)

Antinote