https://soundcloud.com/killy44
https://soundcloud.com/bureau-b
🛒 https://orcd.co/saeko-killy
🔊 https://youtu.be/Ivksp7vU0bk

'Morphing Polaroids' is the debut album by Japanese born Saeko Okuchi alias Saeko Killy for Hamburg-based Bureau B. After moving to Berlin in 2018 Saeko Killy found herself in the orb of Club Sameheads, where she made herself known as a DJ and live performer After releasing her first EP "嘘みたいな世界で踊れ – Dancing Pikapika" with the label Chill Mountain from Osaka in 2021, followed a fruitful Jam session during the pandemic lockdown, resulting in the eleven titles collected together here for the album 'Morphing Polaroids ' produced by Brussels DJ and selector sofa elsewhere. The LP is a contemporary leftfield club sound, effortlessly combining elements of dub, post-punk and kraut with electronic beats.

Back in Japan, Saeko Okuchi started to learn the piano as early as four years old and at sixteen she started to play the guitar. Through her parents influences, Saeko discovered Jazz and Brazilian music. Visiting Techno-Parties in Tokyo awoke her interest in the spheres of electronic dance music. DJs who played renegade club music to the mainstream played an important part in that. Through those DJs, Saeko discovered artists such as Cabaret Voltaire and Throbbing Gristle, who greatly inspired her with their Industrial sounds. Driven by those impulses, Saeko Killy became a DJ herself. During her time travelling in Brazil, she played at Underground-Parties, organised by the artist collective VOODOOHOP in São Paulo. A context that showed free artistic expressions and broadened her horizons, both politically and musically.

Alongside DJing, different band projects in Tokyo and Berlin became her way of experimenting vocally. A Lo-Fi-Improv-Snapshot of her krautrock-post-punk-esque voice is found on the Vax!-EP (2021) by des Sameheads on the track "Die in Seconds" by the group "Automattenfall". To produce music herself, for her either English or Japanese lyrics, she began to experiment with Synthesizers. 

After the release of the first Saeko Killy EP (2021), the Belgian scene DJ and producer soFa elsewhere asked her to contribute vocals on his song "The Dream" ("All My Friends Are Witches", Planet Trip, 2022). The musical collaboration worked out so well that he invited Saeko for an improv Session at his home studio in Brussels:

"The whole process was started during the pandemic – I was very depressed at home and soFa pulled me out of Berlin to Brussels. So I can see through the songs, it was also a process to find my own fire again. The fire looked out but was actually still burning silently; looks changing, and morphing, but still there, coming back, again and again."

The meandering described by Saeko Killy during the production process is reflected in the album title as well as in the lyrics and sound of the entire record especially the lyrics to "Sun Shower" and "Intimate Flame” which describe the resurgence of her artistic vigour after it being dulled down and paralysed by the pandemic lockdown. The two found out that they complement each other delightfully and had much fun recording many tunes, from which this album came into being. This interplay virtually challenges the intuitively emerging lyrics. Almost rapped the voice becomes an instrument. 'Morphing Polaroids' casts a spell as psychedelic dance music, which unfolds its magic through a certain form of opposing disturbance, similar to the Japanese avant-garde.

Tracklist:

01. Confusion And Friction
02. Vitamin D
03. Belgium
04. Mars Rocks
05. Lullaby For Nightmare
06. Strawberry Flips
07. Alt!
08. Sun Shower
09. Red Moon
10. Intimate Flame
11. Insecure Drive

PREMIERE: Saeko Killy - Intimate Flame [Bureau B]

Errorsmith & Mark Fell - Protogravity
Format: 12" / DL
Cat.No: PAN 64
http://p-a-n.org/release/pan-64-errorsmith-mark-fell/

Errorsmith & Mark Fell - Protogravity (PAN 64)

whysomad?

2nd volume in Tolouse Low Trax's retrospective

OUT NOW

TOLOUSE LOW TRAX - WOODEN WORDS

“It’s not easy to be free, but it’s harder not to be”.These are the first words to Bad Woman, Céline Gillain’s debut LP on DRAMA.

I’ve never had that many difficulties writing a text for a release. There were easy ways of dealing with it actually, like isolating some of the lyrics and making aphorisms out of them that would have punctuated the text. I could have also wrote about her music with hackneyed words and glamorous comparisons with the likes of Laurie Anderson or Leslie Winer.

Maybe is it because it summons the influence of artists that have been crucial in our lives, maybe is it because of the ambition and the absolute sincerity emanating from this record, maybe is it also because of the utter contemporaneity of the record… but I feel stuck.

So I will only say a couple of things. If the idea of an LP following her debut 7″ on Lexi Disques gets you as excited as we were and still are, you won’t be disappointed by Bad Woman. The music on the upcoming album definitely is pop music, but in a disturbing, beyond « good » and « bad » taste kind of way.

It sometimes feel as if Bad Woman has been written by a former Pop diva that saw her expectations being shattered by life and now tries to make her come-back with a new album, influenced by what she believes to be contemporary pop music. The thing is, the result is a mutant blend of everything and anything that has been produced by the music industry these last 30 years, from Cher’s delirious come-back in the 1990’s to the most embarrassing moments in Dance music, and it rather sounds like a record that would have been written in a parallel universe.

That being said, Bad Woman tackles painful issues about our lives as individuals and society but with absolute elegance. After months of being the only one able to listen to it, no need to say that Zaltan & I are now extremely proud and happy to see this record coming to life. Thank you Céline for untrusting with taking care of your album.

OUT DECEMBER 2018 via DRAMA

Bandcamp

CÉLINE GILLAIN - IN THE ARENA (DRAMA2)

DJ Python - Derretirse
Dekmantel (DKMNTL067) - 12"
Release date: 10/06/2019

A1. DJ Python - Lampara
A2. DJ Python - Tímbrame
A3. DJ Python - Cuando
B1. DJ Python - Espero
B2. DJ Python - Be Si To
B3. DJ Python - pq cq

https://shop.dekmantel.com/release/6339

Enter a world of post-IDM, ambient and reggaeton, with a progression of deep synths, reverb, and percussion whose rhythms are born from the southern hemisphere. This is the world of DJ Python, a.k.a. New York based producer Brian Piñeyro, who also sometimes goes by Dj Wey, Deejay Xanax, and Luis. Making his Dekmantel debut with an extended EP of contemporary electronica, fashioned in his cult unique style, Python brings his deep-reggaeton style to the Dutch imprint.

With his first LP Dulce Compañia released in 2017, Python extended his cult status in the electronic music sphere with motives of ambient, and tropicale, all the time keeping his music deeply rooted in classic underground dance music. Along with a Breaking Through feature on Resident Advisor, an almost legendary appearance on Boiler Room — in which he ignited the room in Santiago with bellowing reverbs —, extensive touring, and a residency at New York’s Nowadays (healthy programmed by the team behind Mister Saturday Night), Python has dutifully snaked his way in today’s cult artist category. Making his next step with this six-tracker on Dekmantel, Python aggrandises his prestigious drum sequencing, merging the world’s of drone-driven electronica, cerebral synths, and steely out-of-this-dimension-dancehall.

The EP’s pening track 'Lampara' snakes and twists, like a rugged 90s London broken-beat, electronic exploration, evoking nostalgic feelings a la Boards de Canada. The retro aesthetic flows through with second track 'Tímbrame', where the tropical reggaeton percussion floats through wafty, deep synth melodies and chimes, like a vibey, emotive, come-down, get-down, post-party dancefloor filler. 'Cuando' steps up a gear, as the digital percussive rhythms go into overdrive, while 'Espero' goes all Gaussian, by offering a transportive, meditative expression. 'Be Si To' pulses into full Phython territory, chops-and-cuts-and-slices across a sleuth of Warping, proto-drones. The record’s final track 'pq cq' is a singular question mark about darkness, feeling, and trans-dimensional thinking, as the track shifts in-between kicks that feel one and the same between past, present, and the dub.

DKMNTL067 // DJ Python - Derretirse

Sign Libra "Sea of Nectar" 
From Sea to Sea

Learn more here: http://smarturl.com/seatosea

Sea to Sea

Sign Libra - Sea of Nectar

What is in the Museum Of No Art? Not paintings, but visions. Not sculptures, but empty spaces full of potential. It is within this inverted gallery that Mona Steinwidder traces fabulous forms with voice, sampler, synthesizer, clarinet and effects. Under the moniker Museum Of No Art, she has created an album that floats in a hazy lacuna between realities, rooted in propulsive and deep bass resonance, but also footloose, playfully deconstructing language and mixing in layers of echoing synthetic and organic tones. The fascinating result of these unfettered experiments resonate as an imaginary cadavre-exquis played by DJ Screw, Arthur Russell, Hiroshi Yoshimura, MJ Lallo, Poppy Nogood, and Laurie Anderson.

With a background in fine art and music, over the years Steinwidder has created and released music under the pseudonym Mohna, as part of the experimental pop band Me Succeeds, and collaborates with composer Alexander Schubert and electronic dance music producer Christian Löffler. Recently, shifting her focus more on improvisation and experimental music, she moved to Vienna for six months to concentrate on experimenting with synthesizers, samplers and voice. Her intention was to build a “playground” that would leave space for improvisation and allow for a meditative and intuitive process. This solo exploration allowed her to return home with a new way to play.

“I like this idea of an open and light structure that can grow and transform and leaves space in all directions. Something without a clear beginning and ending. A rough, short note. Today I’m in the mood to sing, but tomorrow I might be in the mood to just float on an ocean of synths or to play a solo on my clarinet. I am a never-ending process and I am many. The Museum Of No Art album is a collection of days and moods, images and circumstances I experienced and immediately recorded in the last year.”

Limited edition of 200 LPs with risograph printed artwork.

Tracklist:

A1 La Grotta (5:39)
A2 Fabulous Youth (8:06)
A3 Minimal Default on a Clear Blue Day (3:33)
A4 A Melting Tree (2:30)

B1 Form and Focus (4:48)
B2 Eternal Explorer (3:31)
B3 A Nameless Person Tries to Describe Herself (3:10)
B4 Three Years Later (The Formation of a New Animal) (5:14)
B5 Subconscious Message (2:26)

Release date: July 17th

BUY Vinyl: https://www.seance-centre.com/shop/museum-of-no-art-s-t
BUY digital: https://museumofnoartsc.bandcamp.com/album/s-t

Museum of No Art (23SC)

Museum Of No Art -  Fabulous Youth (23SC)

Angel Tears in Sunlight

Marking Time

Extended Edit. 

Group - GT Modell
Release Title - G.T. Modell
Format - LP
Label - Modulation Records
Country - Netherlands 
Released - 1983

GT Modell - We Wont Let You Down - Netherlands 1983 (Swarm Edit)

In August of last year Amsterdam-based label Wake Dream began life with an inaugural release from Levels and International Major Label alumni Ruutu Poiss. Made up of three tracks, the EP acted as a prelude to his first LP titled Palav Aed, which is now ready to be released into the world.

Recorded in various home studios over a seven year period between 2012 and 2019, the 10 tracks on the album revolve around the same equipment set up, adding a timeless quality and helping to bring the release together as a coherent whole. Across the LP he welcomes us into the sonic world he's carefully crafted over the years, drawing from and referencing the melodic, harmonic, psychedelic and synthesized to chronicle his far reaching talents as a producer and musician.

CÉLINE GILLAIN - IN THE ARENA (DRAMA2)

Antinote