This is a re-recording of the Song "Time changed everything" without background noises.

Hope you enjoy it.. =)

Nyctalgia- Time Changed Everything

train to elsewhere

La Vie Sentimentale

Reunion

Leaving

Pre-order the album on CD and digitally now at: http://antonymes.bandcamp.com/album/for-now-we-see-through-a-glass-dimly

Hidden Shoal is proud to announce the release of ‘Towards Tragedy and Dissolution’, the stunning new single by acclaimed neo-classical ambient artist Antonymes, taken from the forthcoming album "(For Now We See) Through A Glass Dimly".
 
Sonically minimal yet emotionally formidable, ‘Towards Tragedy and Dissolution’ features the stirring string arrangements of James Banbury (The Auteurs) and Christoph Berg (Field Rotation), which engage in reflective conversation with Ian M. Hazeldine's plaintive piano. Its emotional potency and compositional dexterity draws you into an evocative world, demanding engagement.
 
In addition to James Banbury and Christoph Berg, "(For Now We See) Through A Glass Dimly" also includes contributions from composer Stefano Guzzetti, Joanna Swan (Ilya) and writer Paul Morley. Mixed by Stefano Guzzetti and Paul Humphreys (OMD), and mastered by Rafael Anton Irisarri (The Sight Below), the album’s depth of sound is awe-inspiring. It is released by Hidden Shoal on 21st April 2016.

http://www.hiddenshoal.com/project/antonymes/

This music is available for licensing. Email Cam at Hidden Shoal for more details: cam[@]hiddenshoal.com | www.hiddenshoal.com/licensing

Towards Tragedy And Dissolution

Another Sunday piece, when everything is shimmering and still... If you like this, check out my mini-album on  1631 Recordings, titled "Unhinged" : https://1631recordings.bandcamp.com/album/unhinged

Mike Lazarev - Sunday

A new piece from my upcoming new LP 'ELASTIKANIMAL'.

Out in May, 12th on 1631 Recordings.
www.facebook.com/1631recordings/

Feat.
Laura PRIEU - Violin
Aude FADE - Viola
Emmanuelle BACQUE - cello
Romain COLAUTTI - Double Bass
Stéphane GARIN - Vibraphone

Recorded & Mixed by A.BRUNET at CELESTINE RECORDS
www.celestinerecords.com/

Mastered by JC PANIZZA at CLIMAX MASTERING
www.climax-mastering.com/

Contact Press officer:

Nicolas FAVIER
e-mail // communication@la-centrifugeuse.fr
Phone number // 06 34 06 21 09

Les Lointains

Closer, Still

Sans Souci

Third track of Manos Milonakis's remix release "Sólfar Reworked" by:

Luke Howard (www.lukehoward.com , @lukehoward) : 

Australian Music Prize-nominated composer Luke Howard has been described as “absolutely heavenly” (Mary Anne Hobbs, BBC Radio 6) and his music as “an ambient masterclass” (Musos’ Guide), but no words can fully capture the potency of Howard’s enthralling compositions. A pianist since childhood, Howard has scored films and performed with artists as diverse as Lior and Jeff Mills, capturing audiences with contemporary classical arrangements that curl and twist around the boundaries of a particular emotion. Though wordless, Howard’s songs perform a function unique to music as a medium – that of evoking without describing, bringing listeners to a feeling which defies articulating. 

Now signed to UK label Mercury KX (Lambert, Olafur Arnalds, Solomon Grey) and joined live by drummer and collaborator Daniel Farrugia, 2017 has Howard working across several projects: arranging the keyboard works of photographer William Eggleston, a pioneer of colour photography; a European tour beginning in the UK and ending with a performance at Germany’s legendary Elbphilharmonie; and a new record. 

Howard is one of Australia’s foremost practitioners of contemporary classical music. Having already accomplished so much and with more on the horizon, he is set to captivate audiences worldwide.

---
Celebrating Record Store Day and given the occasion of Sólfar EP’s 1st anniversary, Manos Milonakis invites friends, composers and producers to rethink-reimagine its’ 5 tracks. Sólfar EP was Manos’s second solo release, after Your Hand in Mine, which he recorded in Iceland with contribution of local musicians.

The 5 pieces of Sólfar EP have been reworked by:
Steve Gibbs, Fragile Balloon, Luke Howard, Hior Chronik, Ed Carlsen.

Sólfar Reworked is out worldwide on 22/04/2017, Record Store Day 2017, in limited handmade CD edition and digital.

You can find it at:
Thessaloniki: Lotus, Noise, Stereodisc
Athens: Underflow
Worldwide: www.manosmilonakismusic.com
Digital release: https://manosmilonakismusic.bandcamp.com

Sólfar Reworked

Ten (Luke Howard Rework)

Afterlight

Antonymes : In Formation

Antonymes music emerges from the adjustments and erasures of ambient, the pace and persistence of minimalism, where music expresses nothing but itself, from the serenity and austerity of Morton Feldman and the profound prettiness of Harold Budd, from the relationship between continuity and repetition rather than of contract and interplay, from secrecy, from quietness, from pause, from thought, from emptiness, from time, from far off, from itself, from where it is set and where it is setting off to.   
 
“My chief aim is to make a piece of music. You make it for yourself firstly, and then if other people want to join in, then there we are.”
 
Antonymes makes music at the edge of, and deep inside, and from above North Wales, which you can think of as a very real place, available to be visited at any time in the solid present, and also as a very strange, fantastic, ultimately unreal place, which is all it has ever been, legend, spirit, mist and fluctuating stillness stretching back to a time and place where it was seemed like the beginning of a dream, one that would always become another dream, and another, and so on. It’s worth mentioning that Antonymes is of North Wales: to take an approach to the music understanding the location where it was made up and produced, to approach the music as if it is the beginning, or the end, of some kind of map, that will take you up mountains, across streams, to the sea, where the tide comes in, and the tide goes out, under the waves, through the woods and into the obscure wilderness that stretches between one patch of land and another, between one village and the next. So: Antonymes, of North Wales, recalling the lines of the great North Welsh poet RS Thomas, “to live in Wales is to be conscious at dusk of the spilled blood that went into the making of the wild sky, dyeing the wild rivers in all their courses.’
 
Formed at some point during 2008 by designer, photographer, conceptualist and musician Ian M Hazeldine, as a group that could contain just himself, and others when it seemed appropriate, Antonymes first album was titled ‘Beauty Becomes The Enemy of the Future’. Released initially on David Newlyn’s Cathedral Transmissions label in December 2009, and as a self-published book in spring 2010. A second 2010 release, ‘31: Before The Light Fails’, was released as a digital download and as a special box, an edition of one, containing music and photography, representing Antonymes fear and suspicion of the herd mentality. The piece consisted of two tracks to be played simultaneously in separate rooms. One review described the work as “a daring and inspired exercise in creating a timeless work of art.” Various pieces by Antonymes have appeared on compilations produced by Soundcolours, Dezordr, Cathedral Transmissions and Audio Gourmet.
 
Antonymes music is made up, something coming from nowhere, with no clear sense of what might happen next, and yet a vague sense of what might happen after that. It begins at the piano, where notes, space and intention, and something of the soul, and the mind catching itself combine over time, until a shape appears, which suggest other shapes, and lines, and something else, an anatomy, the lateral spread of a single surface, and a shadow or two. A composition, the result of a mystical sequence of events involving improvisation, imagination, presentation, communication, intuition and manipulation, has been completed. It is the improvisation, certainly, more of Pauline Oliveros, Terry Riley, Alvin Curran and La Monte Young than jazz, the patient, probing occasionally accidental forming of structure, tension and atmosphere around spontaneity and a form of focussed daydreaming, which is a near relation of a form of praying.

Paul Morley, January 2011.