Piotr is a polish composer and orchestrator for games and films. Currently working on Frostpunk 2 and The Alters.

Previous games:
Frostpunk
Diablo IV
The Witcher 3: Wild Hunt - Blood and Wine
This War of Mine
and 30+ more.

Also additional music or orchestration for film and tv series:
Night at the Museum: Kahmunrah Returns
Leonardo
Penny Dreadful: The City of Angels
Forgotten Love
and more.

If you want to get in contact with me please mail me: gabykoss@hotmail.com
As seen with Haggard, Equilibrium, Nota profana and orchestra, Diabulus in Musica, Dominia, Diskelion, Dunkelschön, and many other bands .. on stage and CD. Look at Discographies (CDs/DVDS) on http://www.gabykoss.com/?cat=15 
 
I am a singer and studio vocalist, trained and studied at the University LMU subject: Soprano (high Soprano) but also I have had lessons with for example a black Jazz-Gospel-Pop singer (Roberta Kelly - Lady Bump, Fly Robin Fly) and also I have a lot of studio experience because of many projects and band recordings and also movie and advertisement. I have developed some singing styles and technics to create different "voices" right now I am into singing lessons with my teacher being a Tenorina (female Tenor).

 With my ensemble for old music and celtic I have experienced a lot of Medieval, Renaissance, Barock but also Celtic/folk and sepharidc, Ethno. oriental /jewish songs what I try to interpret with different ethic sounding vocal-technic. 
So very often I got told that my voices do not sound similar when I do different voices like Popstyle or Sopran or Tenor as they have different timbres and colours. As I have a range of 4 Octaves it is also no problem for me singing deep with dark couloured voice, wht is good for choir recordings. 

I was guest and member of a lot of different styled ensembles and bands of different genres on stage, concerts and tours (from Big-Band to Jazz to Rock and Metal, for example orchestral symphonic claissic background bands like Haggard, Equilibrium, Nota Profana (musicans of the famous Simon Bolivar Youth Orchestra with their conducter Gustavo Dudamel - very known in the classical scene) and a lot more bands..) , recordings and also on stage, as well with opera productions and have worked in choirs and orchestras and also in the state opera in Munich. 
Also I have founded a international ensemble of old music and celticfolk what playes all the coulours of the different musicbackgrounds of the pariticipating members. From Medieval to Barock from oriental styled to jewish influences. 
I have allready worked with composers in the past from England, Spain, Germany, Japan and Russia and many more  and I recorded in studios a lot of different musicstyles for projects, bands and ensembles and I paricipated on many CD Productions with my voice. 
If you do not have time: https://soundcloud.com/gabykoss/sets/medley-cinematic  (Epic, ethno, cinematic, soundtrack & trailer examples)

I have my own home recording studio (cubase/Neumann/) but I tend to record in the studio with an educated professional studio technican in the Helionstudios (they have mix/mastered the DVD of the Live concert of Ennio Morricone in Munich). I am manily a singer also with stage/tour experience and not a technical trained recording technican/specialist as they have 20 years of experience. This means no higher prices as I am much slower at home recording then recording in the studio ;-) plus I am always open for nagotiations for different conditions.

My happiest  moments are when people feel touched with my imterpretation and the decided  voice-style and as voice is such a matter of personal taste I can not be expecting that everybody likes what I am doing and for sure I am not perfect.. the more as I am trying to do so many different voice styles in a big range from trying to use also different frequences when I sing in tenorina style to ethnic,-gospel-jazz-sound, to chanson-breast-voice, over to pop-musica-belting, breathy breat or headvoice , to light-strong-without vibrato folk to classical technic. Not concentrating on one style means never to be perfect but I love all styles..:-) but I try my best to give all my feelings also into the necesarry dynamics  :  piano, forte, mezzoforte , crescendos, decrescendos, legatos or staccatos ! :-)

Songwritter | Soundtrack Vocalist ❤❤
Lara Ausensi is a versatile Spanish soundtrack vocalist with a wide range and the ability to sing in various genres and languages; she’s equally skilled in writing music and lyrics and performing even fictional languages created by herself.

Lara’s voice is prominently showcased in the highly acclaimed vocal libraries “Forest Kingdom 3”, “Shevannai, the Voice of Elves” (both by Eduardo Tarilonte) and “Atlantis 3” (by Stefano Maccarelli). Both Shevannai and Forest Kingdom are libraries that have received the seal of approval, being used by Hollywood composers such as James Newton Howard, Neal Acree, and David Arkenstone. After several successful years, Shevannai received the Gear of the Decade award for best VST (virtual library) at the end of 2019.

Her hauntingly ethereal and ethnic-inspired stylings can be heard in all of Iván Torrent’s albums (Reverie, Immortalys, and Onyria). She has also contributed to major themes in the Out There videogame franchise, Sword Master Story, Sym. Bios: Torn Asunder, and The 7th Guest VR. 

Lara partnered closely with Dutch producer Jan van der Plas, as a translator and vocalist, launching the pop Mini-Disco project Peuterplaat, sung in Spanish.

Lara has also lent her talent to independent films such as Broken and Mon Oncle, collaborating with ambient producers like Aaron Marshall, Sid Barnhoorn, and Michael D. Tidwell.

In mid-2023 the cinematic trailer for the ESO Necrom chapter and the avant-garde project “Vocalese” were released alongside composer Jo Blankeburg.

She recently released the cinematics for the video games Honor of Kings ( with Jean-Gabriel Raynaud) and Star Citizen alongside composer Pedro Camacho.
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**If you need vocals [+ lyrics] and you are interested in a collaboration for your project, please contact me for availability/schedule/budget, Thank you!**
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Follow me on Instagram for more up-to-date content! @laraausensimusic
Also on Spotify :)

Download my music at Bandcamp, iTunes, Amazon and Youtube Music, listen to my newest songs on Spotify and check out my latest updates on Facebook (links below)!

I make epic soundtrack music mixed with ethnic, folk, medieval and electronic instruments for some very unique sounding stuff. My music is usually very melodic, rhythmic and simple yet very diverse.  I absorb my artistic inspirations mainly from video game and movie soundtracks. Some good examples include Future World Music, Two Steps From Hell, Koji Kondo, Jeremy Soule, John Williams and Hans Zimmer. Remember to share this page with your friends if you enjoy the music! And even if you don't.

Have a question about the song usage, licensing, commissions or the software I use? Check out my official home page in the links below.

Composer & Songwriter - Collecting sounds around the world. http://maxll.ca

Downloads: http://music.maxll.ca
For licensing: http://maxll.ca/contact

Hello! I was born in Barcelona in 1991, and studied classical guitar until 17. At that age, I left regulated musical training and got into folk and symphonic music, self-taught, and into the world of samplers and mixing. I studied Multimedia and Soundtrack Music Production, and finally, I went travelling and realised that what I like is to travel, learn stuff, and use it to be more creative when I come back.

Mattia Turzo is an independent Composer/Pianist  who creates Orchestral Epic Musics.

*** You can NOT use my music for commercial purposes unless you buy a proper license for it. However, you can still use my music in your youtube videos but you won't be able to earn from it***

Youtube 1st Channel : 
https://www.youtube.com/MattiaTurzo94

Youtube 2nd Channel : http://www.youtube.com/MattiaTurzo2nd

Website : 
https://www.mattiaturzo.com/

Facebook Page :
https://www.facebook.com/MattiaTurzoMusic

Antti Martikainen is following