Who wants to hear traffic and TV's, doors, clatter and neighbours? So, of course, I went for subdued natural sounds, and found the end result a little foreboding. 
Is there a message in it? Will the sunrise ever come? Look to the east, and be thankful.

Approx. 5 sec grabs taken from "One Minute Alice Springs" and "Third night of rain" were manipulated to fill the 60sec frame: time stretch, filtered reverb resonance, delay lines and the usual kit... This was sat alongside longer takes from "Spin Cycle" (for rich bottom end noise drones and white noise extracted as breathing) and "One Minute Alice Springs" (to restore the natural landscape somewhat).

Thanks to:
https://soundcloud.com/hightunnels
https://soundcloud.com/benn-demole
https://soundcloud.com/tuonela-1

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Disquiet Junto Project 0163: Layering Silence After Midnight
The Assignment: Create a new late-night ambience with sounds from a handful of pre-existing field recordings.

This project is the second in what will be an ongoing occasional series that focus on late-night ambience. Collectively these nocturnal endeavors are being called “One Minute Past Midnight.” No one’s work will be repurposed without their permission, and it’s appreciated if you post your track with a Creative Commons license that allows for non-commercial reuse and sharing.

The steps for this project are as follows:

Step 1: Revisit project #0160 from January 22, 2015, in which field recordings were made of the sound one minute past midnight:

http://disquiet.com/0160/

Step 2: Locate segments that are especially quiet and meditative — and confirm that they are available for creative reuse. Many should have a Creative Commons license stating such, and if you’re not sure just check with the responsible Junto participant.

Step 3: Using segments from three different tracks from the January 22 project, create a new work of sound that layers the pre-existing material into something new, something nocturnal. Keep the length of your final piece to one minute

Step 4: Upload the finished track to the Disquiet Junto group on SoundCloud.

Step 5: Be sure to include link/mentions regarding the source tracks.

Step 6: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the early evening, California time, on Thursday, February 12, 2015, with a deadline of 11:59pm wherever you are on Monday, February 16, 2015.

Length: The length of your finished work should be one minute.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0163-layeringminutes” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 163rd Disquiet Junto project — “Create a new late-night ambience with sounds from a handful of pre-existing field recordings” — at:

http://disquiet.com/2015/02/12/disquiet0163-layeringminutes/

More on the Disquiet Junto at:

http://disquiet.com/junto

Ēostre's Cradle [Disquiet Junto Project 0163: Layering Silence After Midnight]

Hi, friends! My name is Nata. I live in Moscow / Russia & want to make the PLANET BAND!

https://soundcloud.com/crazycompass/sets/poetry
https://soundcloud.com/crazycompass/sets/universal-songs 

&

Song-project https://soundcloud.com/jasny-svetly 
World-live https://soundcloud.com/crazycompass-live 
Moscow-live @StateLibrary
Home-live @assembly-of-honey
Solo @GlassBeadGame

POP | SPACEROCK | VAPORTRAP | TRIP-HOP
AMBIENT | EXPERIMENTAL

the PERSON, the SOUND : Since 1985, Philadelphia-born Michael has composed and released hundreds of audio recordings, and published dozens of [erotic] poems.

His 'sonic-sojourn' began suddenly when he was just a teen -- feet splashing rhythmically through puddles leftover by a seaside rainstorm. Having just parted ways with the then-love-of-his-life, Michael composed his first ballad [and first song] ever -- "Tina." He rushed to his beach-side home to record his visceral 'awakening' on a tiny micro-cassette recorder, and vowed -- from that day on -- to create art for the rest of his life.

He began zealously amassing used music equipment, and had built a modest home recording studio by age seventeen, all the while crafting simple pop, ambient, and experimental works that HE had wanted to listen to -- that HE had wanted to hear, affectionately emulating the works of his then-idols, Duran Duran and Brian Eno.

Now, decades later, he has relocated to a small village outside Atlanta, Georgia, and continues to voraciously attend to his dream as a young, heartbroken boy -- to create and release music that he, himself, wants to hear.

Although no longer sequestered to pop and ambient musics, Michael's signature sound has merged the two, having integrated the R&B, hiphop, and psychedelia he has grown to love as a older gent -- having absorbed the edgy rhythms and dreamy soul of the southern United States (Atlanta and Miami).

Michael still puts forth ample amounts af ambient musics, but his recent 'sound' hovers elsewhere -- somewhere amidst the genres of vaportrap, spacerock, and trip-hop.

-+-

the INFLUENCES : Duran Duran, The Weeknd, Blondie, Depeche Mode, Billy Idol + Steve Stevens, Stone Temple Pilots, Dead Can Dance, Siouxsie & The Banshees, This Mortal Coil, Air, Naked Eyes, Tears for Fears, Alice in Chains, John Barry, Leslie Bricusse, The Chameleons [UK], Brian Eno, The Cocteau Twins, ABBA, The Bee Gees, Claude Debussy, Frederick Chopin, Guillaume de Machaut, Early Music, Renaissance music, Baroque music, and Joe Meek.

- + -

#duranduran #theweeknd #blondie #depechemode #billyidol #stevestevens #deadcandance #siouxsieandthebanshees #air #tearsforfears #johnbarry #lesliebricusse #claudedebussy #mauriceravel #frederickchopin #eriksatie #brianeno #thecocteautwins #abba #beegees #joemeek #chameleons #octoberproject #patbenatar #haroldbudd #lindseybuckingham #nakedeyes #aha #ceefarrow #omd #thismortalcoil #stonetemplepilots #aliceinchains #baroque #renaissance #earlymusic #theweeknd #skeler

Working within the very limited confines of GarageBand on my iPad.

Working in mixed media...fieldrecordings, analog soundgenerators homemade "tossekasser" creating soundscapes, a,bi & non tonal pieces with or without instruments. Graduated with a degree in (electric) guitar from the Carl Nielsen Institute in Odense, Denmark in 2000.
Masters degree in Electronic Music Composition from DIEM, Aarhus Denmark
Work among others with Acustic Laptoist Tore Honore Boe - saxophonist Peter Brem, soprano Ge-Suk Yeo, poet Richard J. Rizzi, Thomas Jakobsen, drums






I create Ambient, Electronic, Jazz Fusion, and Blues music - sometimes melding any of those forms together. Instruments, field recordings, a rare voice, writing code, and whatever else might sound cool are used.

Sketches from England's bleakly industrial biomechanical heartland.

Come with me now to the subconscious borderlands of sleep and wakefulness.  Explore the sensory phantasmata of hypnagogic dreamlets.  Feel static-like frisson sensations tingling down your spine.  Join me on the journey into the heart of etherCore.

Looking for missing tracks?  Check out my Bandcamp http://pytchblend.bandcamp.com/

All tracks are copyright; to include on your set, show, or production please get in touch.

Sometimes broadcast on RTÉ lyric FM's Nova show (Ireland), Berlin​ Community​ Radio, Beatnikradio (also in Berlin) and Radiophrenia (UK).

Apocalyptic Trash Rock. 

Disquiet tracks are a weekly assignment with specific restrictions.    disquiet.com/junto

Peepingtomb@gmail.com

I began making noise music back in 2004, when living in an apartment in Brunswick, Maine. My neighbors complained about my punk band practicing there, so I switched my focus to editing audio with Windows sound recorder. My first few albums, consisted of nothing more than layering, reversing, changing speed, and adding echo to recordings I made with a computer mic.

Since then I have switched to slightly more sophisticated DAW, and have adapted my work to live applications. My focus has centered more on ambient and drone music, incorporating the bass guitar and kitchen utensils (most notably the whisk). But I continue to layer and patch these pieces into sound collages. 

Over the years I have branched out to playing more shows, including an east coast tour, and some Northeast festivals (Xfest and Frantasia). I have worked with a number of labels including Forever Escaping Boredom, Genetic Tapes, and Classwar Karaoke. I am proud to have shared bills with id m theft able, Crank Sturgeon, Tashi Dorji, Jaap Blonk and many more. 
I now live in central Vermont with my partner Stephanie and daughter Amelie. 


“One can only arrive at the experience of the transcendental – if it is reached at all – when one is oneself in a position of un-knowing, that is, of humility; namely, while remaining in the world of technê he or she begins to venerate a certain kind of experience, acquires it, makes it one’s own, realizes it, sustains it, repeats it – without burdening its sense, its essence with its own great questions.” - László Krasznahorkai, “The Acropolis in Sunglasses”

" Nettles (Urtica species) are shrubby weeds covered in fine stinging hairs. The opposite leaves have toothed margins, and the sprays of tiny flowers are greenish and unattractive. " - Tim Low, Wild herbs of Australia and New Zealand.
It remains to be seen exactly what relation this bears to the composition and interpretation of music.

Ēostre's Cradle [Disquiet Junto Project 0163: Layering Silence After Midnight]

aPatchofNettles