Very nice and chilled music. The transitions are great, too. And the idea is simply excellent. As a child, I had a very good math teacher who explained to us that there's math EVERYTHING. And then there was "Gödel, Escher, and Bach" by Hofstadter. :-)

Numbers never sounded so blissfully good to the ear!

Купальська ніч і порнофілософія

Half Ground

Heart of the Desert 1040

Right Where I Want To Be

Guitars, Bass, Keys and Vocals by Robert Grigg

Master Plan


You're in the driveway
You were coming my way
On a Friday night
My little speed train
Could you refrain
From risking your life

But I feel you
When I'm not near you 
All the colors fade to light

But when you're here in my arms
Everything is true
When you're here, I tell my heart            
You can finally settle down, finally settle down

I know no other
That pulled me under
Quite the way you did
I feel I'm drowning
Though I'm counting
When I can pull you near

I want to feel you
When I'm near you
So the colors can burn more bright

But when you're here in my arms
Everything is true
When you're here, I tell my heart            
You can finally settle down, finally settle down

There is no reason for hiding anymore
No more mournful waves at my door
No sounds of your needing or me desperately pleading
Just our hearts as they go                                      
Bump bump buda bum
Bump bump buda bum                                  
Bump bump bump

But when you're here in my arms
Everything is true
When you're here, I tell my heart            
You can finally settle down, finally settle down
          
Finally settle down, finally settle down          
Finally settle down, finally settle down
Finally settle down, finally settle down now

Here

◉ Follow Magdalena Meisel:
@magdalenameisel
Malovana website : https://malovana.eu/

Carmen Frida Magdalena

Vocal : Magdalena Meisel
Music : Magdalena Meisel, Jarosław Toifl
Lyrics : Krzysztof Wartak, Lizoń Sylwia
Producer/publisher : Krzysztof Wartak, Malovana

Inspiration: Carmen Frida Magdalena – This piece reflects Frida Kahlo’s internal struggle with self-perception, struggling with deformities and pain. Although she saw herself through the prism of a monkey, others saw her extraordinary beauty and creativity. The question of whether we look at her “without disgust” refers to her desire to be seen through the prism of her talent, not her physical limitations. The lyrics speak of how Frida, despite her difficult life, was able to find joy in her art, transforming pain into works full of symbols. She became an icon whose work gained worldwide recognition, despite her origins at the time from a small city district.

Inspiracja: Carmen Frida Magdalena – Utwór ten odzwierciedla wewnętrzną walkę Fridy Kahlo z postrzeganiem siebie, zmagając się z deformacjami i bólem. Choć widziała siebie przez pryzmat małpy, inni dostrzegali jej niezwykłe piękno i twórczość. Pytanie o to, czy patrzymy na nią „bez odrazy”, odnosi się do jej pragnienia bycia postrzeganą przez pryzmat jej talentu, a nie fizycznych ograniczeń.
Tekst mówi o tym, jak Frida, pomimo trudnego życia, potrafiła znaleźć radość w swojej sztuce, przekształcając ból w dzieła pełne symboli. Stała się ikoną, której twórczość zdobyła światowe uznanie, mimo jej pochodzenia wówczas z małej dzielnicy miasta.

Słowa:

Czy to ja, czy też moje odbicie.
Dlaczego właśnie takie mam życie.
Lustrzanie postrzegam kobiety
Patrzę do wnętrza, stalowe pręty
Odrywam ciało od mej duszy
Spójrz na mnie bez odrazy
Może coś Cię jednak poruszy.
Obserwuj , na mojej twarzy

Ref.
Carmen, Carmen, Magdalena
Frid, Frida , Calderon
Carmen,Carmen, Magdalena
Frida, Frida, Calderon.
Carmen, Carmen, Magdalena
Frida, Frida, Calderon.
Carmen, Carmen, Magdalena
Frida, Frida, Calderon.

Nie jest jej po drodze z miłością.
Twarzy lustra odbicie jest radością
Symbolami znaczony demon
Światu prezentuje Frida Kalon

Moje oblicze czy małpy odbicie.
Troskliwa, kobietę skrywa.
Cierpienie, na nogach słania.
Czasem, długie naprawia rozstania
Odrywam ciało, od mej duszy
Spójrz na mnie, bez obrazy (dograć zmianę)
Miejsce, ciało, umysł, czas, otoczenie
Wszędzie masz szansę na nie zapomnienie

REF
Carmen, Carmen, Magdalena
Frida, Frida, Calderon
Carmen, Carmen, Magdalena
Frida, Frida, Calderon.
Carmen, Carmen, Magdalena
Frida, Frida, Calderon.
Carmen, Carmen, Magdalena
Frida, Frida, Calderon
Carmen, Carmen, Magdalena
Frida, Frida, Calderon.
Carmen, Carmen, Magdalena
Frida, Frida, Calderon.
Carmen, Carmen, Magdalena
Frida, Frida, Calderon.
Carmen, Carmen, Magdalena
Frida, Frida, Calderon.

Malovana : Estrado

Carmen Frida Magdalena

Perfect Day [Lou Reed Cover]

Math and music are supposed (or suspected?) to be connected some way or another. Dive into music theory to learn more ... Anyway, math and poetry go together well too, just look at Leigh Mercer's limerick “A Dozen, A Gross and A Score”. 
I had 'em all three at my workplace for a nice collab ... 

dozen

The Unrequited King

All music, written, arranged, mixed and mastered by Tobias Wolf.

Tobias Wolf - Bass, Guitars, Vocals 
JP Geoghegan - Drums
Claude Raines - Kets (Piano, E Piano and clav)

Free Download

Holding On

Being musician and artist "since ages", the last two decades and all the developments in digital music broadened my interests and activities in doing music actively and passively. Not being shy of any genre (OK, leave off some Punk and Extreme Metal derivates) I engage in composing, arranging, mixing and collaborating. 

Oh, and I do all my artwork and designs as well. And as you may notice I regard AI as a friendly helper.

Have a few looks & listens into my repertoire and eventually gain some insights. I'm always open for collabs if the the interests match ...

dozen

APi_ZZ

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