Remix of MedusaMoon/Melissa's https://soundcloud.com/melissa-steyn-209971832/dragonfly-in-flight with her friendly approval.

Dragonfly

Being musician and artist "since ages", the last two decades and all the developments in digital music broadened my interests and activities in doing music actively and passively. Not being shy of any genre (OK, leave off some Punk and Extreme Metal derivates) I engage in composing, arranging, mixing and collaborating. 

Oh, and I do all my artwork and designs as well. And as you may notice I regard AI as a friendly helper.

Have a few looks & listens into my repertoire and eventually gain some insights. I'm always open for collabs if the the interests match ...

.....   KillaSoundBoy   ..... 

aka KSB aka Natty Rebel aka "TheSoundArchitekt"  

   -Composer/Beatmaker/Selecta/Producer-

   -ELECTRO DUB SYSTEM // FUTURE DUB 
    JUNGLE DUB // FUNKY DUB // REGGAE MUSIC-

  Reggae // Trippy // Fusion / / Triphop // Electronic // Jungle // Hip-Hop // Future Trap // Dark & Drill

CONSCIOUS MUSIC / UNDERGROUND / MUSIC AGAINST BABYLON // MUSIC 4 MINORITY

  -No A.I. Music-

...I would follow everyone who follows me but I can't as we are  restricted to 2000 followers ... sorry if I don't follow you back....

....But, don't hesitate to send me your tracks in a private message, I will listen to them and repost them with pleasure and follow you in this way....Bless Up ...

Before work for KRT Production (2021-2024)

Now ,a new Label ... KSB-PROJECT ...(Independent Label)
     ..... Live & Studio Project.....

My passion is Dub & Reggae music (reggae and dub represent 40 to 50% of my musical production, the rest is dedicated to other styles) ,but I like & I make also others & different styles of music likes Jungle ,D&B ,Trap ,Ska ,Hip Hop ,Electro ,Acid ,Afrobeat ,Jazz Fusion , Funk ,Darkwave , Trip-Hop ,Drill ,Techno Dub ,Electro Funk 

...I build my tracks, like a story to tell..., I don't really create according to my inspiration, it is continually present, but rather to the emotion of the moment... that's perhaps why I create music of very different styles, my wish is to be able to make you travel or make you tripping or make you grooving through my productions...

Ex Member of BBAM (2022-09/2024)

-Creator & Manager of KSB-PROJECT 
       -(Live , Studio & SoundSystem)-

-Music Events Organizer
       -(KSB-PROJECT & Ziksport Asbl)-

Open for collabs in differents styles ...

Contact me by e-mail....
  - killasoundboyNR@hotmail.com
  - raulcripps@hotmail.com

    ..... Peace ,Love & Unity  ❤️💛💚.....

The night I met Inoxx & The Toxx, the city was drowning in its own reflections.

I was chasing what the department called the “Epic Journey case”: people who didn’t jump, didn’t run, didn’t die — they just stepped out of their lives after looping the same anonymous track on repeat. No body, no note. Just headphones on a pillow and a playlist full of ghosts.

Every scene looked the same. A laptop still warm. A browser paused on the same profile. One track spinning in the history, over and over: instrumental, trip-hop, strings, radio static and a heartbeat that wasn’t quite human. The last victim had renamed it “Nocturne: A Night of Wonders,” like they thought it was a private joke.

The trail pulled me uphill to a mansion that shouldn’t have had lights on at 2 a.m. Inside, the air tasted like old secrets. A grand piano waited by the fireplace. On the lid: three glasses, one half-empty, like someone had drunk their courage and left.

They were already there.

A punk with a green mohawk sat at the piano, leather jacket, Union Jack on the sleeve, fingers resting on the keys. By the window, a woman in a red dress watched the city. Her blue hair caught the glow from outside. Between them stood a tall figure in a velvet suit with an old computer monitor for a head, screen humming softly.

“Rough night, detective?” the monitor crackled. “Doesn’t look much like a Summer in Paris to me. Sit.”

I didn’t remember telling them I was a detective. I sat anyway.

The punk started to play. Slow, smoky chords. The kind of music that makes good decisions feel optional. It curled around my thoughts and dug up things I’d tried to bury. Regrets. Almosts. The people I hadn’t saved.

“That’s the one from the file,” I said. My voice sounded further away than it should have.

“In one version,” the woman murmured. “Out there they give it new names. Someone called it The Bright Side of the Moon once. Someone else named it after a person they should have let go. Some write Beware of the Quiet Girl in the title and pretend it’s not about themselves.”

She finally looked at me. Her eyes were too calm, like someone who’d seen every ending and stopped being surprised by any of them.

“The music doesn’t take them,” she said. “We don’t take them. They come here on their own. We just… give their feelings somewhere to live.”

In the corner, a tape machine turned, big reels spinning in a lazy circle. The labels were handwritten: track titles, dates, initials. I recognized some from the case files. One bartender had told me, “That song, it’s like it knows what you almost did.”

Then I saw it. My own initials. Same careful handwriting. Same date as tonight.

On the monitor, the image shifted. I watched myself open the front door, step into the room, drip on the carpet. Same coat. Same tired eyes. Same bad feeling dragging behind me like a second shadow. Behind that, another version of me. And another. Each one slightly different. A word changed here, a hesitation shaved off there. A dozen takes of the same scene.

“If you’re here,” the screen said, voice dropping into the mix, “it means you pressed play again.”

Time folded in my ears. I tried to stand, but the chords held me in place. I understood, suddenly, why no one left a note. You don’t write a goodbye letter to a song. You just hit play one more time and let it do the talking.

“That’s the real Epic Journey,” the punk said quietly, not looking at me. “Not running away. Finally letting the soundtrack match what’s inside your head.”

Moonlight slid across the room, erasing the corners. For a second, the salon didn’t feel like a place at all, more like the inside of a track: loops, echoes, reverb, tiny details you only hear on the tenth listen.

“That’s how it works here,” the woman in red said. “Nobody goes missing, detective.”

She leaned back into the shadows as the tape clicked and locked into place.

“They just stay in the song.”

Bard, storyteller, song maker, star walker and author of books on the sacred mysteries.

All the lyrics of my songs are written by me. I put them to music with A.I. and then I spin up the whole lot in the Magimix with samples and loops. I can't sing for toffee, so if you fall in love with a singer on one my tracks, it's likely to be a robot!  Just sayin'...😎

All my socials: https://hyperfollow.com/anniedieuleveut

Hi, I'm Najifa Samantha a full-time Digital Marketer and Social Media Marketing expert with 4 years of experience. I understand client psychology and know how to deliver exactly what they’re looking for. I’m dedicated to providing results-driven work tailored to each client’s needs.

I've been chasing sound since the day I ran away from home. 
While most kids were in school, I was digging through crates in record stores - learning rhythm, rebellion, and the raw truth music could carry. By 13, I was sleeping in nightclubs. By 15, I was behind the decks, DJ-ing to survive and to feel something real.

In the 1980's, I became part of Belgium's early electronic wave - spinning vinyl before it was a scene.

But life, as it does, took me away from the spotlight. Still, the music never stopped playing in me.

Now, after all these years, I'm back. Producing my own tracks. No rules, no formulas - just decades of sound, scars, and soul poured into every beat.

For those who've ever felt like outsiders...
For those who live through sound...

This is for you.
The beat goes on. And so do I.

"Redder" is a palindrome. Like "racecar" or "level". These pieces of music ain't.

My name is Volker Redder, online I go by "docredder." It all came about because I studied biology and computer science for a long time and received my doctorate as the crowning achievement of my academic career.
As a child, I sang Bach in the church's „Knabenchor Unser Lieben Frauen“ because my mother thought it was good for my soul. And it was, until, thanks to an excellent teacher, I realized that music is like mathematics. After that, I loved not only music but also mathematics and all sciences based on mathematics: physics, biology, chemistry, computer science. So, I went straight into the natural sciences and engineering. Yes, I studied a lot. However, a university career wasn't for me. I wanted to monetize the findings of the various sciences (you can't live on air and love alone) and founded over a dozen companies. Because who wants life to follow a clear formula? I certainly didn't. In addition to adventurous entrepreneurship, the subsequent career in politics (German Bundestag), and a growing family, I was constantly picking up the guitar or keyboard, which is what you do when you want to escape the chaos of everyday life.
Should I say I'm a virtuoso? No. That would be a lie. I'm just too lazy for that. Laziness, or in modern parlance, "efficiency," is a principle for me. And so I founded my "own studio," consisting of a lot of electronics and software. The hipsters call it DIY. I call it "not wanting to act like a big shot and book expensive recording studios." I'm a one-man orchestra, a chef-d'oeuvre who spends all day producing pop, rock, indie, and ambient mishmash until he finally finds it he likes. My menu? Pink Floyd, Genesis, Supertramp, Muse, Zappa, Miles Davis, and many more. Yes, all at once. I told you: mishmash.
There are guys who write music to become famous. Then there's me. I write music to keep myself from going crazy. Sometimes it's funny, sometimes there's melancholy in it, sometimes it's stories from literature or something sci-fi. Or from Tinder dates my daughters have told me. I mean, who hasn't wondered what "being in Tinder light" is? Exactly. I wrote it down. I use everything I can get my hands on: GarageBand, samples, my voice, AI voices, Udio, VirtualDJ, everything! I don't care if purists say it's no longer art. It doesn't matter, the main thing is that my music feels like a window you can look out of and discover something new again and again.
Every song becomes a little adventure. Sometimes I start with a line, sometimes with a feeling I can't shake. It's like an escape from reality, except in the end, there's no escape. And that's a good thing. This is how I stay grounded. Okay, grounded isn't the right word either. Let me put it this way: I've stayed true to myself. And I'm grateful for everyone who listens, shares, or comments.
It makes me feel like I'm not completely alone in this madness. So if you also like songs that don't follow the rules, I'd be happy if you joined in. After all, the world is crazy enough.
You have to fight that with music. I mean, that's logical, right?

All my own AI assisted tracks, are free to download.

I have been writing songs since1959 until the present. As a songwriter, I am more than happy with the wide range of songs I have written over the years. But my musical skills are quite limited and the early demos on Soundcloud are of me singing  and accompanying myself on guitar or latterly ukulele. I can strum the strings well enough, but there my skills end.

Recently I discovered Suno AI and the results astounded me. I could finally produce demos of my songs to be proud of. I am currently going thru my catalogue of songs and producing AI assisted demos. I know many musicians turn away from AI but it has a place for me. There is no other way I could have obtained some 300 demos to this level. I do not and do not intend to look for any reward except the satisfaction that hearing my own songs gives me.

I am still writing and hope to have many more years of songs left in me, Enjoy if you can and I would love to hear your comments on the tracks, if the music moves you at all.

You Tube: https://www.youtube.com/@shadfan66

back ya, they removed my songs because i didn’t pay them.

snapchat add me - pip.kay2

All Ambient Annie tracks are PRODUCED BY BotNikStudio2.
Tracks from the Studio available on all major streaming & downloading sites.
Spotify:
https://open.spotify.com/artist/0NkqmjUucou8M961K898C5?si=8FNxou9zR5qdlppFrE5pcg
Tracks with videos:
BotNikStudio2 - YouTube
UCyHd9j9itlCD92qasu2OYIw

Dragonfly

APi_ZZ