pleased to meet Arbiter..these recordings sound so old, lovely..

too lazy to put on another playlist

Tom Boyd soloing with the San Bernadino Symphony at the Redlands Bowl 2013 season opening concert on June 27. Arrangement by Thomas Parisch, conducted by Frank Fetta.

Somewhere Over The Rainbow

Featured in Guilherme Vincens' CD Portrait, released April 2011. Recorded, edited and mastered by GV in São João Del Rei, Minas Gerais Brazil

BWV 998 - Prelude, J.S.Bach - Guilherme Vincens, guitar

Classical Japanese Koto Music - Izumi - Kai Original Instrumental Group - Rokudan

A wonderful piano piece again by Dirk Maassen. Was so enjoyable to work with, thanks a lot for this opportunity, Dirk! I added some ambient sounds, electronics and percussion, I hope you´ll like it!
Piano and artwork by Dirk Maassen (https://soundcloud.com/ascoltadi) (https://soundcloud.com/dirk-maassen-official)

Like me on Facebook

Dirk Maassen - Open (ZEITFAKTOR Remix)

BRANDEIS ENSEMBLE SHOWCASE (OCTOBER 26, 2014)

Featuring:

The Brandeis University

EARLY MUSIC GROUP
Prof. Sarah Mead, B.A., M.A., director

CHAMBER CHOIR
Prof. Sarah Mead, B.A., M.A., director

WIND ENSEMBLE
Prof. Thomas A. Souza, B.M., M.M., conductor

JAZZ ENSEMBLE
Prof. Bob Nieske, B.M., M.M., director
Guest Musician: Prof. Neal Hampton, B.M., M.M., piano

CHAMBER ORCHESTRA
Prof. Neal Hampton, B.M., M.M., conductor

UNIVERSITY CHORUS
Prof. Neal Louis Hampton, B.M., M.M., conductor
Seunghee Lee, B.M., M.M., Ph.D., piano


BRANDEIS EARLY MUSIC GROUP

JOHANNES ECCARD (1553 – 1611)
1. Der Hellig Geist von Himmel kam – Hallelujah (à 4) – KIANA JANE KHOZEIN (alto), DANIEL WERL (tenor), SCOTT KLUGER (baritone)

JACQUET DE MANTUA (1483 – 1559)
2. Alleluia resurrexit Dominus (1538)

ECCARD
3. Der Hellig Geist von Himmel kam – Hallelujah (à 6) – KIANA JANE KHOZEIN (alto), DANIEL WERL (tenor), SCOTT KLUGER (baritone)


BRANDEIS CHAMBER CHOIR:

WILLIAM BOYCE (1711 – 1779)
4. Alleluia (Canon)

RANDALL THOMPSON (1899 – 1984)
5. Alleluia (1940)

ANONYMOUS • Arrangement: Alice Parker (1925 –)
6. Hark I hear the harps eternal


BRANDEIS WIND ENSEMBLE:

MANUEL M. CANITO (? –)
7. The Bicentennial of America March (1976)

HIROSE HAYATO (1974 –): Norman Rockwell Suite (2005)
8. II. Shuffleton’s Barbershop / III. Christmas Homecoming


BRANDEIS JAZZ ENSEMBLE:

BILLY STRAYHORN (1915 – 1967)
9. Take the “A” Train (1939)

EDVARD HAGERUP GRIEG (1843 – 1907) • Arrangement: Strayhorn
10. Peer Gynt Suite, Op. 23 (1867), Act IV – 5. Anitra’s Dance


BRANDEIS CHAMBER ORCHESTRA:

JEAN SIBELIUS (1865 – 1957)
11. Andante Festivo (1938)

JOHANN SEBASTIAN BACH (1685 – 1750):
Concerto in D-minor for Two Violins & Orchestra, BWV. 1043 (1717 – 1723)
12. I. (Vivace)


BRANDEIS UNIVERSITY CHORUS:

FRANZ JOSEPH HAYDN (1732 – 1809):
Missa in augustiis (“Lord Nelson Mass”), Hob. XXII:11 (1798)
13. V. Credo in unum Deum
14. VI. Et incarnatus est – ADINA SHAPIRO (soprano), TAMAR FORMAN-GEJROT (alto), CHARLES MADISON (tenor), STEPHEN HOFFMAN (bass)

15. VII. Et resurrexit – ELENA GLEN, soprano

Performed live at the Recital Hall of the Slosberg Music Center at Brandeis University, Sunday, October 26, 2014. Remastered by Ben Poser (@benjamin-poser).

Bach: Concerto in D-minor for Two Violins & Orchestra, BWV. 1043 (1717 – 1723) – I. (Vivace)

Edição eletrônica duas faixas exclussiva. 

Cortana (Deluxe)

from "Leah's Farewell".
If you like my music, please "like" my Facebook page - https://www.facebook.com/Michael-Ford-Piano-221557034537760/

Flight Piece

Recorded for Piano Day, 28th March 2016.


Moment Passing

I have contributed in this CD compilation [released by the Canadian Label Les Enregistraments Variables] with this piece for piano solo called "The movement of the grass II"
Also participated Library Tapes, Machinefabriek, Danny Norbury, Ex Confusion, Évo Lüthi, Fjordne … among others. Les Enregistrements Variables & Autres mélodrames is a 59 minute collection of sweet tales and introspective drones. Delicate, sometimes intricate, sometimes powerfull, these little tragedies are brought to you by a slew of captivating artists from across the world. You can get it here: http://variables.bandcamp.com/music

 
-- --

If you then want to be informed, when I release new titles or concerts, you are welcome to join my newsletter. You can do this at www.bruno-sanfilippo.com 
Or if you prefer, follow me on twitter: https://twitter.com/BrunoSanfilippo

The movement of the grass II

https://kuronekoMedia.lnk.to/LapisLazuli

If you’ve been longing to hear Katuchat’s latest work as much as we have, we have some great new for you ! He’s back at it with his new EP Lapis Lazuli. The Katuchat touch is still very much present in the quality of production and sounds development, carrying us into his world, yearning for more. For those of you who remember his EP Lonely Cloud, you can still feel those Katuchat trademark Sound Waves, coming and going through every beat. Mesmerizing. This is crisp. And as such, it should come as no surprise that this anticipated EP fulfils our expectances. The contemplative and introspective approach from his Japanese influences have developed into a wide demonstration of skills, allowing him to take us even further down the path of his professional musical career. 

Lapis Lazuli

Rec : Kaza ( @kaza-lam  )
Mix/master : Khoa Nguyen (  www.facebook.com/anhkhoa.nguyen.545 )
Amigo : https://www.facebook.com/thanh.truc.1081997
Beat : Yusei
Lyric : 
Verse 1:
Lướt qua mặt nước như là sao băng 
100 cây số không sợ hao xăng 
Vốn dĩ sinh ra là thằng háo thắng 
Thông tường nhân quả địa lý nhân hòa như một cao tăng 
Cảm thấy thanh thản nhưng sao ướt mi 
Vặn đến phút chót, mong về trước khi 
Mục đích cuối cùng chưa bị tước đi, ước gì bước đi trước
Thay vì trở thành quân được thí 
Cảnh vật trong đầu, giờ đang trôi xa
Kỉ niệm phong ba, rời đi vội vã
mong có thiên đường nào cho đôi ta 
Ngày giờ năm tháng mong chờ là sự dối trá
Lao đi thật nhanh cho đôi mắt mở 
Không khí thành thứ làm mình tắt thở
Cổ họng ứ đọng vài dòng tin tức 
Hôm qua mình mất đi người mà mình tin nhất .

Verse 2: 
Nụ hôn cuối cùng vào lúc ban mai 
Gói ghém cẩn thận điều em mang lại
Cùng nó vượt qua chuyến hành trình dài 
Điều anh sợ nhất là bắt bản thân mình nhìn lại 
Gặm nhấm cô đơn này như  côn trùng 
Khoảnh khắc là thứ anh luôn tôn sùng 
Cho đến cuối cùng, cũng đành vứt bỏ 
Chấp nhận thời gian tàn phai làm mình mất nó 
Muốn vứt đi tất, mong bên trong mình yên tĩnh
những thứ đó là biện minh, vì lúc đó có yên bình
anh tự xây một hầm ngục, nhốt tất cả kỷ niệm ở đó, để giữ em cho riêng mình 
anh biết, cần siết, nhiều lần, để giết, con tim, mình chết
anh tiếc, trước đó, tại sao, không thể làm gì hết
anh nghĩ, quá nhiều thứ, về cái giá mình phải trả 
anh đã không nghĩ đến, cái ngày mình phải xa
shiet! Lao đi!

luot qua mat nuoc nhu la sao bang - Amigo

"There is a restlessness in being still, a restlessness in moving.
A quiet tragedy in nothingness, quiescent, in abeyance I slumber."

sonicbrat - Circle (Circle / Stasis, 2018)

Mary Yuzovskaya’s vinyl-only Monday Off imprint readies a four track release featuring atmospheric cuts from herself, Craft, Michał Wolski and Soramimi. Launched in 2017, this is the third instalment in Monday Off’s various artist releases and Yuzovskaya’s second appearance on her own label.

Debuting on Monday Off, Brooklyn’s Craft provides an otherworldly number entitled ‘Pursuit Of Passage’, which comprises sawing synths, rattling percussion and soaring pads. Following that, much like Yuzovskaya’s deep and trippy performances ‘Basia’ is ethereal from start to finish and comes complete with murky sub-bass and trailing echoes. On the flip, having appeared on two previous releases Polish producer Michał Wolski and NYC’s Soramimi return to the label. With its syncopated rhythm, metallic features and overall ominous aesthetic, Wolski’s ‘Morph’ is wonky business from the off. Tying it all together, Dusk Notes co-founder Soramimi demonstrates her sound design expertise with the mesmerizing ‘Diatoms’ – masterfully blending intricate layers of oscillating tones, reverberations and whirring effects.

Exclusive Distribution Worldwide: Ready Made Distribution
Mastering: Giovanni Conti
Artwork: Liza Shutova

Release Date: September 30 2019

A2. Mary Yuzovskaya - Basia - MOFF006 (full stream)

Full stream of Plants Army Revolver's "Oroqen," taken from their forthcoming EP on Mental Modern, out June 21.

Pre-order: https://mentalmodern.bandcamp.com/album/mmv010-nyambi-ep

@mentalmodern
@plants-army-revolver

Nyambi

More exclusive music

Premiere: Plants Army Revolver - Oroqen

Oslated Premiere 017

Dycide - Umbriel
V.A - Uniös Organization [Uniös001 / Solid Shape]

Produced by Dycide
Mastered by Giovanni Conti at Artefacts Mastering
Artwork by Claudià Gómez
Released by Solid Shape from Marseille, France
Release Date : September 10th. 2019

Dycide (IO / Munich, Germany)
https://soundcloud.com/dycide
https://www.facebook.com/dycide
https://www.instagram.com/dycide
https://dycide.bandcamp.com
https://www.residentadvisor.net/dj/dycide

Solid Shape
https://soundcloud.com/solid-shape-records
https://www.facebook.com/Solidshaperecords
https://www.instagram.com/solid_shape
https://solidshaperecords1.bandcamp.com

Oslated Seoul.
http://www.oslatedseoul.com
https://soundcloud.com/oslated
https://www.facebook.com/oslated
https://oslated.bandcamp.com
https://www.instagram.com/oslated

Uniös Organization

Umbriel

Support & Buy

PREMIERE : Dycide - Umbriel [Solid Shape]

Japanese Traditional Music: koto and shamisen. 1940. World Arbiter CD 2012.
Shin-sarashi (Yamada-ryû): koto: Imai Keishô, shamisen: Yamase Shôin

Shin sarashi: (Yamada ryû). koto: Imai Keishô, shamisen: Yamase Shôin

Arbiter's music

Recent comments

Mathias D. Clain

Related tracks