“Still Lives” is the third solo full length by the Finnish composer Marja Ahti, following a pair of releases on the Hallow Ground imprint. As a collection, it may be seen as a series of studies on the liminality of the listening act and an investigation into the physicality of sound. Ahti forges vivid electroacoustic environments from field recordings, analog synthesizers, acoustic feedback, magnetic tape and digital processing, resulting in a set of articulate, prickly, and surprising compositions. In the artist’s words, “These pieces could be conceived of as vanitas paintings of a kind – selections of mundane or archetypal objects, sounds that have their own distinct qualities, but exist only by virtue of being temporary events. From another angle, one could think of them as shrines – objects assembled and set in a particular relationship to each other, charging each other in their given constellations.” Marja Ahti (b. 1981) is a musician and composer based in Turku, Finland. Originally from Sweden, Ahti has been a part of the Finnish experimental music scene for more than ten years in different constellations. She is currently active in the duo Ahti & Ahti with her partner and as a member of the Himera artist/organizer collective.

Shrine (Still Life With Glass Bottle, Flower and Microphone)

This is a mixed down composite version of Browser Music 3. 

The individual parts and instructions for playing them are as follows:

Open each link below in its own web browser tab or window and press play on each. The four parts are meant to play at the same time but don’t have to start together. You can stop / re-start individual parts and change their respective volumes as you wish. Like the components of a mobile sculpture, each part can be considered on its own or in any combination. 

Part One:
youtu.be/LnwaunruVRE

Part Two:
youtu.be/G3gaV4DsV6U

Part Three:
youtu.be/5GJYi3-Uk1E

Part Four:
youtu.be/4748yUy4dNE


This is music without development, where nothing much happens (or rather: the happening is evenly distributed throughout). This is also quiet music – perfect for playing in the background on your web browser while you are doing something else on your computer. You can even listen to other music / watch other videos / make Zoom calls, etc. while playing Browser Music in the background.

Bandcamp

Browser Music 3

Live performance for EMS Synthi 100, magnetic tape and computer setup. Performed and recorded at Electronic Studio-Radio Belgrade in 2021.

VIDEO: https://youtu.be/x-j0nUvlogQ
More info: https://www.svetlanamaras.com/radioconcerts.html

Svetlana Maraš©SOKOJ
All rights reserved

Radio Concert No.2

EP44 - Ediciones Populares, 2023
https://edicionespopulares.bandcamp.com/album/cuatro-osciladores
Cover by Jettoki DB

Cuatro Osciladres

Cuatro Osciladores

CUATRO OSCILADORES - B01

Artist: Giuseppe Ielasi
Title: Rhetorical Islands
Cat#: faitiche 35
Release: Mar 1st 2024
Format: LP/DL

First vinyl edition of the album Rhetorical Islands, originally released by Giuseppe Ielasi in 2012 as a limited-edition CD on his Senufo Editions label, with recordings made in 2011 as a commission for l’Audible Festival, Paris.

The album’s ten tracks have neither titles nor accompanying text, standing for themselves as what Ielasi himself has called “isolated sound worlds”. They are nonetheless unparalleled in their plasticity, acoustic events with a rare degree of tangibility. Ielasi evokes physical objects, some of which seem to have been constructed out of paper and cardboard, others based on a mechanics of elastic materials. Of course these objects are hallucinations, and precisely because Ielasi constructs them so masterfully there’s no need for any further information. Here’s to everyone creating their very own sculptures while listening to Rhetorical Islands!

The front and back cover features 0.058, a work on paper by the artists Thomas & Renée Rapedius. They make sculptures whose form and artistic inspiration are defined by their materials. Like Ielasi’s acoustic islands, their impact derives from self-referentiality, resulting in paradoxical objects that embody both a detailed material study and a potential for free association.

Giuseppe Ielasi: 06

Our initial dialog with Synthia was an adventurous creative endeavour that made us question whether machines could have a soul. This one definitely spoke her mind, and left a fascinating mark on both of us as a wondrous machine––––––woman, a marvelous piece of engineering, an entity trapped in a modular eternity.

Considering that neither of us had any previous contact with such a complex modular system such as EMS Synthi 100, we took a somewhat intuitive approach. This is a fairly raw glimpse of the first days spent in the studio.

Oh, Synthia, we only just met...

--

Happy birthday Mark!!!

--

Composing, editing, patching & live mixing: Manja Ristić
Live mixing & patching: Mark Vernon
Cover art: Manja Ristić –– segment of the sculpture by Angelina Gatalica made in memory of Serbian painter Nadežda Petrović, erected in 1989 in the Pioneer’s Park, on the occasion of the IX Summit of Non-Aligned Countries.

basne——side B

Meta is a syllabic abbreviation of two words: "Metallophone" and "Tape."
Metallophone and tape music by Nikolaienko.

"It’s an album where I’ve limited myself to using only two instruments – a metallophone and a four-track tape recorder. Explorations of the metallophone and tape sounds, deconstructed and reintegrated into tracks with cassette loops. This release is part of this year’s series, dedicated not to electronic but to electro-acoustic music with a focus on analog recording and production"
Taken from the Shape platform interview (March 2024)

Side A:
1. Meta VI 
2. Meta IV 
3. Meta V

Side B:
1. Meta III 
2. Meta II 
3. Meta VII 
4. Meta I

Recorded at Telemaja, Tallinn, Summer 2023
Composed, produced, metallophone, tape loops, artwork: Dmytro Nikolaienko 
Saxophone on A3 by Mykola Lebed
Mastered by Giuseppe Ielasi 
Design by Day Night 
Typeface by KTF

Catalogue: Muscut 33C
Format: Cassette, C40, Digital
File under: ambient, experimental, acoustic
Release date: June 24, 2024

Meta VI

Order

Nikolaienko - Meta VI

Music for meditation: 
spectrally delayed partials and freezes of a tibetan bowl sound.
this is a seamless loop, so set it to repeat and go on forever...
gear: 
custom made software for spectral treatments
reaper for mixing

------------------------------------------------------------------------------------
More on this 323rd weekly Disquiet Junto project (Music for Meditation: Record a piece of music suited to meditation) at:

https://disquiet.com/0323/2

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/1

Project discussion takes place on llllllll.co:
https://llllllll.co/t/disquiet-junto-project-0323-music-for-meditation/

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

The image associated with this project is by Chris Corrigan and is used thanks to a Creative Commons license:

https://flic.kr/p/4XtNyA

https://creativecommons.org/licenses/by-nc-sa/2.0/

Spectral Meditation [disquiet0323]

Produced as Opiate for the Opto project with Alva Noto. 
Released by Raster Noton 2001

Also part of the Opiate album "While you were sleeping". 
Released by April Records 2002

Opto File 1

This is one of 3 tracks that were made solely by using the analogue synthesizer EMS Synthi 100. For each track, there was a single patch and the material was recorded live in one go. Rhythmical synchronization of the material was done by using the Synthi's sequencer. Simple live manipulations included putting a pin or two in and out and switching on and off the mixer channels. Additional panning of each individual channel was done on a computer. These tracks demonstrate the effect of extremely simplified musical material produced by using the not-so-simple sound tool (for the reference, try figuring out and programming a Synthi 100 sequencer:)). Tracks are named by the number of sequencer steps used in that piece. Recorded live at Electronic Studio - Radio Belgrade.

2019

From the album STEPS: https://svetlanamaras.bandcamp.com/album/steps

Svetlana Maraš©All rights reserved
©SOKOJ

www.arbitraryproject.com/09 | @hideki-umezawa

01. Takamitsu Ohta - cqicx,qikcco,cqqico,, (2019) + Annea Lockwood - Mini Mobile (1970) + Miki Yui - Nacht (2010)
02. Andrew Pekler - Taprobana (2019)
03. Emily A. Sprague - Huckleberry (2018)
04. Magnétophonique - Quiet Village (2018)
05. Byron Westbrook - Fractal Shift II (2018) + Akio Suzuki - Analapos A (1970)
06. Francesco Cavaliere - irradia b: gemme fuoriescono da bocche, creano piste limite elicoidee, elicoi dea (2015)
07. Arne Nordheim - Distance (2003)
08. Asuna - Water Rings (2017)
09. Ben Vida - Patchwork Composites (2010)
10. Boguslaw Schaeffer - Cantata: Electronic Music III (1979)
11. Fousek / Hansen / Tellier-Craig - IV (2016)
12. Kazuo Uehara - Sound Work I (1983)
13. Herbert Brün - I toLD You So! (1981)
14. Olli Aarni - Pihapuu (2020)
15. Josef Anton Riedl - Elektronische Musik - Studie II (1959)
16. NHK Electronic Music Studio - Electronic Music For Stereophonic Broadcast (1960)
17. G.S. Sultan - Nonset Bluff (2016)
18. Sculpture - Unhitch Your Program (2014)
19. Renato Rinaldi - Untitled (2012)
20. Régis Renouard Larivière - Allégeance volatile (2002)
21. Kyle Bruckmann - Music for Dancing (2015) + Beatrice Dillon - Pause (2020)
22. Mads Emil Nielsen - Framework Fragments (stereo version) with Andrea Neumann (2018)

April 2020 
https://www.arbitraryproject.com/mixes

assemblage 09 - Hideki Umezawa

Label / imprint
Denseland – Code & Melody (arb.20, April 2024)

https://www.arbitraryproject.com

Updated: https://arbitrary.bandcamp.com

info@arbitraryproject.com

assemblage 09 - Hideki Umezawa

arbitrary

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