Great sounds and textures! 👏👏😎😎

Relief By Seclusion

Ybalferran - Learning To Understand

THE 3RD REMOVE FROM THE REAL_ Črepy on Warm Winters Ltd

TR161 - Rob Lye - 'Brace'

made in Cubase Pro 14

- 3 instances of Physical Audio Tetrad; 2 played with MPE, 1 has as source a violin recording, played by Kamiel Choi.

- 2 instances of Madronalabs SUMU, MPE

- 1 instance of XFer Serum 2 (spectral oscillator), MPE

- 1 instance of Sonic Charge Synplant 2, MPE

all presets by sadà, including samples.

vocal by sadà
female vocal by sadà as source, timbre by Dreamtonics Vocoflex, model of Vocal Artist nr. 1, used with permission of course

vocals have both as insert Stratus, as reverb....

Post-Production in Wavelab Pro 12

(Water (Prophecies))

Tracklist
1. Colorado All State Treble Choir - Down in the river to pray 
2. Yasuaki Shimizu - Tachikawa (Sephira Rework)
3. Izaya Tiji - Interlude 
4. Berserk Soundtrack - 4Gatsu

Mix & other ambience by Sephira

rainsoaked armor, silver angel

We Need To Take Some Of Your Blood

``Kan Jij Goed Overweg Met Een Mooie Single Vrouw Uit Local Area?``



― Naughty Date

Local Area

Echo of Species 13 - Felicity Mangan

@felicity-mangan
_ _ _

This episode - ‘Marsh’aphonics - features selected tracks by Pauline Oliveros, Knud Viktor, Olli Aarni, Vlad Dobrovolski, Heidrun Schramm, Native Instrument (@native-instrument), Marja Ahti (@marjaahti), Andrew Pekler (@pekler), Lag Os (@lag-os), HMOT (@hmotology) and Tomoko Sauvage(@tomokosauvage).

_ _ _

Felicity Mangan's words:
"Wetlands such as small ponds, marshlands, swamps and lakes provide habitats for many of the
world's existing, new and endangered aquatic and terrestrial species.
During the recent lockdown situation l have taken long bike rides inside of the Berlin borders
discovering many tracks along canals, rivers and wetlands inhibiting an amazing biodiversity of
lush flora and fauna during the spring season. I also recently discovered that the name Berlin
roots from previous West Slavic inhabitants berl-/birl- "swamp".
Inspired by these local biotopic explorations I have created a mix featuring my own music that is
influenced and populated by wetland species while including many other artists I have
discovered who have created music inspired by aquatic phenomena or the voices of species
that habitat these wet landscapes."
_ _ _

To know more about Felicity Mangan:
Felicity Mangan is an Australian sound artist and composer based in Berlin, Germany since 2008. In different situations such as solo performance, collaborative projects with other musicians or installation, Felicity plays her found native Australian wildlife archive and other field recordings, either through a stereophonic system or often via hand-made speakers made with piezo transducers and found objects – exploring the timbre and forms of found and self-recorded animal voices while mimicking biophonic patterns to create minimal quasi-bioacoustic environments. 

Felicity has recently played in collaborative projects Native Instrument (Shelter Press, Entr’acte) presenting electro-acoustic bug beats with vocalist Stine Janvin Joh and Plants and Animalia with Christina Ehrl Shirley – grafting live and pre-recorded drones produced by remnants of plant biochemistry together with modified animal voices. Felicity has also released a solo publication on Longform Editions titled Stereo’frog’ic, a play on the word stereophonic –  presenting a sound piece, crafted from found recordings of frogs, insects and other ‘vocal’ animals wavering about in a stereo field. Felicity has presented projects in many different settings from galleries, gardens, clubs and festivals throughout Europe. Including National Gallery Denmark, Technosphärenklänge CTM/HKW and Sonic Act Academy 2020.

You can support the artist here: 
www.felicitymangan.org

🌳1x tree has been planted to balance the carbon footprint of this upload (Project Povo da Floresta).

Echo of Species 13 - Felicity Mangan

Radiophonic work in 10 parts, duration - 30min.
Production: Radio Television Serbia - Radio Belgrade 3
Produced partly in Electronic Studio Radio Belgrade using EMS Synthi 100
Premiere: May 30, 11:10PM, Radio Belgrade 3
Artwork (sculpture): Goran Stojčetović - Art Brut Serbia
Photo: Milan Milutinovic - Black Sheep Produkcija
VIDEO: https://youtu.be/7bu6HcFKI1k
*Winner of the Serbian most prestigious composition prize "Mokranjac" for 2020

Post-excavation activities (teaser)

Raft of Trash is a generative music project exploring the sounds of systems using the natural rhythms of environmental dialogue in the world-building game SimCity 3000. It is a collaboration between sound artists/musicians Andrew PM Hunt (aka Dialect) and JC Leisure, and designer Thom Isom.  

Like the group’s early EPs, their debut album Likeness on the Edge of Town showcases the breadth of possibilities emerging from their unique process. Whilst playing SimCity 3000, the in-built sound effects of the game are converted and repurposed into MIDI data which is then fed to Hunt and Leisure's synths and samplers in real time. The resulting soundscape, imprinted with the dynamics of a simulated environment, is then augmented with live guitar, spoken word and field recordings to create an uncanny collage of wild synthesis, experimental narrative and bending, viscous guitar.  

Inspired by Fluxus artist Alison Knowles, the spoken word passages sprinkled across the record act as part travel journal, part system theory field guide as “someone guiding you through the simulated desert landscape, and through some kind of inner journey”. Exploring for instance the connections between the irregularities we discover in our functioning bodies and the impact of environmental influences or describing the fullness of the reality of stopping at a truck stop, these passages are an illuminating exploration of the complexity of living systems and real-life situations. Subtle musical references to Americana and sounds sourced from the desert around Joshua Tree contribute to a journey-like mood throughout the record. 

Musically, the record remains in largely abstract territory. Synths sprawl, crawl and fly above a sonic bed of creaks, ripples and bleeps; nothing is at it seems. This ambiguous relationship between the organic and the synthetic further highlights the themes explored by the group.  

Releasing in full on November 20 2020, as a limited edition poster and as digital files. 

Purchase on Bandcamp: https://raftoftrash.bandcamp.com/album/likeness-on-the-edge-of-town

Raft of Trash - Sans Sherif at the Painted Oasis

https://blinxhq.bandcamp.com/releases

released February 5, 2021

music produced, recorded, and mixed
summer of 2020 by mos fet & eustress
guitar on track 6 by Cameron Gulley
tapes on track 7 by Tom Lageveen
design by mos fet & eustress
mastered by Pheek

mos fet & eustress - Oology [blinx001] (snippets)

Record label and music studio based in Bratislava, Slovakia

contact [at] warmwinters [dot] ltd

SoundCloud doesn't feature the full catalogue, only the latest selected tracks. Please visit Bandcamp for the full discography
https://warmwintersltd.bandcamp.com

Raft of Trash - Sans Sherif at the Painted Oasis

Warm Winters Ltd.

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