On May 10, 1996, three officers of the Indo-Tibetan Border Police, Tsewang Samanla, Dorje Morup, and Tsewang Paljor, were part of a six-man expedition to reach the summit of Mount Everest.  Delayed and facing a storm, the three decided to disregard orders and press on while the rest of the team turned back.  Around 18:00 the climbers radioed their expedition leader back at base camp to inform that they had reached the summit.  While credited with summiting, whether they actually reached the summit or not is to this date debated.

These two songs wouldn’t exist if not for the irony surrounding the perishment of one of the climbers, Tsewang Paljor.  The irony is that Paljor became famous not in life but in death and simply because of the fact that his lifeless, frozen body, which no person or entity cared to remove from the side of the trail for at least 19 years, ended up becoming a landmark and reference point to climbers, his humanity reduced to an almost comical nickname stemming from the mountaineering boots on his feet and their bright yellowish-green color.  A Google search today of the keywords “Tsewang” and “Paljor” brings up, as the first result, a Wikipedia article entitled not “Tsewang Paljor”, but “Green Boots”.

“Jefe de condestables Tsewang Paljor, parte 1: Ascenso y muerte” is my reflection on Paljor’s resolve to climb, then the climb itself, then the summiting (or the thinking they had summited), and finally the descent and the exhaustion, confusion, and acceptance of defeat that probably came with it and the probable realization of impending death that frozen night as he lay curled up on his side, donning his brightly-colored mountaineering apparel, under a crevasse at the side of the climbers’ trail at 28,000 feet.

“Jefe de condestables Tsewang Paljor, parte 2: Fiesta en Leh” is an imagination of a summer day that Tsewang could have enjoyed as a young adult in his hometown’s capital, Leh, with friends and perhaps one or two love interests at hand.  An experience he might have remembered about during those few final minutes of his life.  

About the song names:  That isn’t me trying to be the most righteous of the lot.  Like, “look, I even include his military rank before his name, while everyone else just calls him ‘Green Boots’.”  I’m not trying to be judgmental or pretentious.  In fact, up until the last few minutes the songs were going to be called “Helado en altura 1” and “Helado en altura 2”.  “Helado en altura” translates roughly to “Ice cream at high altitude”, and is a pun because in Spanish “Helado” can also mean a frozen person, animal or thing.  So, for the cover artwork, I literally searched for frozen corpses in snow-capped mountains.  Not necessarily with those keywords.  And happened on Green Boots.  It was like the third result.  But ultimately, I felt it would be in bad taste to be so literal and use the pic and do the pun and all that.  In a way, the song titles are an atonement for my previous intentions.  And a pair of songs to honor a man who found very little dignity in death.  Some may point out the old adage that there “is no dignity in death”.  I’d say as so much else in life, that it’s a matter of degree.

Thanks for taking the time to read, and above all listen.  I hope you “get” the songs, and above all, enjoy them.  (No pun intended with “above”.)

Note:  from the information I had access to on the World Wide Web, Paljor’s body has not been officially identified or removed to this day.  However, it was last reported seen in 2015.  Its current location and state is, to the best of my web knowledge, unknown.

Jefe de condestables Tsewang Paljor, parte 2: Fiesta en Leh

There are so many great pieces of music in this place and and all over, that it almost feels  unnecessary to put any more out there.
But its not a competition and if it makes us feel happy by making beats and listen to it, then lets continue the ride🤝😎




https://open.spotify.com/artist/53j8FXLjlmWJ0GmlzpbwDw?si=3ptxHczRTsqdKO511ITGGw

"You don't sound like anyone else," said Danny Thompson - renowned bass player for Nick Drake and Joe Strummer - about English musician Conil.

The GRAMMY-winning engineer for Tom Waits and Elvis Costello, Tchad Blake said: "Strange Part of the Country is an awesome album! I still listen to it."

Fleetwood Mac legend Peter Green liked Conil's music so much he stopped by Conil’s house to record with him. They recorded a version of Conil's homage to the jazz greats "Round Midnight". 

Strange Part of the Country never conformed to any current trends and has remained timeless. Now, people are discovering this album and it is becoming an all-time favourite. 

When the album was released in the UK, it received some amazing press. Britain's biggest selling music monthly Q magazine gave it: "Four stars - Q Recommends". Blues Matters magazine wrote: "One of the most original artists out there". In the next issue, Blues Matters put him on the front cover.

Conil left London after Strange Part of the Country was released and has spent the last ten years living in the United States and Europe - including New Orleans, New York City, and Berlin.

Experimental, ambient, dreamlike electro.

For more than two decades I have been listening to electro music. Now I need to try to compose electronic music. Also to broadcast it to get feedback and evolve..
Right now I’m just using DAW and VST.

amateur musician and poet in Japan.
I make underground music with poetry-reading

Follow me on Spotify and I will follow back 

https://open.spotify.com/user/saldeano?si=5Ffl-Ik3Rsicg2wEzQ5-tg

Write play and produce, for fun, hope you have time for a listen and enjoy what I’ve put out there 😎
Looking forward to hearing everyone else too

Aga-aga is an electronic music producer from outer space who creates unique and fun music using minimal and almost lyrical elements. His music is created entirely in his kitchen using a little bit of glitch and a lot of soul. His style has been described as a blend of minimal electronic, a bit of house, and glitch-hop and is sure to put a smile on your face. Whether it is a soundcloud dance-floor  tickler or a bandcamp chill-out  session, Aga-aga's music is sure  to provide something for everyone.
Aga-aga is also a javascript developer, having created several projects for  companies. He also uses his coding skills to create cool visuals for his music, creating 2D and 3D animations to accompany his songs. His love for music and technology will maybe made him a rising star in the socials network music scene. Check out his Instagram page to see his music clips and animations.
And he always appreciates getting feedback and nice comments on his work, so thank you to all of you

Our "THREATENED TO SPILL" EP -- Another merger of two projects, Arcachata and XITX, available for your checking out today!!
---------------------------
The new album In Deference To (Indifference To?) the Seminal Works now on Spotify!!
https://open.spotify.com/album/5KvBqfQXbgQdz6uibwwuY0?si=Jg3GeuFCSbCEVS2gLF1y-Q
---------------------------

Arcachata:
Main alcohol:  Trumpet, Piano, Acoustic and electric guitars, Monotonal and polytonal vocalisations, Bongo, Drum kit, Bass guitar, Trombone, Synthesizers, Sequencers, Percussion.

Ingredients: 1 oz rock, 1 oz trance, 1 oz avant garde, 1/2 oz instrumental hip hop, 1/2 oz metal, 1/2 oz world, 1/2 oz prog, and a splash of traditional Panamanian folk.

Preparation: Add all ingredients into sonic mindspace filled with 70’s, 80’s, 90’s and 00’s nostalgia.  Mix vigorously.  Strain electronically.  Stir gently.  Garnish with beats from the future.  Serve with some 20’s ghost whistling.

Drinkware: Store the lyrics away for the future generation.

ARCACHATA
Serving isthmian goth hop since November 2018.
Thanks for listening.
All music written and produced by Adolfo Ernesto Samudio Stec.