Love it! always Dreamy Duo~Masha&Rob! Sweet vocals&Cool synth!Thank you so much,both of U,Guys🙇✨

Exceptionally cool vocals and overall song. Tot weaves the production together seamlessly, Beautiful work, congrats to all involved!

A very smooth and controlled sounding vocal performance that really elevates the track while adding greatly to the overall mood of the tune !! And the production quality is superb. Very nicely done, y’all.

This is a track created by RiZLiX called "Anything Goes" with my guitar playing added to it. Thanks to IPG1, FRAWSTAKWA and RiZLiX for welcoming this recording.

RiZLiX featured the legendary vocalists IPG1 and FRAWSTAKWA in its work.
The original sound source for this track is below.

IPG1 X FRAWSTAKWA X RiZLiX - Anything Goes
https://soundcloud.com/rizlix/ipg1-x-frawstakwa-x-rizlix-anything-goes?si=49dd5edb56dc4d3b8365d78903231471&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Anything Goes Vocals 106 BPM
https://soundcloud.com/ipg1/anything-goes-vocals-106-bpm?si=305926b2ac484229a750cdd8d3d7cd52&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Frawstakwa – Stbb-110bpm-frawstakwapella
https://soundcloud.com/frawstakwa/stbb-110bpm-frawstakwapella?si=10cfff4bf183400abfc314c04624d7f4&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

I recommend that anyone learning to play the guitar listen to this piece over and over again, playing the Gm/B♭pentatonic scale in various ways, and trying to find a phrase that you like.

The volume adjustment during mixdown is optimized for the environment when using the earphones that come with the iPhone. If you feel that the volume of the guitar playing in this work is low, please use earphones and check the volume balance of this recording. It seems that earphones other than those that came with the iPhone do not have any problems. When using an Android device and when connecting an audio interface to a PC, I connected inexpensive earphones and confirmed that the guitar volume can be heard at a roughly appropriate balance.

There is another way. I have embedded a SoundCloud player on my blog to introduce my works, but I noticed that this work sounds harder (mid-high tones are clearer) than when played directly in the browser. If the guitar volume seems low or the sound quality sounds cloudy, please open the following and play this recording with the SoundCloud player embedded there.
https://junzo.seesaa.net/article/509999749.html?1738554041

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IPG1
https://soundcloud.com/ipg1/tracks
FRAWSTAKWA 
https://soundcloud.com/frawstakwa/tracks
RiZLiX
https://soundcloud.com/rizlix/tracks

IPG1 X FRAWSTAKWA X RiZLiX - Anything Goes - ft.JUNZO on electric guitar

MIX/MASTER - Mariosyjp

LYRIC

On the morning of July fifth
Year of seventeen seventy six
Did our fathers - our forefathers -
Wonder what first to fix

We the people it was stated
In declaring ourselves free
If you owned land as a white man
You were counted in that ‘we’

A new nation on that morn 
Saw its first sunrise 
A union by agreement 
Forged in trial and compromise

Each July 4, we grill hotdogs
And shoot fireworks across the skies
The next day we’re left with ashes
And a dream to realize
From July 5 1776

July 5, 1776

'Realms' is one of the first tracks we envisioned would be on an album by the same name back when we started composition of the track in 2015. In 2022 Masha mixed and mastered the instrumental version.

In 2024 we released "Realm I [Instrumental Prologue]" where you can find the instrumental version. https://soundcloud.com/archmageband/realms-instrumental

This song will be on our upcoming album "Realm I" (when all the songs have vocals). 

Vocalist: Masha Solo (@masha-solo)
Synths by Rob Ulysses (@rob-ulysses) and Masha Solo
Art by Masha using free Canva resources. 
Lyrics by Masha.
Produced by the lovely Tot. from Japan: (@tot-beat, @user-288513022)
We love what you've done with it, Tot.!~

Thanks so much for listening!

Lyrics:

(Hey)

All of these realms 
That we haven't yet seen for ourselves
They could be somewhere right next to me, 
I can tell

And my smallest decisions
Could mean quite a lot, possibly
There could be 
Countless versions of me

Hey! Don't stand in your own way,
Of achieving greatness and success
If it's from dreams that
Make your heart soar so high

There is always something more,
About this very moment,
In your present time
In your future,
You will look back upon these
As the best times

And my smallest decisions
Could mean quite a lot, possibly
There could be
Countless versions of you and me

I feel grateful that we're in the same place
Of all the chances that it wasn't the case
We're together in this realm,
We're together in this realm,

All of these realms 
That we haven't yet seen for ourselves
They could be somewhere right next to me, 
I can tell

And my smallest decisions
Could mean quite a lot, possibly
There could be
Countless versions of me

Hey! Don't stand in your own way,
Of achieving greatness and success
If it's from dreams that make your heart soar so high

There is always something more,
About this very moment,
In your present time
In your future,
You will look back upon these
As the best times

Realms Single

Realms - Produced by Tot.

Heartbeat.m4a

A complete re-recording in the key played live. It was one of those recordings that sounded really messy. Dropping the fader on the acoustic guitar I'd started the whole thing off with revealed a different direction highlighting case and drums. It's about females who stand up for the community against arrogance and male chauvinism and I see them in my work environment - this song is about them..

Miss Rocket Launcher

Hey hey you this Joan of Arc - Miss Rocket Launcher
Love you sending into space – those flying saucers
Your eyes they dart and sense corrosion
You’re leaning forward in silky motion
You know who is fit to govern
For those who aren’t they get concussion
Your elbows dent the seats of power
Your rocket roars it’s getting louder

Hey hey you Sister of Mercy – Miss Rocket Launcher
Love it that they’re on your mind – the poor and poorer
When you sense their exploitation
Your voice it cracks and lips are brazen
I’d hate to be your target right then
A volley gone to crack their heads
We’re hungry like Cohen’s Partisan
We’ll force ‘em to the stones and hear the doors slam 

Room dust scatters as your strident voice rises
Tables go silent as you render the kaisers

Hey hey you this Mother Theresa – Miss Rocket Launcher
Can feel the warmth inside of you – and getting warmer
When they wallow in their greed
You let one go and make em all flee
I’m feeling for the hem of your gown
The reverent touch the best to be found
I know that you will win in the end
And sharing it with you – what a send

Ms Rocket Launcher

Can’t chase the days
They’re gone
You can find out what is left of you
trading your ways
for a life of gratitude
send her this song
before the train leaves out of Berney Arms

Play to this paltry rhyme
Stay near the edge of time
Tides of tears still drying
Fear so cold, melt the ice with fire

The glow
Of that darkened window
Save my soul
For the haunted kingdom
Hear the train, once again, my babe
Wring the nape of all that God creates

Hear the train once, again, my babe
Wring the nape of all that God creates

Element

Cast of Characters:
Joe Stroffolino-- @joseph-stroffolino -- Taylor 114ce acoustic guitar, main vocals, harmony vocals, lyrics, composition 
Llanpsych -- @llanpsych -- Tez – Fender HSS Telecaster electric guitar
TexMex Shaman–@texmex-shaman –Stephen– Tom Anderson Custom T electric guitar, mix, mastering, and production
Mistermark-- @user-432503709 -- Mark – piano
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –- four string Fender Precision Bass with a plectrum 
 
This song began as one of Joe's, lyrically centered songs, which he wrote and filled in with VST instruments. He came up with the lyrics by sharing ideas with fellow SoundCloud musician Michele Ansani.
   Knowing that Josh is a fan of his work, Joe offered this song to him in hopes that he'd share it with the rest of the band. Of course, Josh jumped at the opportunity to work on his song, and immediately shared it with the rest of the group. 
  Ken went to work first, adding his driving, excting drums. Josh was having a hard time coming up with a good bass line for it, until Ken suggested that he use the power of the 1/8 note to propel it. Tez was up next with his clever fills you hear throughout the first half of the song. Stephen came along right after and matched Tez's energy for the guitar fills in the second half of the song. 
  It was still missing a solo in the designated spot, though, so Mark stepped up with his innovative piano solo you hear in the middle. If it sounds a little mechanical, that's because he's using an arpeggiator to achieve the effect. We thought it sounded good in a song about AI, though. 
  Once all the parts were dialed in, and Joe had gotten all his vocals tuned up, we asked one of our resident pros, Stephen, to mix it for us. He did that and mastered it, too, expertly, as always.
  This is the first song we've ever done with Joe, and don't expect it to be the last. We all really enjoyed putting together, in no small part because Joe is such a competent, receptive, and gracious collaborator. We all hope you enjoy listening to it as much as we enjoyed creating it. 
Original lyrics by Joe Stroffolino (and Michele Ansani):
When I was thirteen I picked up my first guitar
it was my mother's, it only had one nylon string 
I tried to play it like a rock star
I learned to play the Coca-Cola jingle
So I could teach the world to sing
When I was fourteen, I put on six new strings
I learned to play Beatles, I learned a Bob Dylan song
I sounded out of tune but I tried to carry on
At fifteen I wrote my first original tune 
So bad it sounded like it might have been written by a baboon
When I was sixteen, I got a new guitar for my birthday
The metal strings sawed through my fingers 
But I continued to play
And the calluses formed and every day I learned a brand new chord
I was obsessed with that guitar and I never grew bored.
I wrote songs every day and most of them were a mess
But I believed that through hard work, I could achieve success
Malcom Gladwell wrote a book that said it takes ten thousand hours
To become and expert at your craft
But now all it takes is two commands and an enter
And in two minutes you have ten versions of the same damn new song,
You just have to choose the type
folk, rock, rap, pop, metal, jazz, trap or blues.
You don't even need to write the lyrics, 
your push a few buttons let the AI choose.
And people will think your songs are great even though you didn’t write or play a single note.
When I was 20, I did my first concert, it was time
it occurred in a village square
there were four cats all friends of mine
I was still using the plectrum and sometimes I got the chords wrong
at thirty I finally wrote what I thought was a decent song
It had a very well thought out structure
And a catchy vibe and beat
It was overly verbose but when I played it people tapped their feet
In my forties I stopped wasting my time
Work was more fun I was doing just fine

AI Sucks! (Eclectic Collective with Joe Stroffolino)

'bestowed' 
https://www.instagram.com/p/DGMLO6SOijI/?next=%2F

When I waken from my sleep,
and you're laying next to me,
somewhat tangled under sheets,
my heart sings with ecstasy. 

Please don't ever let me go.
If you don't love, let me know.
Otherwise, babe, let it show,
and I will bask your love bestowed. 

For I forever only want you.

bestowed

based on Poetry of TheSch.Net

Time fleeting, like a whisper nearby.
The unborn moments, missed opportunities,
Leave a lasting abyss,
A restless pain that seeps to the core.
In the silence of what could have been.

THESCH@TheSch.NET

Lyrics: © 2023 TheSch
Music and Arrangement: © 2023 TheSch.
© 2023 TheSch. All rights reserved.

💬 Connect with THΞSCH:
Find all my links here: TheSch.NET

The cry of an unfulfilled dream

1. The fetus "devours" it's mother while in uterus, depriving her from numerous nutrients, causing her many discomforts through the pregnancy.
2. Each femininity is being "devoured" by her menstrual flow from it's start till it ends.
3. Each woman is being "devoured" while existing in patriarchal societies.
4. You name it...
Oh, sometimes I wish I could crawl back into my mother's womb.
Thank you Simone :)

Devour

Archmage Band was founded in 2013 by Rob and Masha, who are a musician couple and synth pop duo from Australia.

Our Albums:
Realm I [Instrumental Prologue]: https://archmagemusic.bandcamp.com/album/realm-i-instrumental-prologue 
Realm II [Instrumental Prologue]: https://archmagemusic.bandcamp.com/album/realm-ii-instrumental-prologue-2

Gear:
We use a synthesizer (Roland Gaia SH-01), a midi controller (the Korg microKEY), Reason Compact, Figure, the LMMS DAW, and Garageband for iOS to make all our sounds.

All art by Masha unless stated otherwise on the release.

For enquires, collaboration or remix ideas, or just to get in touch with either Rob or Masha, contact Archmage Band at mail@archmagemusic.com

Additional Accounts:
@archmageband (2020-2022 Music)
@archmageband2 (2022-2023 Music)

Solo Accounts:
@masha-solo
@rob-ulysses

Thank you all for listening to our music, we hope that you have a great day.

Realms - Produced by Tot.

Archmage Band III

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