Back after what seems like a rather long hiatus.

Take your time to take in this rumbling affair that I've been chiselling away at for quite a bit.

Hope it turns out a rewarding listening experience for you all!

7.927 [mint]

And now for some delicious raw homemade monotony... Bon appétit

Violin-bow on electric guitar, electric piano, effect-pedals, voice, unsynchronized loops, two tube amps. All sounds, mixing and production: Velvet Something Superdark. Image: Tempelhofer Feld, Berlin (photo: VSS)

One To Eight

Secondo incontro con il brano di Marco Lucchi.
Cambio di metodologia: pezzo essenzialmente strumentale, con un continuo contrappunto al fluire del piano di Marco.

Strumentazione:

1) Contrabasso. Con arcata ampia e sostenuta, ideale bordone per la partitura sovrastante.
2) Calimba (molto riverberata) e mellotron. Sono i suoni armonico/percussivi che fanno da contrappunto costante al pianoforte principale.

Ideale allegoria di un passare nel chiaroscuro della luce, nella natura pura e incontaminata.



Paloma: 2009 - 13 10 2024. 
Vale.

13.10.2024  (R/R "soliloquy" by Marco Lucchi)

Snow*Omen/Velvet Something Superdark collaboration based on Henry  Purcell,  Dido and Aeneas: When I am laid in Earth (Dido's Lament). Music: Snow Omen @snow_omen (recording of a live performance, voice Y.A., electric guitar VSS). Added noise, mixing and production: VSS. All sounds Snow*Omen & VSS. Image: VSS.

When I am laid, am laid in earth, May my wrongs create
No trouble, no trouble in thy breast;
Remember me, remember me, but ah! forget my fate.
Remember me, but ah! forget my fate.

Laid In Earth

Inspired by the Naviar Records haiku challenge #564 by Natsume Sōseki

Fog clears away:
the waterfall shows up
bit by bit.

This haiku made me think of a quote by artist Cecil Collins, 
“I see a shape complete in itself I search it with my mind and heart and then it begins to extend and I see in the half darkness that it is part of a colossal structure whose parts are covered in mists and darkness, sections appear and disappear; how many years has it taken me to realize that those mists, clouds, and darkness are in myself, and in the body given to me by the fatal powers of the world; that in Reality everything exists as a whole; a vision, a harmony, a joy.”

Cascade Rhythms [naviarhaiku 564]

Another radio art experiment
recorded as it is with no further editing

Disclaimer: 
Vocal samples are taken from a radio live stream by
Al Salam radio FM 90.3
Cheikh Taba _ Lebanon

from the other rooms _ pt.one

ORAGE - TAON X (dec24) Retangled NÖ

https://www.beatport.com/artist/xfa/589219

MMXXIIIIIIXVIIXTRVGNT

Recorded, mixed & mastered on 28/29 Apr 2023 & 11 Jan 2025 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa. 

Yesterday, thinking of this week's Haiku and Junto, I had an idea to go back to 2 days in 2023 to start a new album (second start today) & use the two tracks for this week as a starter. This would be similar to my work elsewhere where I have a long stretch of material to chop up into different tracks.

The original material is a bit of mystery to me - Ceclia, FL Studio, PaulXStretch, Reason, Thor, Fracture. I had something that was not close to being anything I wanted tonight. I changed direction and started two new MIDI tracks to run a metallic Collision and a Massive X bass. Then I went back to the first two tracks and applied Fragments and it gelled for me. 

Artwork/Photography - Jim Lemanowicz, Massapequa, NY, USA - 19 Nov 2017

©2025 Jim Lemanowicz

This original version of “Gleaming Greasy” was submitted as part of Disquiet Junto Project 0680: Reverse Resolution. The Assignment: Finish something (musical) you started last year.

More on the Disquiet Junto at: disquiet.com/junto/

More on the 680th weekly Disquiet Junto project, Reverse Resolution — The Assignment: Finish something (musical) you started last year — at https://disquiet.com/0680/

Gleaming Greasy (disquiet0680)

2025-01-21

Search

mAEn is an Italian anthropo-alchemic duo formed by Maurizio Chiantone and Enrico Pofi, Neapolitans. This strange transmutability of the two is the result of a continuous research on languages and the incredible world of sounds that surrounds them. Acoustic sparks and sound microclimates with and through which structures and new ways of creation are experimented regarding the relationship between man, media and technology. For a long time, their own kermesse rest on constant attention to the infinite possibility of combination and manipulation of the codes, which are the distinctive and transversal elements that compose them or the dynamic and creative potential connected to the production or implementation of an event.

Description of the performance

mAEn processes in any available space, using supports acoustic and digital, building their own performances on a minimal research concept.
In this direction, ethnic materials and sound objects, self-made, commonly used, metals, woods, glass, plastics, that can be urged, are used in an open and experimental way.
Use instead of the new technologies offered by digital tools tablet, phones, keyboards, pads, sequencer, contributes to the creation of a connected set in a key aesthetic and formal.
The material mood integrates with the virtual one.

In the Court of Mustilli's Winery / Ape

ORAGE [gen~] is a new project managed by Arçon de Nièze, focused on electronic generative music. 
Located between the blank sound source and the bursting of electronic generators, dance and harmonic correlations. 
_________________________________ 
Arçon de Nièze's :

* 𝐓𝐞𝐫𝐫𝐚𝐬𝐬𝐞𝐦𝐞𝐧𝐭 𝐞𝐧 𝐀𝐧𝐝𝐨𝐲𝐫𝐢𝐞𝐬 (Full Virelais album)--> soundcloud.com/arcondenieze/sets/terrassement-en-andoyries-1
Unforgotten ghosts, haunted nostalghia

* 𝐂𝐨𝐫𝐩𝐮𝐬𝐜𝐮𝐥𝐥𝐢𝐬 (Full excerpts Corpuscullis album) --> soundcloud.com/user-678992529/sets/canzoninne-corpuscullis
(with Julien Boutonnier poetry)