This piece flows effortlessly, like a cascading stream of sound. The rhythmic patterns create a soothing pulse, while the electronic layers blend seamlessly with new-age textures, evoking a sense of tranquility and constant movement. Cascade Rhythms is a beautifully immersive experience that feels both energizing and calming.

– Francesco Adornetto

Back after what seems like a rather long hiatus.

Take your time to take in this rumbling affair that I've been chiselling away at for quite a bit.

Hope it turns out a rewarding listening experience for you all!

7.927 [mint]

And now for some delicious raw homemade monotony... Bon appétit

Violin-bow on electric guitar, electric piano, effect-pedals, voice, unsynchronized loops, two tube amps. All sounds, mixing and production: Velvet Something Superdark. Image: Tempelhofer Feld, Berlin (photo: VSS)

One To Eight

Snow*Omen/Velvet Something Superdark collaboration based on Henry  Purcell,  Dido and Aeneas: When I am laid in Earth (Dido's Lament). Music: Snow Omen @snow_omen (recording of a live performance, voice Y.A., electric guitar VSS). Added noise, mixing and production: VSS. All sounds Snow*Omen & VSS. Image: VSS.

When I am laid, am laid in earth, May my wrongs create
No trouble, no trouble in thy breast;
Remember me, remember me, but ah! forget my fate.
Remember me, but ah! forget my fate.

Laid In Earth

Inspired by the Naviar Records haiku challenge #564 by Natsume Sōseki

Fog clears away:
the waterfall shows up
bit by bit.

This haiku made me think of a quote by artist Cecil Collins, 
“I see a shape complete in itself I search it with my mind and heart and then it begins to extend and I see in the half darkness that it is part of a colossal structure whose parts are covered in mists and darkness, sections appear and disappear; how many years has it taken me to realize that those mists, clouds, and darkness are in myself, and in the body given to me by the fatal powers of the world; that in Reality everything exists as a whole; a vision, a harmony, a joy.”

Cascade Rhythms [naviarhaiku 564]

Long slow layers building up and looping.

Decade Stare

sometimes it´s really satisfying just playing a simple melody...

Peaceful

ORAGE - TAON X (dec24) Retangled NÖ

Recorded, mixed & mastered on 28/29 Apr 2023 & 11 Jan 2025 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa. 

Yesterday, thinking of this week's Haiku and Junto, I had an idea to go back to 2 days in 2023 to start a new album (second start today) & use the two tracks for this week as a starter. This would be similar to my work elsewhere where I have a long stretch of material to chop up into different tracks.

The original material is a bit of mystery to me - Ceclia, FL Studio, PaulXStretch, Reason, Thor, Fracture. I had something that was not close to being anything I wanted tonight. I changed direction and started two new MIDI tracks to run a metallic Collision and a Massive X bass. Then I went back to the first two tracks and applied Fragments and it gelled for me. 

Artwork/Photography - Jim Lemanowicz, Massapequa, NY, USA - 19 Nov 2017

©2025 Jim Lemanowicz

This original version of “Gleaming Greasy” was submitted as part of Disquiet Junto Project 0680: Reverse Resolution. The Assignment: Finish something (musical) you started last year.

More on the Disquiet Junto at: disquiet.com/junto/

More on the 680th weekly Disquiet Junto project, Reverse Resolution — The Assignment: Finish something (musical) you started last year — at https://disquiet.com/0680/

Gleaming Greasy (disquiet0680)

Moy Road

bench on flatgrass

I'd Hate To See You Make a Mistake

Composer & music producer of electronic, ambient, piano, EDM, and Jazz amalgamations. Music as spiritual gateway.

O God Eternal…“You awake us to delight in Your praise; for You made us for Yourself, and our heart is restless, until it rests in You.”
— St. Augustine

Cascade Rhythms [naviarhaiku 564]

GMR

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