Boards Of Canada - ROYGBIV (covered by Lone)

Out now on my Bandcamp. Pay what you want. Any money generated by the track will go directly to Mind mental health charity. Buy here: https://bit.ly/3mwuFWS

I’d just got a new synth and thought I’d test it out by trying to recreate that wonderful baseline. It quickly got out of hand and by the end of the night I’d covered the entire thing.

Amazingly We’ve had the track officially OK’d by the band themselves which is lovely. I hope I did it some justice. 

Thank you to everyone who has supported my music in 2021. Wishing you all love and inner peace X

Artwork by Oliver Furze

Boards Of Canada - ROYGBIV (covered by Lone)

Squarepusher - I Wish You Could Talk

Squarepusher - Beep Street (Edit)

/// Live Info /////////

ブレイクコアのキング、〈Planet Mu〉屈指の
ハードコア・ヒッターVenetian Snaresが待望の来日！

【Taico Club Festival 2014】

5.31(SAT) - 6.1(SUN) @ こだまの森 長野

http://taicoclub.com/14

/// Release Info //////

品番：ZIQ350CD
アーティスト：Venetian Snares (ベネチアン・スネアズ)
タイトル：My Love Is A Bulldozer（マイ・ラヴ・イズ・ア・ブルドーザー)
レーベル：Planet Mu
発売日予定日：2014年6月19日 (木)
フォーマット：輸入CD
流通元：melting bot / Inpartmaint Inc.
ジャンル : Bass / Jungle / Hardcore

【Tracklist】

01 10th Circle Of Winnipeg
02 Deleted Poems
03 1000 Years Play
04 Your Smiling Face
05 Amazon
06 My Love Is A Bulldozer
07 She Runs
08 8 AM Union Station
09 Shaky Sometimes
10 Too Far Across
11 Dear Poet
12 Your Blanket

待ったなし！容赦なし！！文句なし！！
ブレイクコアのキングVenetian Snares再降臨！！！


Taico Club Festival 2014に来日が決定した〈Planet Mu〉が誇るブレイクコアの最重要アーティスト、Venetian Snares最新作！よりメタリック & ゴシックに磨き上げられた伝家の宝刀が炸裂する、唯一無二の世にも奇妙なハードコア・レイヴ！！
 
90年代よりカリスマ的な人気を誇るレーベル屈指のハードコア・ヒッター、カナダの鬼才Aaron FunkことVenetian Snaresの4年ぶりとなる最新作。ジャズのスィウィングで不気味に幕を開け、切り裂くようになだれ込む怒濤のブレイクスと目まぐるしいカットアップが炸裂。自身のオペラ調のボーカル、ダビーな音響空間、デス・メタルのようなSEなどを織り交ぜ、緩急を付けながらシネマティックなドラマを演出。アートワークが物語るようにホーンやストリングスなどのクラシカルにゴシックな重厚感が増し、メランコリックに夢想的な亜空間とフィジカルに破壊的なビートが唯一無二の悪夢と狂気を描いた、タイトルもジャケもはみ出しまくった傑作へと仕上がりました！AMAZONキテます！！

Venetian Snares:
https://www.facebook.com/vsnares

Planet Mu:
http://www.planet.mu/

________________________________________

Distributed by melting bot / Inpartmaint inc.
http://www.meltingbot.net

Venetian Snares - 10th Circle Of Winnipeg *promo

Squarepusher   Come On My Selector

New setup I'm working on involving four bonang pencon, transducers, an analog mixer, and Max/MSP.  The majority of processing going on here is based on looping, modulation, and feedback.

Bonang Processing

Buy Ben Gomori 'Lido' at http://bit.ly/m1beatport

Subscribe via iTunes: bit.ly/turnedonpodcast
Follow the Spotify playlist: bit.ly/turnedonspotify

twitter.com/bengomori for shoutouts

James Blake - Wilhelms Scream (Rancido's Deeper Edit) [soundcloud.com/rancidomusic]
Rancido feat. Kems - The Encounter [Innervisions]
Jake Chudnow - Shona (Prelude Hybrid Tweak Short Version) [BLOC]
Aphex Twin - diskhat ALL prepared1mixed [snr2mix] [soundcloud.com/aphextwin]
Vincenzo - New Time [Anjunadeep]
Vincenzo - Into My Heart [Anjunadeep] 
Nachtbreaker - Zachtjes [Hudd Trax] 
Death on the Balcony - Addict For Your Love [Black Jukebox]
Ben Gomori - Lido [Monologues Records]
Debukas - LBMA [2sox]
Debukas - Transparent Living [2sox] 
The Legend Of Zelda: Ocarina Of Time - Song Of Storms (Lancelot Bootleg) [soundcloud.com/lancelotofficial]
Future Classic: Flume & Chet Faker - Drop The Game (Club Mix) [Future Classic]

iTunes Subscribe

Turned On 069: Flume & Chet Faker, Aphex Twin, Debukas, Vincenzo, Death On The Balcony

Ceci est un extrait du morceau Do You Know Squarepusher suivi d'une reproduction Atonalienne 

Do You Know Squarepusher 2:33 2:45 loop - Atonz Transcription

Bollywood Breaks

No Wisdom

Ikon Massive (a drum 'n bass connection) presents the diversity of electronic musiq, mixed by DJ Mikebee.

A Hymnworks Christmas

Squarepusher - Port Rhombus

From the album Ital Tek - Outland (out 1st May 2020 on Planet Mu)
http://smarturl.it/ItalTekOutland

Ital Tek (a.k.a. Alan Myson) returns to Planet Mu with his sixth album ‘Outland‘.

The album was written during a period of new beginnings following a move out of the city to a quieter space and the birth of his first child. During this time of self-imposed isolation Alan recorded a huge amount of source material and spent weeks and months sitting up at night with his newborn, listening back and making notes on how the new record should take form, focusing and developing ideas to shape this lean ten-track album.

Alan talks of the record being a collaboration between two parts of himself, something that definitely comes across as the album unfolds. Textures are something Alan excels at and on his last album, the largely beatless ‘Bodied’, it felt as if he was building a new sound-world. On ‘Outland’ he expands upon this. The album brings together the extremes of Alan’s sound, contrasting roughened bass and beats with starker more detailed atmospheres and emotions.

The most beat-driven song here is ‘Deadhead’, with its gnarled bouncing bass, angular distorted melodies and cavernous textures. On tracks like ‘Bladed Terrain’ the contrasts are even more defined with buzzing drones and razor sharp drums plunging into a grainy fog, giving the track a dramatic 3D feel. Then there are the stop-start pauses of ‘Leaving The Grid’, where the song evaporates into space before reemerging with shuddering rhythms and ghostly textures. Melodies crawl around these tracks as if they’re just waking up, as heard on the atmospheric ‘Angel In Ruin’.

The sleep-deprived fraying of the senses became Alan’s routine and one which he says gave him a renewed creative energy; half-asleep, working through the night, and then into the daytime super-focused but exhausted. Prone to audio hallucinations whilst writing the album, he aimed to capture these distortions in his perception of pitch and time, and you can hear these effects interpreted on tracks like ‘Endless’ and ‘Open Heart’ as melodies phase and slip out of time like an emotional Doppler effect. This is also true of the soaring atonal synths at the peak of ‘Diamond Child’, which feel like the aural equivalent of eye floaters. 

These intuitive feelings and functions are a difficult thing to capture in sound, but Alan manages it beautifully and always makes the result feel warm and adventurous, heartfelt and epic.

Bonang Processing

Charles Matthews