Lost Melodies: Unfinished Demos is a collection of a couple of songs that I couldn't figure out how to finish.

Lyrics and Vocals by arekayic

Instrumentals:
Floating Through The Clouds - Produced by LickOwens

http://arekayic.com/4ABT

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Floating Through The Clouds

If you're looking for a bio.....well, I make beats.
HiDeF LoWFi

LIVE ON STAGE on 23th August, 2025: https://wannebachsummer.de
NEW Video Trailer "Living": https://www.youtube.com/watch?v=lKm28euxFuE
NEW Video Trailer "First Thing": https://www.youtube.com/watch?v=5Q-58t7gvyg
NEW: Hurting
NEW: FIrst Thing - (with Ian Collins)

http://potbarley.com
LATEST RELEASE ON SPOTIFY: "Old Friend" with Ian Collins. https://ffm.to/old_friend.bio

New song "Nancy Says" and a reel: https://youtube.com/shorts/D6OYurY7vgE?feature=share

Crash 'n Burn was charting up to no. 3 in RepostExchange

Hole In The Sky was mentioned in an article with Spotify playlist: : https://staticdive.com/2024/08/14/pot-barley

Check out the reel made by Overdrive on my YouTube Channel of "Crash'n Burn": https://www.youtube.com/shorts/aCx2da8Vxl8 and another one "Release Me": ttps://www.youtube.com/shorts/uCavmdcdtdY!

YT channel: https://www.youtube.com/@PotBarley
Instagram: https://www.instagram.com/potbarleyofficial

Musician & songwriter driven just by passion for songwriting and singing. I am releasing "SoundCloud first" but some selected songs are also on https://potbarley.bandcamp.com or Spotify etc, sometimes in older versions though.
Since spring 2023 I have been writing and recording mainly as a "one man band", using acoustic & electric guitars, bass guitar, keyboards, an old piano, conga, etc. and a voice.
Former member of German bands: In Rags (with Sami Yli-Sirniö and Roman Keymer), Sharkpool and Dutch bands Garbitsjkeng, The Wit, Trio van Putten and and a few others. I baptized my Alter Ego and named him "Pot Barley".

The record label for musicians, by musicians. Send us you're tracks via email to have them posted here!

It's a blessing to be able to create music and if someone enjoys my work, that's icing on the cake! All blessings come from God.

As a retired DOD Civil Service worker, I have time to record some. I have been recording at home sice around 1990 and some of my tracks are very old.  I‘ve had 50+ years in bands playing music of many types. I still play the club scene 3 to 4 times a month. Life is good!

I'm a Guitarist who likes to write, record and sing many styles of music. Please check out my tracks. I'm also enjoying the occasional collaborations.  Meeting some good friends on here and continuing to grow. Thank you for listening!


Es una bendición poder crear música y si alguien disfruta de mi trabajo, ¡eso es la guinda del pastel! Todas las bendiciones vienen de Dios. Como trabajador jubilado del Servicio Civil del Departamento de Defensa, tengo tiempo para registrar algunos. He estado grabando en casa durante unos 23 años y algunas de mis pistas son muy antiguas. He tenido más de 50 años en bandas tocando música de muchos tipos. Todavía juego en la escena del club de 3 a 4 veces al mes. ¡La vida es buena! Soy un guitarrista al que le gusta escribir, grabar y cantar muchos estilos de música. Por favor, echa un vistazo a mis pistas. También estoy disfrutando de las colaboraciones ocasionales. Conocer a algunos buenos amigos aquí y seguir creciendo. ¡Gracias por escuchar!

Big vocals from New York City and sultry guitars from the depths of England.

There was a time when boldness was the main characteristic of youth. Young people wanted to be different, and one of the most prominent ways to be different in my day was to listen to different styles of music. It was very striking among Generation Xers, even those who belonged to more radical urban tribes. I remember well, for example, the late Jeff Hanneman, the brilliant guitarist from Slayer, saying in an interview that he loved classical music. This kind of boldness is deeply rooted in most of the guys who lived through that era. And it's a very noticeable characteristic in most artists who came from those years. The late David Bowie, for instance, embraced electronic rhythms like jungle and drum ‘n’ bass on his incredible album Earthling. Iggy Pop said in a video that he loved the then-new branch of electronic music, a genre called industrial. And the world-famous cellist Yo-Yo Ma played a version of Metallica's “Nothing Else Matters”. The examples are numerous.

Unfortunately, I have witnessed the death of this kind of boldness in the younger generations. Young people enslave themselves to a few musical styles and refuse to listen to the universe of music that exists out there.

Overdrive is a musical project that seeks to explore different musical genres — rap, classical music, techno, punk, death metal, rock ‘n’ roll, new wave, new age, a cappella, you name it. The idea is to introduce new generations to the concepts of musical freedom, musical anarchy, musical curiosity, and bold listening (to new and old styles).

It's a one-man project with the help of countless talented collaborators. So don't be surprised to see tracks of completely different styles with equally diverse collaborators — people like a brilliant English glam singer in shiny pants singing about punks on a post-punk song; or a skilled German guitarist who plays rock riffs on a drum'n bass background; a Russian female singer with an incredibly powerful voice singing a 70s rock song; a young British rapper genius who loves electro; a Danish female singer and harpist who enjoys singing pop music on a Bach background; a French reggae singer who sings disco brilliantly; and many others.

Musical eclecticism is an expression of freedom. I love Sepultura and I love Frank Sinatra. And there isn't a single day that goes by when I don't listen to music by J. S. Bach and the German thrash metal band Destruction. I truly believe that different styles talk to each other when I make music and would love to pass on some of that thinking to my fellow young musicians.

LATEST INSTAGRAM PROMO VIDEOS
JOYBOT
https://www.instagram.com/p/DI6YrdNtML3/
https://www.instagram.com/p/DI6YEvEgwav/
https://www.instagram.com/p/DI6Xg71R4lX/
https://www.instagram.com/p/DI6W_ewNPje/
I WANNA FEEL BRAND NEW
https://www.instagram.com/p/DGpTqlWtuPr/
ROBOT DREAMS
https://www.instagram.com/p/DGOn3-IMzzl/
BROKEN GENERATION
https://www.instagram.com/p/DF_cUIDsPnW/
MOTORPSYCHO
https://www.instagram.com/p/DFj1tULRjjI/
WIDE AWAKE
https://www.instagram.com/p/DFRMsQqMK50/
BOTOX BABIES
www.instagram.com/p/DFHN_rItT0a/
ROCK'N ROLL STAR (2nd)
https://www.instagram.com/p/DFDGvGENUie/
SHINING
https://www.instagram.com/p/DFDGFuwxuB9/
FAST LIFE
https://www.instagram.com/p/DEnHX7RsKgy/
QUEST FOR PEACE
https://www.instagram.com/p/DDyEPGTsqT-/
TURN AROUND
https://www.instagram.com/p/DCFNWa7t1Ve/
I DON'T KNOW AND I DON'T GIVE A DAMN
https://www.instagram.com/p/DA9ES3ZtTWT/
LOVE'S THE LAW
https://www.instagram.com/p/DAhE0DLOMq-/
SKINNY JEANS
https://www.instagram.com/p/DAeOLnIu6bx/
WAR DOG
https://www.instagram.com/p/DAc2xbFMJ8_/
https://www.instagram.com/p/C_80BNQs7wh/
https://www.instagram.com/p/C_4NfF0Rdwh/
I AM A PUNK
https://www.instagram.com/p/C_mTDqvNwTF/
GLOAMING
https://www.instagram.com/p/C_l8esMsElC/
I DON'T KNOW AND I DON'T GIVE A DAMN
https://www.instagram.com/p/C-EjErMuerv/
CYBERNETIC LAMA
https://www.instagram.com/p/C9-5-2dO85a/
CRASH'N BURN
www.instagram.com/p/C9-43u3NvVT/

CONTACT
e-mail: muzik.overdrive[at]gmail[dot]com 
Or DM in Soundcloud/Instagram

Stanford Cruel (formerly ROSEM) weaves dark, atmospheric soundscapes that draw you into a world of haunting beauty. Hailing from Denver, USA, this solo artist crafts deeply emotional, intimate music that feels both personal and universal, born from experiences of profound loss. Their vocals are raw, yet soothing, balancing melancholic introspection with fleeting moments of hope. Influenced by the likes of The Cure, Nine Inch Nails, and Depeche Mode, Stanford Cruel creates a sonic landscape that feels both timeless and deeply modern. After years of keeping their art close, they've emerged with a twenty-track journey that encapsulates their unique sound and unapologetic songwriting. The result? A raw, unfiltered glimpse into a world of bittersweet catharsis that has already earned them top spots on platforms like Reverbnation. For those who live for music that resonates with heartache and healing in equal measure, Stanford Cruel’s music is an invitation into a world all its own.

Born in 1980 under the name KRT, the band began its journey in the raw energy of live shows — in Spain, including a memorable concert in Burgos, and in Brussels at the Teatro. Those early years, intense and furious, were wiped away overnight: all archives, tapes, posters, and memories stolen in a single car theft, as if someone had tried to erase history itself.

By the late ’80s and early ’90s, the group found shelter in the former RKM studio on Avenue Molière in Brussels, under the demanding ear of artistic producer Jean-Claude Maury. From those sessions emerged Fast Beat and The Ballad of the Mouse and the Bird, defining tracks that carved NUR’s sound into stone — dark, restless, untamed.

After a split and years of silence, the band resurfaced under the name NUR, carried this time by the new promise of the digital age. The music could no longer be erased; it was destined to survive.

But fate struck again: the passing of one of the founding members closed the collective chapter. Today, NUR rises once more, as a solo incarnation. More than a project: a resurrection. A flame still burning, more than forty years after its first spark.

Kayak tour guide, couch musician, grandpa.