I Am Everyone I've Ever Met (2016)
https://algaeblooms.bandcamp.com/

I Am Everyone I've Ever Met

algae bloom - Thorns

pave tomorow, burn today

Where to Now? are proud to present the debut LP from Peru based and born Areliz Ramos. ‘Frio’ seeks to explore the common reality of isolation and melancholy which exists when stepping away from our roots towards a solo global exploration of culture and place. Recorded between spells in London, Berlin, and Lima, 'Frio’ attempts to soak up experimental & electronic subcultural scenes within these environments, resulting in a body of work which seeks to connect, longs to feel, and yearns to regain a sense of belonging.

Previously recording under the moniker ‘Milkshlk’ (Female Pressure, Napp), Areliz’s sound shuffles all over the place - from occupying the same deep haze, ethereal, smudged, and downtempo space championed by the likes of Boards of Canada, Odd Nosdam, Seefeel etc, to carrying an unassuming boom bap sensibility and confidence at times, to stepping back and opening widely to experimentation, extended field recordings and tonal subtleties.

The LP begins with title track ‘Frio’, an orchestral and meditative movement in which inaudible, hushed conversations flicker in and out of focus, before the playful piano samples of ‘This Track Is For You’ swing into motion, with a prolonged sampling of a loving ‘pep talk’ from father to daughter welcoming jazzwise flutters...  more
credits
released June 15, 2022

Mastered by Rupert Clervaux
Sleeve design by Liam Cosford
Video for 'This Track Is For You' by Rafael Pereira

This Track Is For You

Lupercalia (Ben Bondy Remix)

layers upon layers upon layers upon layers upon layers of it

Remnants

Catacombe

RESONANCIAS Mariano León: 10th July '25

🌬️ SWINE PREMIERE 🌬️ @arelizramos new album "B side" via Slovak label @mappaeditions

Put on your headphones, sit down, relax and deep dive into imaginative and atmospheric "Bath"

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「 Areliz Ramos is a Peruvian producer living in London, recognized for an evocative palette weaving lo-fi and downtempo threads into dreamlike, abstract emo narratives. 

While her debut ‘Frío’ (Where to Now?), orbited around homesickness and estrangement, ‘B-Side’ embraces imperfection, incorporating her guitar (named "Frank"), pedals, synthesizers, and her own vocal textures for the first time, privileging emotional immediacy over technical precision. 」

∎ The creative process behind this album reflects a conscious decision to let go, loosen control, let intuition lead, and engage her own ‘B’ side.

∎ On this album, Areliz Ramos follows her work’s current into its more “fantastic and elusive… and even romantic” side; a place where fantasy loosens the bolts of reality and memory, and emotion is alluringly refracted into musical collages and loose-strung compositions.

[Swine Premiere] Areliz Ramos - Bath (mappa)

BLASTOFF

Something fron the new @arelizramos album on Mappa then something from SHROUD OF FEAR II by O$VMV$M, followed by the B-side of the latest Muslimgauzer on Staalplat. NGL had some studio issues with the monitor speakers so these first three tracks were all selected in the headphones then dropped a long Mammo from his @shortspanrecords release whilst I figured out what the issue was. Shouts to Miro for rescuing the day!!! Obviously this was a stylistic curveball towards dubby, technoey 4/4 stuff earlier than I had planned so went with it for a bit with some Aybee, a new Semtek track coming on @dontbeafraid, some classic Stress from Maurice Fulton and a somewhat haphazard choice of Dettmann remixing/editing Junior Boys from that recent Running Back compilation.... Enough of that mate so took a left turn into the new KE7 45 from Winos then some Demdike Stare and Cherrystones business which set the tone for a forthcoming Tuta Ta track on @long-gone-dublin-london which mixes really well with Sex Life from Tracey. I thought the mad new Mezey on Future Times would also blend nicely with Tracey but this is a bit chaotic tbf… Then the new James Massiah meets Lord Tusk on @a_m_radio followed by an old Lord Tusk pressure cut which blended nicely into this killer Avon Blume track on MAL Recordings’ PRESSURE (II) [would love a third volume of this series btw] A classic meandyou v/a from Sensu then Piezo and Chester Giles setting the tone for some nice 90bpm sounds from the F7 triple pack on Acting Press, a 33 10 3402 track from the Japanese import edition of the final Discos Capablanca release, another 33 10 3402 gem, something from the excellent new Sebastiano Carghini album on @bert2bert's topo2 label, a recent dresvn on SUED, something from the new Rali Pabs album on Weirdo Inc Rec and then all of one side of A Visiting Link played at the wrong speed.

It Takes Time 089

From 'B side', out on mappa.
YOU BUY: https://mappa.bandcamp.com/album/b-side

@arelizramos
@af85
@mappaeditions

When did it last feel good? When did it last feel like something other than the lack of feeling itself? Something whole and not a palpable absence? Probably never, knowing the crumbling mud hut that is the life you've made a home within. Here: the keys to palatial estate to call your own: Areliz Ramos' 'Recuerda!', with af85, out on mappa, premiered by Madjestic Kasual. Fit for royalty, more than fit for peasantry. Welcome.

you buy

Areliz Ramos - Recuerda! ( w/AF85 ) [MK PREMIERE]

B side (2025)  @mappaeditions

https://mappa.bandcamp.com/album/b-side

Frio (2022) @where-to-now-productions
https://wheretonow.bandcamp.com/album/fr-o

milkshkbeats@gmail.com

This Track Is For You

Areliz Ramos

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